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Listening to the Singing of Orioles

Listening to the Singing of Orioles

Original Language Title聽鸝圖
Artist Wang Sanxi 王三錫 (Chinese, 1716 - 1793)
Date1777
MediumHanging scroll; ink and color on paper
DimensionsImage: 30 1/2 × 13 1/2 inches (77.47 × 34.29 cm)
Mount: 73 3/4 × 18 1/4 inches (187.33 × 46.36 cm)
Credit LinePurchase: acquired through the Fortieth Anniversary Fund
Object numberF75-39
On View
Not on view
Gallery Location
  • 202
Collections
Exhibition History

Chinesische Malerei, Museum fur Kunst und Gewerbe, Hamburg, 1949-50, no. 128.

Austellung Chinesische Malerei 15-20 Jahrhundert [Exhibition of Chinese painting of the 15th – 20th , Kunstsammlungen der Stadt Düsseldorf 1950, no. 118.

Flowers to Frost: Four Seasons in East Asian Art, The Nelson-Atkins Museum of Art, January, 5 – July 17, 2016.

Gallery Label

“At the hill slope after rain, the orioles sing a fresh melody;

Wind flow across from the hill ridges, arising the fragrance of grass.”

—Wang Sanxi

In this mountain scene, the crisp contour of boulders contrasts against a chilly river. Distant peaks, drawn in pale ink, are visible in the background. Below, two orioles’ birdsong echoes throughout the still river valley. In some Chinese paintings, the season is unclear. The artist notes in the inscription that he made this work in the wintertime, and the atmosphere might appear wintry. However, the poem and foliage suggest that it may be springtime. Take another look—what season do you think it may be?

Provenance

Victoria Contag van Winterfeldt, Germany.

Inherited by her Daughter, Beatrix Freifrau Riedesel Zu Eisenbach;

Purchased from Beatrix Freifrau Riedesel Zu Eisenbach by The Nelson-Atkins Museum of Art, Kansas City, MO, 1975.

Published References

Victoria Contag, Chinesische Malerei, Museum fur Kunst und Gewerbe (Hamburg: 1949-50), 51, no. 113.

Victoria Contag, Chinesische Malerei, Kunstsammlungen der Stadt Düsseldorf (1950), p. 31, no. 118.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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