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Komokwa Mask (King of the Sea Mask)
recto overall
recto overall

Komokwa Mask (King of the Sea Mask)

Artist Tom D. Hunt (North American Indian, Kwakwaka'wakw (Kwakiutl), born 1964)
Date2006
MediumWood and pigment
DimensionsOverall: 26 1/2 × 32 × 11 3/4 inches (67.31 × 81.28 × 29.85 cm)
Credit LineGift of Karen L. Christiansen and Thomas B. Phillips in honor of the 75th anniversary of The Nelson-Atkins Museum of Art
Object number2021.39
On View
Not on view
DescriptionPainted wood mask featuring a bird sitting atop of the figure’s head. It is painted in blue, red and black decoration.Gallery Label
Komokwa is a revered and powerful figure in Kwakwaka’wakw mythology. He is regarded as chief of the undersea world, protector of seals and provider of all wealth. Often depicted as a combination of undersea creature, sea mammal and land animal, he is associated with the beings of the sea as well as with rising tides and whirlpools. Indeed, his entrance into the dance house is sometimes prefaced with reports of rising tides. This monumental, masterfully carved and painted representation of Komokwa was created by Tom Hunt. The Hunt family contains many fine artists and remains deeply committed to the continuation of Kwakwaka’wakw traditions, because of which many of Tom Hunt’s masks have been presented at potlatch ceremonies.
Provenance

Purchased from the Artic Raven Gallery, Friday Harbor, Washington, 2008;

Promised gift of Karen L. Christiansen, Mission Hills, Kansas, 2009;

Gift of Karen L. Christiansen and Thomas B. Phillips to The Nelson-Atkins Museum of Art, Kansas City, Missouri, 2021.

Copyright© Tom D. Hunt
Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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