Cabinet on Stand
.1 (upper): 61 5/8 × 39 1/8 × 21 1/8 inches (156.53 × 99.38 × 53.66 cm)
.2 (lower): 33 1/4 × 44 1/2 × 22 7/8 inches (84.46 × 113.03 × 58.1 cm)
- 122
With Kent Galleries, Ltd., London, by August 11, 1930;
Purchased from Kent Galleries, Ltd. by French & Co., New York, stock no. 37047, August 11, 1930-January 30, 1933 [1];
Purchased from French & Co. by The Nelson-Atkins Museum of Art, Kansas City, MO, 1933.
NOTES:
[1] Getty Research Institute, Los Angeles, French & Co. Stock Sheets, box 42, folder 2, copy in Nelson-Atkins curatorial file.
“American Art Notes,” The Connoisseur, Vol. XCII No. 388 (Dec. 1933), 420 (repro.)
Cescinsky, Herbert. English Furniture from Gothic to Sheraton: A Concise Account of the Development of English Furniture and Woodwork from the Gothic of the Fifteenth Century to the Classic Revival of the Early Nineteenth (New York: Garden City Publishing, 1937), 219-220.
Cescinsky, Herbert. English Furniture from Gothic to Sheraton: A Concise Account of the Development of English Furniture and Woodwork from the Gothic of the Fifteenth Century to the Classic Revival of the Early Nineteenth (New York: Dover Publications, 1968), 219-220.
Hinckley, F. Lewis. A Directory of Queen Anne, Early Georgian, and Chippendale Furniture: Establishing the Preeminence of the Dublin Craftsmen.(New York: Crown, 1971), 158 (repro.).
Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 221 (repro.).
Ross Taggert, “The Charm of Chinoiserie,” Apollo 96, no. 130 (December 1972): 56-60 [repr. in Denys Sutton, ed., William Rockhill Nelson Gallery, Atkins Museum of Fine Arts, Kansas City (London: Apollo Magazine, 1972), 7 (repro.).
Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 181 (repro.).
