Jawbreaker Machine
Framed: 26 5/8 x 32 5/16 x 1 7/8 inches (67.63 x 82.07 x 4.76 cm)
- L3
Wayne Thiebaud, The Pasadena Art Museum, 1968, no. 13.
Wayne Thiebaud, Contemporary Arts
Center, Cincinnati, November 11-December 15, 1968.
Wayne Thiebaud Survey 1947-1976,
Oakland Museum November 19, 1976-January 12, 1977, University of Southern
California Art Galleries, January 31-March 6, 1977, Des Moines Art Center,
April 5-May 15, 1977, no cat.
Wayne Thiebaud, San Francisco Museum
of Modern Art, September 12, 1985-November 9, 1986. Milwaukee Art Museum, April
11-June 1, 1986, Columbus Museum of Art, July 19-August 31, 1986, The
Nelson-Atkins Museum of Art, September 24-November 9, 1986, no. 10.
POP Art, Royal Academy of Arts,
London, September 13-December 15, 1991, Museum Ludwig, Cologne, January
23-April 19, 1992, Centro de Arte Reina Sofia, Madrid, June 23-September 14,
1992, Musee des Beaux-Arts de Montreal, October 23, 1992-January 24, 1993, no.
64.
The Lighter Side of Bay Area Figuration,
Kemper Museum of Contemporary Art, Kansas City, April 7-June 18, 2000; San Jose
Museum of Art, September 2-October 22, 2000, unnumbered.
A Century of the American Dream,
Aichi Prefectural Museum of Art, Nagoya, Japan, November 23, 2000-January 28,
2001; Hyogo Prefectural Museum of Modern Art, Kobe, Japan, February 7-March 25,
2001, hors cat.
Les Années Pop, Musée National d’art
Moderne, Centre Georges Pompidou, Paris, March 7-June 18, 2001.
Wayne Thiebaud: A Fifty-Year Retrospective, Kemper Museum of Contemporary Art, Kansas City, June 6-August 31, 2003, 24-25, (repro.).
The
Artist;
His gift to Allan Stone, New York, 1963;
With Allan Stone Galleries, New York, 1963;
Purchased by Mr. and Mrs. Jack Glenn, Kansas City, MO;
Their gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1965.
John
Coplans, Wayne Thiebaud (Pasadena:
The Pasadena Art Museum, 1968), no. 14, unnumbered.
Karen Tsujimoto, Wayne Thiebaud
(Seattle: University of Washington Press, 1985), 63, (repro.).
Peter von Ziegesar, “Thiebaud Exhibit: Nelson celebrates acquisition with show
for pop artist” The Kansas City Star
(September 1986): 27.
Robert McVaugh, Dewey F. Mosby, Fifian Endicott Barnett, Picker Gallery, Abstraction, Non-objectivity, Realism: Twentieth-century painting (New
York: Solomon R. Guggenheim Museum, 1987), 19, (repro.).
artePop (Madrid: Museo Nacional Reina
Sofia, 1992), 110, (repro.), 344.
Marco Livingstone, ed. Pop Art
(Montreal: The Montreal Museum of Fine Arts, 1992), 110, (repro.), 280.
Mark Francis, Les Années Pop, 1956-1968
ex. cat. (Paris: Centre Georges Pompidou, 2001), 63.33.
Susan Landauer, The Lighter Side of Bay
Area Figuration, ex. cat. (Kansas City: The Kemper Museum of Conemporary
Art, 2000), 12, (repro.).
Dana Self, Wayne Thiebaud: Fifty Years of Painting (Kansas City: Kemper Museum of Contemporary Art, 2003), unnumbered, (repro.).
