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The Great Peak (Longs Peak)

Alternate TitleLong's Peak, Colorado
Artist Sven Birger Sandzén (American, born Sweden, 1871 - 1954)
Date1938
MediumOil on canvas
DimensionsUnframed: 40 1/8 × 48 1/8 inches (101.92 × 122.24 cm)
Framed: 47 7/8 × 56 × 2 3/4 inches (121.6 × 142.24 × 6.99 cm)
Credit LineGift of Mrs. Massey Holmes in memory of her husband
Object number38-10
SignedSigned and dated lower right: Birger Sandzén / 1938
On View
On view
Gallery Location
  • 220
Collections
Exhibition History

Bingham to Benton: The Midwest as Muse, The Nelson-Atkins Museum of Art, Kansas City, MO, February 5–July 31, 2005, no cat.

Gallery Label
The Great Peak (Longs Peak) exemplifies Birger Sandzén's vigorous approach to painting the western landscape. The painting's broad, thick brushwork reveals his admiration of Vincent van Gogh and Paul Cézanne, whose work he knew from study in Paris. Sandzén used this style to celebrate the geological grandeur of Kansas, Colorado and Utah. The Great Peak is a larger version of a painting Sandzén had created for a Kansas City patron. In enlarging the composition, the artist more firmly regulated his brush marks, emphasizing both the peak's and the picture's larger presence.

Born in Sweden, Sandzén immigrated to the United States in 1894 to teach at Bethany College in Lindsborg, Kansas, where he remained the rest of his life.

Provenance

To Ethel Greenough (Mrs. Massey) Holmes (1879-1964), Kansas City, MO, 1938;

 

Her gift to The Nelson-Atkins Museum of Art, 1938.

Published References

“‘Long’s Peak,’ by Birger Sandzen, to Nelson Gallery,” Kansas City Journal-Post, March 2, 1938, 14 (as Long’s Peak, Colorado).

“A Brilliant Colorado Scene by Birger Sandzen Is Given to the Art Gallery—Works of Adolf Dehn Attract Much Attention,” Kansas City Star, March 4, 1938, 28 (as Long’s Peak, Colorado).

 

Luigi Vaiani, ed., “In the Art World: Mrs. Holmes’ Purchase of Sandzen’s Picture for Gallery and Woodcut Society’s Exhibition at Lighton Studio Discussed,” Kansas City Journal-Post, March 6, 1938, 4B (as Long’s Peak, Colorado).

 

“Art Gift to Gallery,” Kansas City Times, March 7, 1938, 3 (as Long’s Peak, Colorado);.

 

“Birger Sandzen Delights Audience with Informal ‘Chat’ at Gallery,” [March 1938], clipping, NAMA curatorial files.

 

“Sandzen of Kansas,” Kansas City Star, March 10, 1938, D.

 

The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts: Founders and Benefactors (Kansas City, Mo.: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1940), 23 (as Long’s Peak, Colorado).

 

The William Rockhill Nelson Collection, 2nd ed. (Kansas City, Mo.: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1941), 166 (as Long’s Peak, Colorado).

 

Handbook of the Collections in the William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 4th ed. (Kansas City, Mo.: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1959), 257 (as Long’s Peak, Colorado).

 

Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 254 (as Long’s Peak, Colorado).

 

Henry Adams, Handbook of American Paintings in the Nelson-Atkins Museum of Art (Kansas City, Mo.: Nelson-Atkins Museum of Art, 1991), 132–33 (as Long’s Peak, Colorado).

 

Emory Lindquist, Birger Sandzén: An Illustrated Biography (Lawrence: University Press of Kansas, 1993), 42 (as Long’s Peak), pl. 45 (as Long’s Peak, Colorado).

 

Roger Ward and Patricia J. Fidler, eds. The Nelson-Atkins Museum of Art: A Handbook of the Collections. 6th ed. (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 249 (as Long’s Peak, Colorado).

 

Randall R. Griffey, “Bingham to Benton: The Midwest as Muse,” American Art Review 17 (April 2005), 100 (as Long’s Peak, Colorado).

 

Margaret C. Conrads, ed. The Collections of the Nelson-Atkins Museum of Art: American Paintings to 1945 (Kansas City, Mo.: The Nelson-Atkins Museum of Art, 2007), 1: 470 – 472, 2: 210.

 

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 182.

Copyright© Birger Sandzén Memorial Gallery
Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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