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While Judge Olin was delivering the address
While Judge Olin was delivering the address

While Judge Olin was delivering the address

Artist Alexander Gardner (American, born Scotland, 1821 - 1882)
Date1865
MediumAlbumen print
DimensionsOverall: 7 1/4 x 9 3/4 inches (18.42 x 24.77 cm)
Credit LineGift of Hallmark Cards, Inc.
Object number2005.27.321
InscribedIn pen on face of print: "While Judge Olin was delivering the address." In pencil on back: "Inauguration of a monument at 2nd Bull Run battlefield, 1865 or 6" and "Heintzelman." Ex: Alfred W. Waud collection.
On View
Not on view
Collections
DescriptionImage of uniformed soldiers gathered in a field with a faint row of trees lining the horizon.Exhibition History

Rotation 1. The Nelson-Atkins Museum of Art, Kansas City, MO, June 17 – October 25, 2007, no. cat.

Rotation 24. The Nelson-Atkins Museum of Art, Kansas City, MO, June 10 – October 15, 2017, no. cat.

Gallery Label
This candid photograph is rather different in nature from most Civil War-era documentary images. Here, Alexander Gardner turned his camera on a crowd of spectators. The occasion was the dedication of a monument to the Union troops who fought at the 1861 battle of Bull Run. Although Judge Abram B. Olin gave one of the keynote speeches that day, Gardner chose to record his audience rather than the judge himself. 
Provenance
Hallmark Cards, Inc., 1997;
Given by Hallmark Cards, Inc. to The Nelson-Atkins Museum of Art, Kansas City, MO, 2005.
Published References
Keith F. Davis, The Origins of American Photography: from Daguerreotype to Dry-Plate, 1839-1885. With contributions by Jane L. Aspinwall. Kansas City, MO: Hall Family Foundation: in association with the Nelson-Atkins Museum of Art, 2007. Distributed by Yale University Press. Published in conjunction with Developing Greatness: the Origins of American Photography, 1839-1885, shown at the Nelson-Atkins Museum of Art, 200 (repro.).
Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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