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Secretary Bookcase

CultureGerman
Date1740-1750
MediumWalnut and pine with ebony, walnut, and fruitwood
DimensionsOverall: 84 3/4 × 41 1/4 × 23 3/4 inches (215.27 × 104.78 × 60.33 cm)
Credit LinePurchase: the Kenneth A. and Helen F. Spencer Foundation Acquisition Fund
Object numberF69-39.1-3
On View
Not on view
DescriptionA bureau cabinet, the exterior veneered with fantastic architectural perspectives in marquetry of various woods. The interior of the upper part contains pigeon holes and small drawers with a cupboard at the center. The bureau fall below contains a sliding writing surface with pigeon holes. Below are three ranges each of four drawers, the outside ranges can be concealed by doors which slide into the carcase. The cabinet is raised upon six carved walnut feet.Gallery Label
Optical illusions abound as the eye is drawn into the fantastical, architectural settings depicted on this bookcase. The realistic portrayal of the elaborately detailed interiors is realized by the juxtaposition of geometric pieces carefully cut from multi-hued veneers of wood. This form of decoration, known as marquetry, originated in 14th-century Italian intarsia, or inlaid designs, that often echoed the innovations of early Renaissance painting, such as the rendering of perspective. Here, perspective is used to achieve a three-dimensional sense of depth in the imaginary architectural scenes on the two-dimensional surfaces. Marquetry reemerged in Germany and the Netherlands in the early 17th century and achieved a high degree of refinement in the 18th century. 
Provenance

With David Drey, Ltd by 1969;

Purchased from David Drey, Ltd, byt The Nelson-Atkins Museum of Art with funds from Mrs. Kenneth A Spencer, 1969.

Published References

 The Nelson Gallery & Atkins Museum Bulletin, Vol. V, No. 1, (August 1971): 11-14, cover (repro.).

 Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 232, (repro).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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