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Soft Shuttlecocks on Ground

Artist Claes Oldenburg (American, born Sweden, 1929 - 2022)
Artist Coosje van Bruggen (American, born the Netherlands, 1942 - 2009)
Date1995
MediumPastel and charcoal over graphite pencil underdrawing on white wove paper
DimensionsSheet: 27 3/8 × 40 1/4 inches (69.53 × 102.24 cm)
Framed: 30 5/8 × 42 3/8 × 1 5/8 inches (77.79 × 107.63 × 4.13 cm)
Credit LineBequest of Estelle and Morton Sosland in honor of the 75th anniversary of The Nelson-Atkins Museum of Art
Object number2021.31.7
Signed"CO '94" written in the lower right corner
On View
Not on view
Collections
DescriptionThis drawing depicts two fallen shuttlecocks with feathers askew.Gallery Label

In 1992, Claes Oldenburg and his wife and collaborator Coosje van Bruggen were commissioned by the Sosland family to create a sculpture for The Nelson-Atkins Museum of Art. The pair designed four giant birdies or Shuttlecocks that were placed as though they had just landed on opposite sides of the Museum-as-net.


Soft Shuttlecocks on Ground is one of many preparatory drawings and models created during the commission. Together, these works document the evolving ideas and forms that culminated in Shuttlecocks. This drawing inspired a later related sculpture, Soft Shuttlecock (1995), in the collection of New York’s Solomon R. Guggenheim Museum.

Provenance

Purchased from Pace Gallery, NY, NY by Estelle and Morton Sosland;

Promised Gift, 2009;

Bequeathed by Estelle and Morton Sosland to The Nelson-Atkins Museum of Art, Kansas City, MO, 2021.

Published References

Oldenburg, Claes and van Bruggen, Coosje, "Large-Scale Projects," The Monacelli Press, 1994.

Oldenburg, Claes and van Bruggen, Coose, "Sculpture By The Way," Castello di Rivoli Museum of Contemporary Art, Rivoli-Turin, October 25, 2006-February 25, 2007, Skira Editore S.p.A., 2006.

Copyright© Estate of Claes Oldenburg and Coosje van Bruggen
Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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