Composition Red and Blue
Artist
Albert Bloch
(American, 1882 - 1961)
Date1926
MediumOil on canvas; mounted on Masonite
DimensionsUnframed: 39 1/4 x 33 1/2 inches (99.7 x 85.09 cm)
Framed: 45 1/2 x 39 1/2 inches (115.57 x 100.33 cm)
Framed: 45 1/2 x 39 1/2 inches (115.57 x 100.33 cm)
Credit LineGift of Dr. and Mrs. Eric Voth
Object number2004.22
SignedSigned with monogram right side
On View
On viewGallery Location
- 217
Collections
DescriptionThis vertically oriented painting shows figures in an imaginative, colorful (mostly red and blue) landscape. Two nude female figures lounge near the center of the composition, while a clothed, male musician plays the flute in the upper right. Another male figure looks on in the upper left. A waterfall runs along the left hand margin. A yellow bird sits on a tree branch at the right.Gallery LabelAlbert Bloch believed art could offer a retreat from the materialism and corruption of the modern world and bring us “to a profounder [sic] feeling of our inextricable union with the Infinite.”
Composition Red and Blue presents Bloch’s tranquil, dream-like vision of such respite and union. Two nude people lounge near a waterfall accompanied by a bird, dog, and pair of clownlike figures, one of whom plays the flute. The repetition of bright colors and softly blurred forms enhances the scene’s otherworldly atmosphere and interconnectedness.
Catalogue of an Exhibition of Paintings by Albert Bloch, exh. cat.
(Chicago: Arts Club of Chicago, 1927), unpaginated (as Pastorale:
Red and Blue); Maria Schuchter, “Albert Bloch,” Ph.D. diss., Uni
versität Innsbruck, 1991, 66, 131; Frank Baron, Helmut Arntzen,
and David Cateforis, eds., Albert Bloch: Artistic and Literary Perspec
tives (Munich: Prestel-Verlag, in association with Max Kade Center
for German-American Studies, University of Kansas, 1997), 158;
Randall R. Griffey, “Bingham to Benton: The Midwest as Muse,”
American Art Review 17 (April 2005), 96, 101.
(Chicago: Arts Club of Chicago, 1927), unpaginated (as Pastorale:
Red and Blue); Maria Schuchter, “Albert Bloch,” Ph.D. diss., Uni
versität Innsbruck, 1991, 66, 131; Frank Baron, Helmut Arntzen,
and David Cateforis, eds., Albert Bloch: Artistic and Literary Perspec
tives (Munich: Prestel-Verlag, in association with Max Kade Center
for German-American Studies, University of Kansas, 1997), 158;
Randall R. Griffey, “Bingham to Benton: The Midwest as Muse,”
American Art Review 17 (April 2005), 96, 101.
Copyright© Albert Bloch Foundation
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