The Triumph of Bacchus

Musée de la Ville de Béziers: Catalogue des Peintures, Aquarelles, Dessins, Sculptures, Objets d’art, etc., 7th ed. (Béziers: A. Bouineau, n. d.), 45.

 

Pompeo Frangipani to Cardinal Richelieu, May 19, 1636, Correspondance politique, Rome (1636), microfilm P 7511, vol. 57, folio 171, Archives du Ministère des Affaires Étrangères, La Corneuve, France.

 

Gaspard de Daillon to Cardinal Richelieu, 1636–37, Mémoires et documents, France, microfilm P 3730, vol. 826, folio 88, Archives du Ministère des Affaires Étrangères, La Corneuve, France.

 

Willem Schellinks, entry on Richelieu, July 20, 1646, “Dagh-register wegens onse Reysze in en door Vrankryck, Engeland, Italien en Duitschland, 1646-65,” manuscript NKS 370 4^o, vol. 1, fol. 25, Det Kongelige Bibliotek, Copenhagen, Denmark.

 

[Jean] Desmarests [de Saint-Sorlin], Les Promenades de Richelieu, ou les Vertus Chrestiennes (Paris: Henry Le Gras, 1653), 58.

 

Jean Marot, Le Magnifique Chasteau de Richelieu, en Général et en Particulier, ou les Plans, les Élévations, et Profils Généraux et Particuliers dudit Chasteau, Et de ses Avenuës, Basses-courts, Anti-courts, Courts, Corps de logis, Aisles, Galleries, Escuries, Maneges, Jardins, Bois, Parc, et généralement de tous ses Appartemens (Paris, ca. 1660), unpaginated.

 

Willem Schellinks, entry on Richelieu, July 12, 1663, “Dagh-register wegens onse Reysze in en door Vrankryck, Engeland, Italien en Duitschland, 1646-65,” manuscript NKS 370 4^o, vol. 2, fol. 371, Det Kongelige Bibliotek, Copenhagen, Denmark.

 

Jean de La Fontaine to Madame de La Fontaine, September 12, 1663, Manuscrits de Conrart, n^o 5132, pp. 123–39, Bibliothèque de l’Arsenal, Paris [repr. in (Louis Jean Nicolas) de Monmerqué, Opuscules Inédits de Jean de La Fontaine (Paris: J. J. Blaise, 1820), 28, 28n1].

 

Paul Fréart de Chantelou, “Journal du Voyage du Cavalier Bernin,” 1665, manuscript 2105, Bibliothèque de l’Institut, Paris [repr. in (Paul Fréart) de Chantelou, “Journal du Voyage du Cavalier Bernin,” ed. Ludovic Lalanne, Gazette des Beaux-Arts 16 (1877): 176].

 

Gio[vanni] Pietro Bellori, Le Vite de’ Pittori, Scultori e Architetti Moderni, part 1 (Rome: Mascardi, 1672), 423.

 

Filippo Baldinucci, Notizie dei Professori del Disegno da Cimabue in quà: per le Quali si Dimostra Come, e per chi le Belle Arti di Pittura, Scultura e Architettura, Lasciata la Rozzezza delle Maniere Greca e Gotica, si Siano in Questi Secoli Ridotte all’Antica loro Perfezione (1681–1728; repr., Florence: V. Batelli, 1846), 4:704. 

 

[Benjamin] Vignier, Le Chasteau de Richelieu, ou l’Histoire des Dieux et des Héros de l’Antiquité, Avec des Réfléxions [sic] morales, 2^nd ed. (Saumur: Henry Desbordes, 1681), 63, as Triomphe de Bacchus.

 

André Félibien, Entretiens sur les Vies et sur les Ouvrages des Plus Excellents Peintres Anciens et Modernes (1685; repr., Geneva: Minkoff, 1972), 4:265.

 

Louis-Henri de Loménie, “Discours sur les ouvrages des plus excellens peintres anciens et nouveaux avec un traité de la peinture composé et imaginé par M^re L.H. de L.C. de B. Reclus,” ca. 1695, manuscrit anc. Saint-Germain 16986, col. 196, Manuscrits occidentaux, Bibliothèque nationale de France, Paris.

 

Florent Le Comte, Cabinet des Singlularitez d’Architecture, Peinture, Sculpture, et Gravure. Ou Introduction à la Connoissance des plus beaux Arts, figurez sous les Tableaux, les Statuës, et les Estampes (1700; repr., Geneva: Minkoff, 1972), 276.

 

[Jean-Michel Le Chanteur], “Inventaire après le décès de Madame la Duchesse de Richelieu,” January 23, 1741, étude LXXXIX, cote 470, folio 9 recto, Minutier central des notaires de Paris, Archives nationales, Paris.

 

“[Mr. Paris’s Sale of Pictures, 1741/2], 2^nd Day’s Sale,” ca. 1760, Sales Catalogues of The Principal Collections of Pictures (One Hundred and Seventy one in number) Sold by Auction in England within the years 1711-1759, the greater part of them with the Prices and Names of Purchasers, vol. 1, p. 112, manuscript MSL/1938/867-868, National Art Library, Victoria and Albert Museum, London, as The Triumph of Bacchus.  

 

[Antoine-Joseph Dézallier d’Argenville], Abrégé de la Vie des Plus Fameux Peintres, avec leurs Portraits Gravés en Taille-douce, les Indications de leurs Principaux Ouvrages, Quelques Réflexions sur leurs caractères, et la Manière de Connoître les Dessins et les Tableaux des Grands Maîtres (1762; repr., Geneva: Minkoff, 1972), 4:28.

 

Giambattista Passeri, Vite de’ Pittori, Scultori, ed Architetti che Anno Lavorato in Roma Morti dal 1641. fino al 1673, 1^st ed. (1772; repr., [Bologna]: Arnaldo Forni, [1976]), 353.

 

[Joshua Reynolds], A Discourse, Delivered to the Students of the Royal Academy, on the Distribution of the Prizes, December 10, 1776 (London: Royal Academy, 1777), 17.

 

A Catalogue of That truly Superb, and well-known Collection of Pictures, of the Roman, Venetian, Spanish, French, Flemish, Dutch and English Schools; the Intire [sic] and Genuine Property of Monsieur Desenfans ([London], 1786), vi.

 

A Catalogue of A Capital, Valuable, and well-chosen Collection of Italian, French, Flemish and Dutch Pictures, By the most esteemed Masters, the Whole in the highest Preservation. Amongst the above are Two most Celebrated and Noble Pictures by Nicolas Poussin, one representing “The Triumph of Bacchus,” the Other “The Sacrifice to the God of Pan”; ever esteemed the most Capital of all his Works; Also a Superbe and Beautiful Landscape by Claude Lorraine. Late the Property of Peter Delmé, Esq; dec. (London: Christie, 1790), 4.

 

“Delmé’s Pictures,” World, no. 975 (February 15, 1790): unpaginated.

 

“The Arts,” Gazetteer and New Daily Advertiser, no. 19,095 (February 17, 1790): unpaginated.

 

Amabel Yorke, entry for Thursday, March 21, 1793, Diary of Lady Amabel Yorke of Studley Royal, manuscript WYL150/7/6, vol. 14, p. 64, West Yorkshire Archives Service, Leeds, England.

 

“A Catalogue of the Pictures of John, 2nd Earl of Ashburnham. (1793),” manuscript, p. 5, The Library, The National Gallery, London, as Triumph of Bacchus.

 

Joshua Reynolds, The Works of Sir Joshua Reynolds, Knt., Late President of the Royal Academy: Containing his Discourses, Idlers, A Journey to Flanders and Holland, (Now First Published,) and His Commentary on Du Fresnoy’s Art of Painting; Printed from his Revised Copies, (with his Last Corrections and Additions) (London: T. Cadell, Jun. and W. Davies, 1797), 1:138, as The Triumph of Bacchus and Ariadne.

 

James Dallaway, Anecdotes of the Arts in England or Comparative Remarks on Architecture, Sculpture, and Painting, Chiefly Illustrated by Specimens at Oxford (1800; repr., London: Cornmarket, 1970), 515.

 

Joseph Mallord William Turner, “Commentary on Nicolas Poussin,” 1802, Studies in the Louvre Sketchbook, D04305, Turner Bequest LXXII, folio 27, Tate Gallery, London.

 

[John Feltham], The Picture of London, for 1807: Being a Correct Guide to All the Curiosities, Amusements, Exhibitions, Public Establishments, and Remarkable Objects, in and near London, 8^th ed. (London: Richard Phillips, 1807), 298.

 

Nicolas Ruault, Éloge de Nicolas Poussin, Discours qui a remporté le prix de littérature décerné par la Société d’Agriculture, Sciences et Arts du département de l’Eure, dans sa séance publique, tenue à Évreux le 4 juillet 1808 (Paris: Henri Agasse, 1809), 62.

 

C. P. Landon, Vies et Œuvres des Peintres les Plus Célèbres de Toutes les Écoles; Recueil Classique, contenant L’Œuvre complète des Peintres du premier rang, et leurs Portraits; les principales Productions des Artistes de 2^e et 3^e classes; un Abrégé de la Vie des Peintres Grecs, et un choix des plus belles Peintures antiques; Réduit et Gravé au Trait, D’après les Estampes de la Bibliothèque impériale et des plus riches Collections particulières (Paris: Treuttel and Wurtz, 1813), 11:29, as le Triomphe de Bacchus.

 

Maria Graham, Memoirs of the Life of Nicholas [sic] Poussin (London: Longman, Hurst, Reese, Orme, and Brown, 1820), 217–18, as Triumph of Bacchus and Ariadne.

 

Gio[vanni] Pietro Bellori, Vite dei Pittori, Scultori ed Architetti Moderni (Pisa: Niccolò Capurro, 1821), 2:163.

 

John Preston Neale, Views of the Seats of Noblemen and Gentlemen, in England, Wales, Scotland, and Ireland, vol. 4 (London: Sherwood, Gilbert, and Piper, 1828), unpaginated, as Triumph of Bacchus.

 

Ch[arles] de Chergé, “Notice sur le château de Richelieu,” Mémoires de la Société des Antiquaires de l’Ouest 2 (1836): 234.

 

John Smith, A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters; in which is included a short Biographical Notice of the Artists, with a Copious Description of their Principal Pictures; A Statement of the Prices at which Such Pictures Have Been Sold at Public Sales on the Continent and in England; A Reference to the Galleries and Private Collections, in which a Large Portion Are at Present; And the Names of the Artists by Whom They Have Been Engraved to which Is Added, a Brief Notice of the Scholars and Imitators of the Great Masters of the Above Schools, vol. 8, The Life and Works of Nicholas Poussin, Claude Lorraine, and Jean Baptist Greuze (London: Smith and Son, 1837), 110-–1, as The Triumph of Bacchus.

 

Catalogue des Tableaux Composant la Galerie de Feu son Éminence le Cardinal Fesch (Rome: Joseph Salviucci et fils, 1841), 49.

 

Joshua Reynolds, The Discourses of Sir Joshua Reynolds; Illustrated by Explanatory Notes and Plates by John Burnet, F.R.S. (London: James Carpenter, 1842), 123, 123n5, as Triumph of Bacchus and Ariadne.

 

Biographie Universelle Ancienne et Moderne, ou Histoire, par Ordre Alphabétique, de la Vie Publique et Privée de Tous les Hommes qui Se Sont Fait Remarquer par leurs Écrits, leurs Actions, leurs Talents leurs Vertus ou leurs Crimes, new ed. (Paris: C. Desplaces, [1843–65]), 34:247, as Triomphe de Bacchus et d’Ariane.

 

[Anna] Jameson, Handbook to the Public Galleries of Art in and near London: With Critical, Historical, and Biographical Notices of the Painters and Pictures, new ed. (London: John Murray, 1845), 72, erroneously as Duc de Montmorenci collection.

 

Œuvres Complètes de Nicolas Poussin (1845; repr., Paris: Firmin Didot Frères, Fils et Cie, 1863), 1:7, as Triomphe de Bacchus.

 

Catalogue of the Entire and Valuable Collection of Italian, Flemish, Dutch, and French Pictures, the Property of the Earl of Ashburnham (London: Christie and Manson, 1850), 15, as The Triumph of Bacchus.

 

[Antoine] J[ules] Dumesnil, Histoire des Plus Célèbres Amateurs Italiens et de leurs Relations avec les Artistes (Paris: Jules Renouard et Cie, 1853), 460.

 

The Art-Treasures Examiner: A Pictorial, Critical, and Historical Record of the Art-Treasures Exhibition, at Manchester, in 1857 (Manchester: Alexander Ireland, [1857]), 226, as Triumph of Bacchus.

 

E. T. B., What to See, and Where to See It! Or The Operative’s Guide to the Art Treasures Exhibition, Manchester, 1857 (Manchester: A. Ireland, 1857), 11, as Triumph of Bacchus.

 

Charles Blanc, Les Trésors de l’Art à Manchester (Paris: Pagnerre, 1857), 193, 205, as Triomphe de Bacchus.

 

W[illiam] Burger [Théophile Thoré-Bürger], Trésors d’Art Exposés à Manchester en 1857 et provenant des Collections Royales, des Collections Publiques et des Collections Particulières de la Grande-Bretagne (Paris: Jules Renouard, 1857), 330, as Le Triomphe de Bacchus.

 

W. Blanchard Jerrold, ed., Jerrold’s Guide to the Exhibition. How to See the Art Treasures Exhibition: A Guide, Systematically Arranged, to Enable Visitors to Take a View, at Once Rapid and Complete, of the Art Treasures Palace; with a Plan of the Palace, So Arranged as to Facilitate Reference to the Official Catalogue (Manchester: A. Ireland, 1857), 20, as The Triumph of Bacchus.

 

Manchester Art Treasures Exhibition, Catalogue of the Art Treasures of the United Kingdom Collected at Manchester in 1857, exh. cat. ([London: Bradbury and Evans], 1857), 49, as Triumph of Bacchus.

 

G. S[charf], A Handbook to the Paintings by Ancient Masters in the Art Treasures Exhibition. Being a Reprint of Critical Notices Originally Published in “The Manchester Guardian” (London: Bradbury and Evans, 1857), 56, as Triumph of Bacchus.

 

[Gustav Friedrich] Waagen, The Manchester Exhibition; What to Observe: A Walk through the Art-Treasures Exhibition under the Guidance of Dr. Waagen: A Companion to the Official Catalogue (London: John Murray and W. H. Smith and Sons, 1857), 23, as Triumph of Bacchus.

 

H[ervé] Bouchitté, Le Poussin: Sa Vie et son Œuvre Suivi d’une Notice sur la Vie et les Ouvrages de Philippe de Champagne et de Champagne le Neveu (Paris: Didier et Cie, 1858), 58, 298.

 

Théodore Lejeune, Guide Théorique et Pratique de l’Amateur de Tableaux: Études sur les Imitateurs et les Copistes des Maitres de Toutes les Écoles dont les Œuvres Forment la Base Ordinaire des Galeries (Paris: Gide, 1863), 138, as Le Triomphe de Bacchus.

 

Pierre Larousse, Grand Dictionnaire Universel du XIX^e Siècle (Paris: Administration du Grand Dictionnaire Universel, 1867), 2:19, 25–26, as Triomphe de Bacchus.

 

L[ouis] Clément de Ris, Les Musées de Province: Histoire et Description, 2^nd ed. (Paris: Jules Renouard, 1872), 425–27.

 

Louis Moland, Œuvres Complètes de La Fontaine, new ed. Œuvres Diverses II (Paris: Garnier Frères, 1872–86), 7:262, 263n4.

 

Pierre Larousse, Grand Dictionnaire Universel du XIX^e Siècle (Paris: Administration du Grand Dictionnaire Universel, 1875), 13:12–13, 1187.

 

Ministère de l’Instruction Publique et des Beaux-Arts, Réunion des Société des Beaux-Arts des Départements à la Sorbonne Du 31 mars au 3 avril 1880 (Paris: E. Plon et Cie, 1881), 87.

 

Émile Bellier de la Chavignerie and Louis Auvray, Dictionnaire Général des Artistes de l’École Française depuis l’origine des arts du dessin jusqu’à nos jours (1882–87; repr., New York: Garland, 1979), 4:306.

 

Louis Gonse, “Exposition de Maîtres Anciens à la ‘Royal Academy’, de Londres,” Gazette des Beaux-Arts 25, no. 297 (March 1, 1882): 290, as Triomphe de Bacchus.

 

Edmond Bonnaffé, “Notes sur les Collections des Richelieu,” Gazette des Beaux-Arts 26 (1882): 21, 21n1.

 

Exhibition of Works by the Old Masters, and by Deceased Masters of the British School, exh. cat. (London: Royal Academy, 1882), 31, as Triumph of Bacchus.

 

Edmond Bonnaffé, Recherches sur les Collections des Richelieu (Paris: E. Plon et Cie, 1883), 34, 34n1.

 

J.-X. Carré de Busserolle, Dictionnaire Géographique, Historique et Biographique d’Indre-et-Loire et de l’Ancienne Province de Touraine (1883; repr., Mayenne, France: Joseph Floch, 1966), 5:311.

 

Edmond Bonnaffé, Dictionnaire des Amateurs Français au XVII^e Siècle (1884; repr., Amsterdam: B.M. Israël, 1966), 271, 276, 346.

 

La Grande Encyclopédie: Inventaire Raisonné des Sciences, des Lettres et des Arts, eds. André Bérthelot et al. (Paris: Société Anonyme de la Grande Encyclopédie, [1885–1902]), 27:521, as Triomphe de Bacchus.

 

L.-A. Bossebœuf, “Excursion de la Société Archéologique à Chinon, Champigny et Richelieu (21 mai 1887),” Bulletin de la Société Archéologique de Touraine 7 (1886–88): 265.

 

L. Dussieux et al., eds., Mémoires Inédits sur la Vie et les Ouvrages des Membres de l’Académie Royale de Peinture et de Sculpture (Paris: Charavay Frères, 1887), 2:252.

 

George Redford, Art Sales: A History of Sales of Pictures and Other Works of Art with Notices of the Collections Sold, Names of Owners, Titles of Pictures, Prices and Purchasers, Arranged under the Artists of the Different Schools in Order of Date, including the Purchases and Prices of Pictures for the National Gallery (London: Bradbury and Agnew, 1888), 1:146, 2:281, as The Triumph of Bacchus, erroneously as “painted for the Duc de Montmorenci.”

 

L.-A. Bossebœuf, Histoire de Richelieu et des Environs au Point de Vue Civil, Religieux et Artistique (Tours: L. Péricat, 1890), 195–96, 196n1, as Triomphe de Bacchus.

 

Ministère de l’Instruction Publique et des Beaux-Arts, Inventaire Général des Richesses d’Art de la France: Province (Paris: E. Plon, Nourrit et Cie, 1891), 5:341.

 

Henri Regnier, Œuvres de J. de La Fontaine, new ed. (Paris: Hachette et Cie, 1892), 9:269, 269n5, 270n5.

 

Ph[ilippe] de Chennevières[-Pointel], Essais sur l’Histoire de la Peinture Français (Paris: Bureaux de L’Artiste, 1894), 120, 151, 216, 263-64.

 

W[illiam] Roberts, Memorials of Christie’s: A Record of Art Sales from 1766 to 1896 (1897; repr., Charleston, SC: Nabu Press, 2012), 1:160, as Triumph of Bacchus.

 

Elizabeth H. Denio, Nicolas Poussin: His Life and Work (London: Sampson Low, Marston and Company, 1899), 59, 64, 233, as The Triumph of Bacchus.

 

Olivier Merson, La Peinture Française au XII^e Siècle et au XVIII^e (Paris: L.-H. May, 1900), 41.

 

Joshua Reynolds, Fifteen Discourses Delivered in the Royal Academy (London: J.M. Dent, [1906]), 108, 108n1, as Triumph of Bacchus and Ariadne.

 

A. J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest: With Which Are Included the Twenty-Three Drawings Bequeathed by Mr. Henry Vaughan (London: Darling and Son, 1909), 1:184.

 

Otto Grautoff, “Letter to the Editor,” Burlington Magazine 22, no. 116 (November 1912): 123.

 

H[ippolyte] Mireur, Dictionnaire des Ventes d’Art Faites en France et à l’Étranger pendant les XVIII^e et XIX^e Siècles (Paris: Maison d’Éditions d’Œuvres Artistiques, 1912), 6:60, as Triomphe de Bacchus.

 

Konrad Ostrowski, “Malarstwo Francuskie w XVII Wieku,” Biblioteka Warszawska (June 1913): 563.

 

Algernon Graves, A Century of Loan Exhibitions, 1813–1912 (New York: Burt Franklin, 1913), 2:955, as Triumph of Bacchus.

 

Walter Friedlaender, “Nicolas Poussin als Zeichner,” Zeitschrift für Bildende Kunst 25, no. 12 (December 1914): 319.

 

Walter Friedlaender, Nicolas Poussin: Die Entwicklung seiner Kunst (Munich: R. Piper, 1914), 16, 66–68, 115–16, as Triumph des Bacchus.

 

Otto Grautoff, Nicolas Poussin: Sein Werk und sein Leben (Munich: Georg Müller, 1914), 1:154, 156; 2:144–45, (repro.), as Triumph des Bacchus.

 

Émile Magne, Nicolas Poussin, Premier Peintre du Roi, 1591-1665 (Documents Inédits): Suivi d’un Catalogue Raisonné et Accompagné de la Reproduction de 145 de ses Tableaux et Dessins, de Deux Portraits, Autographes et Autres Documents (Brussels: G. van Oest et Cie, 1914), 95, 95n2, 96, 199, as Triomphe de Bacchus.

 

Paul Jamot, “Études sur Nicolas Poussin,” Gazette des Beaux-Arts 4, no. 719 (August-–eptember 1921): 93–97, 97n2, 99–100, (repro.), as Triomphe de Bacchus.

 

Algernon Graves, Art Sales from Early in the Eighteenth Century to Early in the Twentieth Century (Mostly Old Master and Early English Pictures), vol. 2 (1921; repr., New York: Burt Franklin, 1970), 345, 349, as Triumph of Bacchus.

 

Charles Martine, Nicolas Poussin: Cinquante Reproductions de Léon Marotte (Paris: Helleu et Sergent, 1921), unpaginated.

 

Léon Coutil, “Nicolas Poussin, 1594–1665 (Études Iconographiques),” Recueil des Travaux de la Société Libre d’Agriculture, Sciences, Arts et Belles-Lettres de l’Eure 1 (1923): 243, as Triomphe de Bacchus.

 

Esther Sutro, Nicolas Poussin (Boston: Medici Society, 1923), 46.

 

Joshua Reynolds, The Discourses of Sir Joshua Reynolds (London: Macmillan, 1924), 113, as The Triumph of Bacchus and Ariadne.

 

Paul Alfassa, “Poussin et le Paysage,” Gazette des Beaux-Arts 11, no. 757 (May 1925): 272.

 

Paul Jamot, “Nouvelles Études sur Nicolas Poussin à Propos de l’Exposition du Petit Palais,” Gazette des Beaux-Arts 12, no. 759 (July–August 1925): 91–95, 98–100, 102–3, 106–8, 108n1, (repro.), as Le Triomphe de Bacchus.

 

Kurt Gerstenberg, “Die Ausstellung Französischer Landschaftsmalerei von Poussin bis Corot in Paris,” Kunst und Künstler 23, no. 12 (December 1925): 488.

 

Paul Jamot, “Sur Quelques Tableaux de Poussin à Propos de l’Exposition du Paysage Français,” Bulletin de la Société de l’Histoire de l’Art Français (1925): 166-67, as Triomphe de Bacchus.

 

Philip Hendy, “Nicolas Poussin: Some Pictures in the National Gallery and at Hertford House,” Apollo 3, no. 16 (April 1926): 219.

 

W. G. Constable, “French Painting in Amsterdam,” Burlington Magazine 49, no. 284 (November 1926): 227.

 

Louis Dimier, Histoire de la Peinture Française du Retour de Vouet à la Mort de Lebrun, 1627 à 1690 (Paris: G. van Oest, 1926), 1:47.

 

Fédération Française des Artistes, Exposition Rétrospective d’Art Français: Catalogue, exh. cat., 2^nd ed. (Amsterdam: Musée de l’État, 1926), 61.

 

Louis Hourticq et al., Le Paysage Français de Poussin à Corot à l’Exposition du Petit Palais, exh. cat. (Paris: Éditions de la Gazette des Beaux-Arts, 1926), 98, 135, as Le triomphe de Bacchus.

 

Otto Grautoff, “Neu aufgefundene Werke von Nicolas Poussin,” Der Kunstwanderer 10, nos. 1–2 (October 1928): 105–6.

 

Joseph Aynard, Nicolas Poussin (Paris: Félix Alcan, 1928), 48–49, as Triomphe de Bacchus.

 

Émile Magne, Nicolas Poussin, Premier Peintre du Roi: Documents inédits (Paris: Éditions Émile-Paul Frères, 1928), 129, 129n1, 130, as Triomphe de Bacchus.

 

Walter Friedlaender, “The Massimi Poussin Drawings at Windsor,” Burlington Magazine 54, no. 312 (March 1929): 127.

Walter Friedlaender, “Catalogue of The Massimi Poussin Drawings at Windsor,” Burlington Magazine for Connoisseurs 54, no. 314 (May 1929): 254, as the Bacchus Triumph.

 

Pierre Courthion, Nicolas Poussin (Paris: Plon, 1929), 41.

 

Gilles de la Tourette, Nicolas Poussin (Paris: Éditions Rieder, 1929), 22.

 

Horace Hennion, Grande Semaine de Tours (10–18 Mai 1930): Exposition Rétrospective et Moderne: À la Gloire du Vin: Reconstitution de caves en Touraine: Exposition d’Œuvres et Objets d’Art, de Documents sur la Vigne et le Vin, exh. cat. (Tours: Arrault et Cie, 1930), 9, 11, (repro.), as Triomphe de Bacchus. 

 

Pierre du Colombier, Poussin (Paris: Éditions G. Crès et Cie, 1931), 7, as Triomphe de Bacchus.

 

Hôtel de Ville de Tours, Grande Semaine de Tours (9–17 Mai 1931): Exposition Rétrospective (Première moitié du XVII^e siècle: Henri IV – Louis XIII): Reconstitution du Château de Richelieu: Exposition d’Œuvres et Objets d’Art, de Livres et Documents, exh. cat. (Tours: Arrault et Cie, 1931), 8, 12.

 

“Nelson Gallery is a Source of Delight to Art Experts,” Kansas City Star (January 10, 1932), clipping, scrapbook, NAMA archives, vol. 1, p. 101, as Triumph of Bacchus.

 

“The Nelson Collection Grows,” Kansas City Star 52, no. 120 (January 15, 1932): D.

 

“Art News,” Kansas City Journal-Post 78, no. 224 (January 17, 1932): 2C, as Triumph of Bacchus.

 

“View New Nelson Art: Purchases for Gallery Inspected by Institute Trustees,” Kansas City Star 52, no. 122 (January 17, 1932): 8A, as Triumph of Bacchus.

“A Warning in Art Talk: Hearers Detect a Reminder in a Remark by Parsons,” Kansas City Times 95, no. 16 (January 19, 1932): 3, as Triumph of Bacchus.

 

“Two More Old Masters Acquired for the William Rockhill Nelson Gallery of Art,” Kansas City Star 52, no. 129 (January 24, 1932): 6, (repro.), as Triumph of Bacchus.

“Famous Picture for Kansas City,” Kansas City Journal-Post 78, no. 231 (January 24, 1932): 2C, (repro.), as The Triumph of Bacchus.

 

“Nelson Art Treasures Draw Admiring Throng: Thousands Flock to Temporary Exhibition of Paintings at the Kansas City Art Institute Every Day,” Weekly Kansas City Star 42, no. 48 (January 27, 1932): 4.

 

“Four Old Masters for Collection in Kansas City,” Art News 30, no. 18 (January 30, 1932): 12, as Triumph of Bacchus.

 

“Kansas City Museum Acquires Nine More Works from Nelson Fund,” Art Digest 6, no. 9 (February 1, 1932): 7, as The Triumph of Bacchus.

 

M[inna] K. P[owell], “Art: A Large Sunday Crowd at the Kansas City Art Institute Sees the Midwestern Show and Old Masters, Including Five Lent by Maxwell Blake,” Kansas City Times 95, no. 33 (February 8, 1932): 6, as Triumph of Bacchus.

 

“Kansas City Now Possesses Masterpieces by Poussin and Claude,” Art Digest 6, no. 10 (February 15, 1932): 32, (repro.), as The Triumph of Bacchus.

“Famous Poussin Added to Kansas City Collection,” Art News 30, no. 21 (February 20, 1932): 13, (repro.), as The Triumph of Bacchus.

“A Strong Home for Art: Father Gerrer, a Connoisseur, Visits the Nelson Gallery,” Kansas City Times 95, no. 47 (February 24, 1932): 6. 

“Art: Two Noted European Scholars Visit the William Rockhill Nelson Gallery of Art and Are Led to Comment Freely on the Comparative Value of the Paintings in the Collection,” Kansas City Star 52, no. 185 (March 20, 1932): 11A.

“M. Claudel in Rich Land: A Desire to See Harvest Expressed by Ambassador,” Kansas City Times 95, no. 70 (March 22, 1932): 11, as The Triumph of Bacchus.

 

Otto Grautoff, “Nouveaux Tableaux de Nicolas Poussin,” Gazette des Beaux-Arts 7 (May 1932): 335.

 

M[inna] K. P[owell], “A New Nelson Group: Paintings and Drawings Are Added to the Gallery,” Kansas City Star 52, no. 206 (April 10, 1932): 11A.

 

Royal Academy of Arts, Exhibition of French Art, 1200–1900, exh. cat. (London: Burlington House, 1932), 81.

 

Werner Weisbach, Französische Malerei des XVII. Jahrhunderts im Rahmen von Kultur und Gesellschaft (Berlin: Verlag Heinrich Keller, 1932), 154, 364n25.

“In Gallery and Studio,” Kansas City Star 53, no. 266 (June 10, 1933): 4.

 

M[inna] K. P[owell], “Art Shows the Layman Something He is Unable to See for Himself,” Kansas City Star 54, no. 49 (November 5, 1933): 8D.

 

Thomas Carr Howe, “Kansas City has Fine Art Museum: Nelson Gallery Ranks with the Best,” (ca. December 1933), clipping, scrapbook, NAMA Archives, vol. 5, p. 6.

 

“New Nelson Gallery of Art,” Connoisseur 92, no. 388 (December 1933): 419.

 

Pierre Domène, “Le nouveau musée de Kansas City,” Beaux-Arts 72, no. 48 (December 1, 1933): 2.

 

“Nelson Gallery of Art Special Number,” Art Digest 8, no. 5 (December 1, 1933): 13, 18, 22, 25, (repro.), as The Triumph of Bacchus.

 

“American Art Notes,” Connoisseur 92, no. 388 (December 2, 1933): 419.

 

“Complete Catalogue of Paintings and Drawings,” Art News 32, no. 10 (December 9, 1933): 28, as Triumph of Bacchus.

 

Alfred M. Frankfurter, “Paintings in the William Rockhill Nelson Gallery of Art,” Art News 32, no. 10 (December 9, 1933): 30, 43, (repro.), as Triumph of Bacchus.

 

Minna K. Powell, “The First Exhibition of the Great Art Treasures: Paintings and Sculpture, Tapestries and Panels, Period Rooms and Beautiful Galleries Are Revealed in the Collections Now Housed in the Nelson-Atkins Museum,” Kansas City Star 54, no. 84 (December 10, 1933): 4C, as Triumph of Bacchus. 

 

“‘The Triumph of Bacchus’ by Nicholas Poussin (1594–1665),” Kansas City Star 54, no. 84 (December 10, 1933): 11, (repro.), as The Triumph of Bacchus.

 

“Nelson Gallery of Art Opened at Kansas City: $14,000,000 Gift of ‘Star’ Publisher and His Heirs Already Fully Furnished,” New York Herald Tribune 93, no. 31,802 (December 11, 1933): 12, as Triumph of Bacchus.

 

Luigi Vaiani, “Art Dream Becomes Reality with Official Gallery Opening at Hand: Critic Views Wide Collection of Beauty as Public Prepares to Pay its First Visit to Museum,” Kansas City Journal-Post 80, no. 187 (December 11, 1933): 7, as Triumph of Bacchus.

 

“Kansas City’s New Museum,” New York Sun 101, no. 86 (December 12, 1933): 28.

 

“Nelson Trust,” (December 18, 1933), clipping, scrapbook, NAMA archives, as Triumph of Bacchus.

 

“Praises the Gallery: Dr. Nelson M’Cleary, Noted Artist, a Visitor,” Kansas City Star 54, no. 98 (December 24, 1933): 9A, as Triumph of Bacchus.

George Vertue, “Vertue Note Books, vol. 3,” special issue, Walpole Society 22 (1933–34): 105, 117, as Triumph of Bacchus. 

 

Handbook of the William Rockhill Nelson Gallery of Art (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1933), 40, 42, (repro.), as The Triumph of Bacchus.

 

Hans Vollmer, ed., Allgemeines Lexikon der Bildenden Künstler von der Antike bis zur Gegenwart, vol. 27 (Leipzig: Verlag von E. A. Seemann, 1933), 325, as Triumph des Bacchus.

 

A. J. Philpott, “Kansas City Now in Art Center Class: Nelson Gallery, Just Opened, Contains Remarkable Collection of Paintings, Both Foreign and American,” Boston Sunday Globe 125, no. 14 (January 14, 1934): 16, as Triumph of Bacchus.

 

M[inna] K. P[owell], “In Gallery and Studio,” Kansas City Star 54, no. 125 (January 20, 1934): 5.

 

“Art,” Kansas City Star 54, no. 231 (May 6, 1934): 14A, as Triumph of Bacchus.

“A Thrill to Art Expert: M. Jamot is Generous in his Praise of Nelson Gallery,” Kansas City Times 97, no. 247 (October 15, 1934): 7.

 

“Museums, Art Associations and Other Organizations,” in “For the Year 1933,” American Art Annual 30 (1934): 175, as Triumph of Bacchus.

“Woman’s Club Calendar,” Kansas City Star 55, no. 111 (January 6, 1935): 11C, as Triumph of Bacchus.

John Thompson, “Notes on Canvas: In the Art World,” The Indianapolis Times 47, no. 46 (May 3, 1935): 6, as The Triumph of Bacchus.

 

“News from Abroad,” News Flashes (The William Rockhill Nelson Gallery of Art and Atkins Museum of Fine Arts) 1, no. 14 (September 1935): 4, as Triumph of Bacchus.

 

“Gallery Links Abroad: Paul Gardner Tells of his Discoveries in Brussels,” Kansas City Times 98, no. 261 (October 31, 1935): 3. 

 

Louis Gillet, La Peinture de Poussin à David, 2^nd ed. (Paris: Henri Laurens, 1935), 64, 64n1, 68, 448, as Triomphe de Bacchus.

 

Louis Batiffol, “Le Château de Richelieu,” Revue des Deux Mondes 34 (July 15, 1936): 333, 339, 344, as le Triomphe de Bacchus.

 

“Visitors,” News Flashes (The William Rockhill Nelson Gallery of Art and Atkins Museum of Fine Arts) 3, no. 6 (April 1-30, 1937): 4.

 

Louis Batiffol, Autour de Richelieu (Paris: Calmann-Lévy, 1937), 166-67, 177, as le triomphe de Bacchus.

 

Louis Hourticq, La Jeunesse de Poussin (Paris: Hachette, 1937), 268.

 

Ellis K. Waterhouse, “Seventeenth-Century Art in Europe at Burlington House,” Burlington Magazine 72, no. 418 (January 1938): 4.

 

Catalogue of the Exhibition of 17^th Century Art in Europe, exh. cat. (London: Royal Academy of Arts, 1938), 132, 174, as Triumph of Bacchus.

 

G.-J. Gros, “La collection Paul Jamot,” Beaux-Arts, no. 301 (October 7, 1938): 4.

 

Georges Huisman, ed., Histoire générale de l’art (Paris: Aristide Quillet, 1938), 3:301.

 

Walter Friedlaender, “Poussin’s Bacchanals for Richelieu,” Art News 37, no. 40 (September 16, 1939): 9, as Triumph of Bacchus.

 

“A Great Newspaper Builds a Great Art Museum,” Life 7, no. 15 (October 9, 1939): 53, (repro.), as The Triumph of Bacchus.

 

Gabriel Hanotaux and [Duc de] La Force, “Richelieu et les Arts II: La Peinture et la Musique,” Revue des Deux Mondes 53 (October 15, 1939): 661.

 

Sofie-Charlotte Emmerling, Antikenverwendung und Antikenstudien bei Nicolas Poussin (Würzburg: Konrad Triltsch Verlag, 1939), 11, 40, 68, 71, as Triumph des Bacchus.

 

“Loans to Other Galleries,” Gallery News (The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts) 6, no. 5 (March 1940): 7, as Triumph of Bacchus.

 

Walter Friedländer, “America’s First Poussin Show: The Great Classicist Illustrated by His Cisatlantic Works,” The Art News 38, no. 23 (March 9, 1940): 10–11, (repro.), as The Triumph of Bacchus.

 

“Loan Exhibition of Paintings by Nicolas Poussin,” exh. cat., The Art News 38, no. 23 (March 9, 1940): unpaginated insert, Frick Art Reference Library, New York, as The Triumph of Bacchus. 

 

“Gallery Opens A Loan Exhibit of Poussin Art: 11 American-Owned Works by 17^th Century French Painter Placed on View,” New York Herald Tribune 99, no. 34,086 (March 13, 1940): 21, as Triumph of Bacchus.

 

Edward Alden Jewell, “Poussin Canvases Put on Exhibition: Eleven Pictures of the French Classicist Are Being Shown at Durlachers Gallery,” New York Times 89, no. 29,999 (March 13, 1940): 20, as Triumph of Bacchus.

 

Emily Genauer, “Poussin Work Reveals Him an Extremely Gifted Artist: His First One-Man Show Here Offers Opportunity for Thorough Reappraisal,” New York World-Telegram (March 16, 1940): 13, as Triumph of Bacchus.

 

Edward Alden Jewell, “Emotion and Controlled Statement: Poussin Paintings at Durlacher’s Represent Important Phases of the Great French Artist,” New York Times 89, no. 30,008 (March 17, 1940): 139, (repro.), as The Triumph of Bacchus.

 

“The Art of France: A Classicist,” New York Times 89, no. 30,010 (March 24, 1940): 102, (repro.), as The Triumph of Bacchus.

 

Robert M. Coates, “The Art Galleries: Renaissance Portraits, Poussin, Some Moderns,” The New Yorker (March 30, 1940): 37, as Triumph of Bacchus.

 

“Exhibition Reviews,” Magazine of Art 33, no. 4 (April 1940): 225, (repro.), as The Triumph of Bacchus.

 

Elizabeth McCausland, “Exhibitions in New York,” Parnassus 12, no. 4 (April 1940): 34, as The Triumph of Bacchus.

 

“Gallery Notes,” Gallery News (The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts) 6, no. 8 (Summer 1940): 7, as The Triumph of Bacchus.

 

Edward Alden Jewell, “American-Owned Works: The 1940 Exhibition of Painting Traverses Period from 1500 to Twentieth Century,” New York Times 89, no. 30,080 (June 2, 1940): 127.

 

An Exhibition of Great Paintings in aid of the Canadian Red Cross and of Small Pictures by Members of the Ontario Society of Artists, exh. cat. (Toronto: Art Gallery of Toronto, 1940), 11, as Triumph of Bacchus.

 

Walter Pach et al., Catalogue of European and American Paintings, 1500–1900, exh. cat. (New York: Art Aid Corporation, 1940), 44–45, (repro.), as The Triumph of Bacchus.

 

H. B., “Bibliographie Régionale: À propos du château de Richelieu,” Bulletin: Les Amis du Vieux Chinon 4, no. 6 (1941): 306.

 

J[ean] B[abelon], “Exposition de la Donation Paul Jamot,” L’Illustration, no. 5120 (April 26, 1941): 436.

 

The William Rockhill Nelson Collection, 2^nd ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1941), 40, 44, (repro.), as Triumph of Bacchus.

 

Herma M. Van den Berg, “Willem Schellinks en Lambert Doomer in Frankrijk,“ Oudheidkundig Jaarboek (1942): 17, 17n49.

 

[Jean] Vergnet-Ruiz, “Les Récentes Acquisitions du Musée du Louvre: Au Département des Peintures, la Donation Paul Jamot,” Revue des Beaux-Arts de France, no. 4 (April–May 1943): 202.

 

H. Carrington Lancaster, “The Château de Richelieu and Desmaretz’s ‘Visionnaires,’” Modern Language Notes 60, no. 3 (March 1945): 170.

 

Anthony Blunt, The French Drawings in the Collection of His Majesty the King at Windsor Castle (Oxford: Phaidon, 1945), 8, 37, 40-41, 47.

 

André Gide, Poussin ([Paris]: Divan, [1945]), unpaginated, as Triomphe de Bacchus.

 

Thérèse Bertin-Mourot, “Les bacchanales du château de Richelieu,” Arts, Beaux-arts, Littérature, Spectacles, no. 70 (May 31, 1946): 1, as Triomphe de Bacchus.

 

Martin Davies, French School, 2^nd ed. (1946; London: National Gallery, 1957), 173, 174n6, 187–90, 190n9, 191n17, as Triumph of Bacchus.

 

“Masterpiece of the Month,” Gallery News (The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts) 13, no. 7 (April 1947): unpaginated, as Triumph of Bacchus.

 

Dorothy Adlow, “Art in Kansas City: Music and Theaters; Exhibitions in San Francisco; Masterpieces of Many Schools To Be Seen in Nelson Gallery,” Christian Science Monitor 40, no. 197 (July 17, 1948): 12.

 

Bernard Dorival, “Une Bacchanale de Poussin à Madrid,” Bulletin de la Société Poussin 2 (December 1948): 40–42, (repro.), as Triomphe de Bacchus.

 

Paul Jamot, Connaissance de Poussin (Paris: Floury, 1948), 54–55, 55n3, 56, 56n4, 57–58, 58n1, 59–61, 61n4, 62–67, 65n1, 67n1, (repro.), as Triomphe de Bacchus.

 

Fiske Kimball and Lionello Venturi, Great Paintings in America (New York: Coward-McCann, 1948), 128.

 

Anthony Blunt, “The Literature of Art: Nicolas Poussin,” Burlington Magazine 91, no. 561 (December 1949): 356.

 

The William Rockhill Nelson Collection, 3^rd ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1949), 58–59, (repro.), as Triumph of Bacchus.

 

F. M. Godfrey, “Baccanale e Giardino d’Amore,” Connoisseur 126, no. 519 (January 1951): 180–81, as Triumph of Bachus.

 

David M. Robb, The Harper History of Painting: The Occidental Tradition (New York: Harper and Brothers, 1951), 612, 623.

 

Jean Vergnet-Ruiz, Les Peintures de Nicolas Poussin (Paris: Éditions Albert Morancé, [1951]), 18.

 

The Arts Council of Great Britain, French Drawings from Fouquet to Gauguin, exh. cat. (London: Curwen Press, 1952), 77.

 

Anthony Blunt and Walter Friedlaender, eds., The Drawings of Nicolas Poussin: Catalogue Raisonné (Warburg Institute:  London, 1953), 3:23, as Triumph of Bacchus.

 

Theodore Sizer, ed. The Autobiography of Colonel John Trumbull, Patriot-Artist, 1756–1843 (New Haven: Yale University Press, 1953), 98, as Bacchanals.

Jean Vallery-Radot, Le Dessin Français au XVII^e siècle, exh. cat. (Lausanne: Éditions Mermod, 1953), 189–90.

 

Anthony Blunt, Art and Architecture in France, 1500 to 1700 (Baltimore: Penguin, 1954), 186, 219n203.

 

René Crozet, La Vie Artistique en France au XVII^e Siècle (1598–1661): Les Artistes et la Société (Paris: Presses Universitaires de France, 1954), 92, 96.

 

Fred Stephen Licht, Die Entwicklung der Landschaft in den Werken von Nicolas Poussin (Basel: Verlag Birkhäuser, 1954), 112, 128–29, as Triumph des Bacchus, erroneously as located in St. Louis.

 

Marc Sandoz, “Autour de Poussin au Musée des Beaux-Arts de Poitiers: Une Version Ancienne Retrouvée du ‘Triomphe de Bacchus,’” Dibutade 1 (1954): 14, 15, 15n1, 15n2, 15n3, 15n4, 16, 16n5, 16n6, 17–18, 18n20, 20–21, as Le Triomphe de Bacchus.

 

Winifred Shields, “Among the New Acquisitions of the Nelson Gallery of Art,” Kansas City Star 75, no. 226 (May 1, 1955): 10F.

French Drawings: Masterpieces from Seven Centuries, exh. cat. (Chicago: Art Institute of Chicago, 1955), 19.

 

Georges Wildenstein, “Les Graveurs de Poussin au XVII^e Siècle,” Gazette des Beaux-Arts 46, nos. 1040–43 (September–December 1955): 277, 279 [repr. in Georges Wildenstein, Les Graveurs de Poussin au XVII^e Siècle (Paris: Les Beaux-Arts, 1957), 197, 199].

 

A. Pigler, Barockthemen: Eine Auswahl von Verzeichnissen zur Ikonographie des 17. und 18. Jahrhunderts, vol. 2, Profane Darstellungen (Budapest: Verlag der Ungarischen Akademie der Wissenschaften, 1956), 44.

 

Venetian Tradition, exh. cat. (Cleveland: Cleveland Museum of Art, 1956), 12, 28–29, (repro.), as The Triumph of Bacchus.

 

Ross E. Taggart, “Kansas City Art,” Library Journal 82, no. 12 (June 15, 1957): 1596, as Triumph of Bacchus.

 

Jean Alazard, Nicolas Poussin, 1594–1665 (Milan: Electa, 1957), (repro.), as Il trionfo di Bacco.

 

Trends in Painting, 1600–1800, exh. cat. (Buffalo, NY: Buffalo Fine Arts Academy, 1957), 14–15, (repro.), as Triumph of Bacchus.

 

Anthony Blunt, “The Artist’s Pictures Come to America,” Art News 57, no. 9 (January 1959): 33, as Triumph of Bacchus.

 

Walter Friedlaender, “The Artist Engraved for Posterity,” Art News 57, no. 9 (January 1959): 37.

 

Malcolm Vaughan, “Poussin in America,” Connoisseur 143, no. 576 (April 1959): 126, (repro.), as Triumph of Bacchus.

 

Anthony Blunt, “Poussin Studies VIII: A Series of Anchorite Subjects Commissioned by Philip IV from Poussin, Claude and Others,” Burlington Magazine 101, no. 680 (November 1959): 390.

 

Anthony Blunt and Walter Friedlaender, Nicolas Poussin, 1594–1665, exh. cat. (Minneapolis: Minneapolis Society of Fine Arts, 1959), 8, 10, 19–20, 26–27, (repro.), as Triumph of Bacchus.

 

Ross E. Taggart, ed., Handbook of the Collections in the William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 4^th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1959), 105, (repro.), as Triumph of Bacchus.

 

R. F. C., “Minneapolis: Poussin nei musei americani,” Emporium 131, no. 784 (April 1960): 187, 189, (repro.), as Trionfo di Bacco.

 

“Treasures of Kansas City,” Connoisseur 145, no. 584 (April 1960): 123, as Triumph of Bacchus.

 

“Anatomy and Art,” exh. cat., special issue, Bulletin (The Nelson Gallery and Atkins Museum) 3, no. 1 (Spring 1960): 27, as Triumph of Bacchus.

 

Anthony Blunt, “Colloque Nicolas Poussin. Publié sous la Direction de André Chastel,” Burlington Magazine 102, no. 688 (July 1960): 330, as Triumph of Bacchus.

 

Pierre Du Colombier, “The Poussin Exhibition,” Burlington Magazine 102, no. 688 (July 1960): 284.

 

Denis Mahon, “Poussin’s Early Development: An Alternative Hypothesis,” Burlington Magazine 102, no. 688 (July 1960): 299n88, 303, as Triumph of Bacchus.

 

Denis Mahon, “Mazarin and Poussin,” Burlington Magazine 102, no. 689 (August 1960): 354.

 

Anthony Blunt, “Poussin et les Cérémonies Religieuses Antiques,” La Revue des Arts 10 (1960): 57, 64.

 

Tony Sauvel, “À Propos du Château de Richelieu,” Bulletin de la Société des Antiquaires de l’Ouest et des Musées de Poitiers 5 (1960): 691.

 

Doris Wild, “Poussin-Studien zum ersten Jahrzehnt in Rom,” Pantheon 18, no. 3 (1960): 157.

 

André Chastel, ed., Nicolas Poussin (Paris: Éditions du Centre National de la Recherche Scientifique, 1960), 1:31-33, 33n7, 34, 103n120, 131, 267, 292, 304; 2:56–57, 57n1, 95–96, 96n4, 100n3, 116–17, 124n7, 166, 166n3, 214, 244, 288, 298, as Triomphe de Bacchus.

 

Paul Jamot, Petit Discours sur l’Art Français ([Paris]: Albert Morancé, [1960]), viii–xi.

 

Musée du Louvre, Nicolas Poussin, exh. cat. (Paris: Éditions des Musées Nationaux, 1960), 79–80, 83, 126, 152–53, 229–31, as Triomphe de Bacchus.

 

Eloise Spaeth, American Art Museums and Galleries: An Introduction to Looking (New York: Harper and Brothers, 1960), 157, 159, (repro.), as Triumph of Bacchus.

 

Antoine Schnapper, “La question Poussin,” L’Information d’Histoire de l’Art, no. 3 (May–June 1961): 88.

 

Michael Kitson, “The Relationship between Claude and Poussin in Landscape,” Zeitschrift für Kunstgeschichte 24, no. 2 (1961): 145.

 

A. J. Finberg, The Life of J. M. W. Turner, R.A., 2^nd ed. (Oxford: Clarendon Press, 1961), 89.

 

Musée des Beaux-Arts de Rouen, Nicolas Poussin et son Temps: Le Classicisme Français et Italien Contemporain de Poussin, exh. cat. ([Paris]: Éditions des Musées Nationaux, 1961), VI, 38, 57, as Triomphe de Bacchus.

 

Gerald Reitlinger, The Economics of Taste: The Rise and Fall of the Picture Market, 1760–1960 (New York: Holt, Rinehart and Winston, 1961), 20,

 

Denis Mahon, “Poussiniana: Afterthoughts Arising from the Exhibition,” Gazette des Beaux-Arts 60, nos. 1122–23 (July-August 1962), 95, 100, 100n290, 101, 101n290, 104–5, as Triumph of Bacchus [repr. in Denis Mahon, Poussiniana: Afterthoughts Arising from the Exhibition (Paris: Éditions de la Gazette des Beaux-Arts, 1962), XII, 95, 100, 100n290, 101, 101n290, 104–5, as Triumph of Bacchus].

 

Ellis Waterhouse, “Poussin Studies,” Burlington Magazine 104, no. 717 (December 1962): 547.

 

Jerrold Ziff, “Turner and Poussin,” Burlington Magazine 105, no. 724 (July 1963): 316n18, 319n21, as Triumph of Bacchus.

 

Réné Crozet, “Le Mécénat Artistique de Richelieu en Poitou,” Bulletin de la Société des Antiquaires de l’Ouest et des Musées de Poitiers 7 (1963): 14.

 

Michael Levey, “Poussin’s ‘Neptune and Amphitrite’ at Philadelphia: A Re-Identification Rejected,” Journal of the Warburg and Courtauld Institutes 26 (1963): 360.

 

Charles Gates Dempsey, “Nicolas Poussin and the Natural Order” (PhD diss., Princeton University, 1963), ii, ix, 8, 10, 91–92, 219–24, 231, as The Triumph of Bacchus.

 

Charles Le Brun, 1619–1690: Peintre et Dessinateur, exh. cat. (Versailles: Château de Versailles, 1963), xxvi.

 

А. С. Гликман [A. S. Glikman], Никола Пуссен [Nicolas Poussin] (Leningrad: Искусство [Iskusstvo], 1964), 39, as Tpиумф Baкxa.

 

C. V. Wedgwood, “For the Glory of France,” Horizon 7, no. 3 (Summer 1965): 26–27, (repro.), as The Triumph of Bacchus.

 

Charles Dempsey, “Poussin’s ‘Marine Venus’ at Philadelphia: A Re-Identification Accepted,” Journal of the Warburg and Courtauld Institutes 28 (1965): 341, 341n16, as Triumph of Bacchus.

 

Walter Friedlaender, Nicolas Poussin (Paris: Éditions Cercle d’Art, 1965), 40, 43, 45, 88, 126, 130, 133, (repro.), as Triomphe de Bacchus.

 

Guillaume Janneau, La Peinture française au XVII^e siècle (Geneva: Pierre Cailler, 1965), 117.

 

Charles Dempsey, “The Classical Perception of Nature in Poussin’s Earlier Work,” Journal of the Warburg and Courtauld Institutes 29 (1966), 242–44, 244n79, 245–48, (repro.), as Triumph of Bacchus.

 

Charles Dempsey, “The Textual Sources of Poussin’s ‘Marine Venus’ in Philadelphia,” Journal of the Warburg and Courtauld Institutes 29 (1966): 442, 442n24.

 

Anthony Blunt, The Paintings of Nicolas Poussin: A Critical Catalogue (London: Phaidon, 1966), no. 137, pp. 95–98, 162, (repro.), as The Triumph of Bacchus.

 

[Ange Marie] Caudal, Lettres de La Fontaine à sa Femme ou Relation d’un Voyage de Paris en Limousin (Paris: Centre de Documentation Universitaire, 1966), 63, 139n85, 140n85, as Triomphe de Bacchus.

 

Walter Friedlaender, Nicolas Poussin: A New Approach (New York: Henry N. Abrams, [1966]), 44, 49, 91, 130, (repro.), as Triumph of Bacchus.

 

Joshua Reynolds, Discourses on Art ([1966]; repr., New Haven, CT: Yale University Press, 1997), xi, 125, 125n278, 147, (repro.), as The Triumph of Bacchus and Ariadne.

 

Pierre Rosenberg, Inventaire des Collections Publiques Françaises, vol. 14, Rouen, Musée des Beaux-Arts: Tableaux Françaises du XVII^ème Siècle et Italiens des XVII^ème et XVIII^ème Siècles (Paris: Éditions des Musées Nationaux, 1966), 107, as Le Triomphe de Bacchus.

 

Ewald M. Vetter and Regula Langbehn, “Poussins Bacchusbild im Stockholmer Nationalmuseum,” Ruperto-Carola: Zeitschrift der Vereinigung der Freunde der Studentenschaft der Universität Heidelberg 19, no. 41 (June 1967), 143–44, 146n41, (repro.), as Triumph des Bacchus.

 

Anthony Blunt, Nicolas Poussin: The A. W. Mellon Lectures in the Fine Arts, 1958, National Gallery of Art, Washington, DC: Text (London: Phaidon, 1967), 135, 135n62, 137–38, 141, 144, 146, as Triumph of Bacchus.

 

Anthony Blunt, Nicolas Poussin: The A. W. Mellon Lectures in the Fine Arts, 1958, National Gallery of Art, Washington, DC: Plates (London: Phaidon, 1967), unpaginated, (repro.), as The Triumph of Bacchus.

 

Catalogue of Old Master Drawings . . . and An interesting series of views of Towns in Italy and Sicily Attributed to Francesco Zucchi (London: Sotheby, 1968), 7, as The Triumph of Bacchus.

 

Pierre Rosenberg, Mostra di Disegni Francesi da Callot a Ingres, exh. cat. (Florence: Leo S. Olschki, 1968), 25, as Trionfi di Bacco.

 

Tatiana Kamenskaya. “Further Remarks on Poussin Drawings in the Hermitage,” Master Drawings 7, no. 4 (Winter 1969): 426, as Triumph of Bacchus.

 

Ellis Waterhouse, “Blunt’s Poussin,” Burlington Magazine 111, no. 793 (April 1969): 225, as Triumph of Bacchus.

 

Oreste Ferrari, “Le nuove vie degli studi sul Seicento,” Storia dell’arte 1/2 (1969), 115, as Trionfo di Bacco.

 

Kurt Badt,  Die Kunst des Nicolas Poussin: Tafeln (Cologne: Verlag M. DuMont Schauberg, 1969), (repro.), as Triumph des Bacchus.

 

Kurt Badt,  Die Kunst des Nicolas Poussin: Text (Cologne: Verlag M. DuMont Schauberg, 1969), 62, 73, 529–30, 536, as Triumph des Bacchus.

 

Daniel Le Comte, Nicolas Poussin, 1594-1665: de l’antique au cubisme (Paris: Éditions du Sénevé, 1969), 12.

 

Jacques Thuillier, Nicolas Poussin (Novara, Italy: Edizioni per il Club del Libro, 1969), 20, 20n13, 63, 63n46, 111–12, 218, 296, (repro.), as Trionfo di Bacco.

 

H. W. van Helsdingen, “Poussin’s Drawings for the Crossing of the Red Sea,” trans. C. E. Meijer-Mollison, Simiolus 5, nos. 1–2 (1971): 71, 71n23, 72n27.

 

Tatiana Kamenskaïa, Les Dessins de Poussin dans les collections de l’Ermitage, ed. I. Novosselskaïa (Leningrad: Abpopa [Aurora], 1971), 13, as Tpиумф Baкxa.

 

Heinfried Wischermann, Schloss Richelieu: Studien zu Baugsechichte und Ausstattung (Freiburg im Breisgau, Germany: Gutenbergdruckerei Robert Oberkirch, 1971), 53, 73, 164n236, 176n325, as Triomphe de Bacchus.

 

A. P. de Mirimonde, “Poussin et la Musique,” Gazette des Beaux-Arts 79, no. 1238 (March 1972): 142.

 

Ralph T. Coe, “The Baroque and Rococo in France and Italy,” Apollo 96, no. 130 (December 1972): 533–35, (repro.), as Triumph of Bacchus [repr. in Denys Sutton, ed., William Rockhill Nelson Gallery, Atkins Museum of Fine Arts, Kansas City (London: Apollo Magazine, 1972), 65–67, (repro.), as Triumph of Bacchus].

 

Louis Auchincloss, Richelieu (New York: Viking, 1972), 210–11, (repro.), as The Triumph of Bacchus.

 

Richelieu ([Paris]: Hachette, 1972), 186–87, (repro.), as Le Triomphe de Bacchus.

 

Pierre Rosenberg, French Master Drawings of the 17th and 18th Centuries in North American Collections, trans. Catherine Johnston, exh. cat. (London: Martin Secker and Warburg, 1972), 197–98, as Triumph of Bacchus.

Donald Hoffmann, “The Nelson Gallery 40 Years (and More) Seeking Beauty,” Kansas City Star 94, no. 83 (December 9, 1973): 4E, as Bacchus.

C. M. Kauffmann, Catalogue of Foreign Paintings, vol. 1, Before 1800 (London: Victoria and Albert Museum, 1973), 229, as The Triumph of Bacchus.

 

Les muses (Paris: Grange Batelière, 1973), 11:3770, as le Triomphe de Bacchus.

Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in the William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5^th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 126, 184, 258, (repro.), as Triumph of Bacchus.

Elizabeth Cropper, “Virtue’s Wintry Reward: Pietro Testa’s Etching of the ‘Seasons’,” Journal of the Warburg and Courtauld Institutes 37 (1974): 250, 254, 254n22, 257–58, 258n36, 259, as Triumph of Bacchus.

 

Walter Friedlaender and Anthony Blunt, eds., The Drawings of Nicolas Poussin: Catalogue Raisonné, vol. 5, Drawings after the Antique, Miscellaneous Drawings, Addenda (London: Warburg Institute, 1974), 106–7, as Triumph of Bacchus.

 

Jacques Thuillier, L’Opéra completa di Poussin (Milan: Rizzoli, 1974), no.91, pp. 96–97, 129, (repro.), as Il Trionfo di Bacco.

 

Elizabeth Cropper, “The Drawings of Nicolas Poussin: Catalogue Raisonné,” Master Drawings 13, no. 3 (Autumn 1975): 284, as Triumph of Bacchus.

 

Candace Adelson, “Nicolas Poussin et les tableaux du Studiolo d’Isabella d’Este,” La revue de Louvre et des Musées de France, no. 4 (1975): 237–38, 240, 241n13, 241n15, as Triomphe de Bacchus.

 

Sylvie Béguin, ed., Le Studiolo d’Isabelle d’Este, exh. cat. (Paris: Édition des Musées Nationaux, 1975), 61–62, 64, 78n288.

 

A. P. de Mirimonde, L’Iconographie Musicale sous les Rois Bourbons: La musique dans les arts plastiques (XVII^e-XVIII^e siècles) (Paris: Éditions A. et J. Picard et Cie, 1975), 1:83, as Triomphe de Bacchus.

 

Anthony Blunt, “The Massimi Collection of Poussin Drawings in the Royal Library at Windsor Castle,” Master Drawings 14, no. 1 (Spring 1976): 5, 22, as Triumph of Bacchus.

 

Giovan Pietro Bellori, Le Vite de’ Pittori, Scultori e Architetti Moderni, ed. Evelina Borea (Turin: Giulio Einaudi, 1976), 437, 437n2, as Trionfo di Bacco.

 

H. James Jensen, The Muses’ Concord: Literature, Music, and the Visual Arts in the Baroque Age (Bloomington: Indiana University Press, 1976), 175, 178, (repro.), as The Triumph of Bacchus.

 

Richard Frank Verdi, “Poussin’s Critical Fortunes: The Study of the Artist and the Criticism of His Works from c. 1690 to c. 1830 with Particular Reference to France and England” (PhD diss., Courtauld Institute of Art, 1976), 1:313, as Triumph of Bacchus.

 

John Walker, Joseph Mallord William Turner (New York: Harry N. Abrams, 1976), 22.

 

Clovis Whitfield, “Nicolas Poussin’s ‘Orage’ and ‘Temps Calme’,” Burlington Magazine 119, no. 886 (January 1977): 7.

 

Accademia di Francia a Roma, Nicolas Poussin, 1594–1665, exh. cat. (Rome: Edizioni dell’Elefante, 1977), 16, 82, 167-70, (repro.), as Le triomphe de Bacchus.

 

André Chastel, “À la Villa Médicis: Le retour de Poussin,” (ca. November 1977), clipping, Musée du Louvre Documentation Center, as Triomphe de Bacchus.

 

John Rupert Martin, Baroque (New York: Harper and Row, 1977), 303n8, as Triumph of Bacchus.

 

Jean-François Barrielle, “Richelieu: les collections d’un mécène fastueux,” L’Estampille, no. 94 (February 1978): 47.

 

S. J. Freedberg, “Lorenzo Lotto to Nicolas Poussin,” Apollo 107, no. 195 (May 1978): 397.

 

Anthony Blunt, “Poussin at Rome and Düsseldorf,” Burlington Magazine 120, no. 903 (June 1978): 422, as Triumph of Bacchus.

 

Erich Schleier, “Die Poussin-Ausstellung in Rom und Düsseldorf,” Kunstchronik, no. 7 (July 1978): 285–86, as Triumph des Bacchus.

 

Honor Levi, “Richelieu and the Arts: His Houses and Gardens: His Iconography” (PhD thesis, University of Edinburgh, 1978), 1:31–33, 33n4, 149.

 

Nicolas Poussin (1594-1665), exh. cat. (Düsseldorf: Städtische Kunsthalle, 1978), 9, 56, 102-3, (repro.), as Triumph des Bacchus.

 

Robert H. Terte, “The Phenomenal Nelson Gallery,” Antiques World 1, no. 3 (January 1979): 46.

 

Clovis Whitfield, “Poussin’s Early Landscapes,” Burlington Magazine 121, no. 910 (January 1979): 13, 16, as Triumph of Bacchus.

 

Anthony Blunt, “Further Newly Identified Drawings by Poussin and His Followers,” Master Drawings 17, no. 2 (Summer 1979): 137–38, as Triumph of Bacchus.

 

Thomas Worthen, “Poussin’s Paintings of Flora,” Art Bulletin 61, no. 4 (December 1979): 384n44, as Triumph of Bacchus.

 

Colleen Cordes, “Art Historian-Spy Challenged Authenticity of Nelson Painting,” Kansas City Times 112, no. 83 (December 13, 1979): 16D, as Triumph of Bacchus.

 

Anthony Blunt, The Drawings of Poussin (New Haven, CT: Yale University Press, 1979), 8, 99, 101, 195n19, (repro.), as Triumph of Bacchus.

 

Michel Laclotte and Jean-Pierre Cuzin, eds., Petit Larousse de la Peinture, vol. 2 (Paris: Larousse, 1979), 1495, as Triomphe de Bacchus.

 

John D. Morse, Old Master Paintings in North America: Over 3000 Masterpieces by 50 Great Artists (New York: Abbeville, 1979), 204-6, (repro.), as Triumph of Bacchus.

 

John E. Schloder, “Un artiste oublié: Nicolas Prévost, peintre de Richelieu,” Bulletin de la Société de l’Histoire de l’Art français (1980): 60, 67n17.

 

Gail S. Davidson, “Jacques Stella and the Development of the Classical Style in Paris, 1634-1643,” (PhD diss., Harvard University, 1980), v-vi, xii, 91–92, 97–100, 104, 106–10, 112–15, 118–22, 123n1, 124n5, 124n6, 126n20, 126n22, 126n23, 127n28, 127n29, 128n30, 130n40, 132n44, 132n50, 133n57, 133n58, 136n75, 296, 298, 300–01, 304n13, 305n13, 402, 404, 409, (repro.), as Triumph of Bacchus.

 

Enrollment of the Volunteers: Thomas Couture and the Painting of History, exh. cat. (Springfield, MA: Springfield Library and Museums Association, 1980), 44–45, (repro.), as The Triumph of Bacchus.

 

Francis Haskell, Patrons and Painters: A Study in the Relations Between Italian Art and Society in the Age of the Baroque, rev. ed. (New Haven, CT: Yale University Press, 1980), 175.

 

Janina Michałkowa, Nicolas Poussin (Leipzig: E. A. Seemann, 1980), 24, 28, 33–34, 37, (repro.), as Triumph des Bacchus.

 

Doris Wild, Nicolas Poussin (Zurich: Orell Füssli Verlag, 1980), 1:23, 62–63, 63n4, 64, 89, 183, 198, 200, 211, 215; 2:66–69, 208, 243, 262, 264, 317, (repro.), as Triumph des Bacchus.

 

Ewald M. Vetter, “Doris Wild, ‘Nicolas Poussin’ I and II, Orell-Füssli-Verlag, Zürich 1980,” Pantheon 39, no. 3 (July-September 1981): 288.

 

Anthony Blunt, “Poussin and the British Collectors,” Connoisseur 208, no. 836 (October 1981): 120, as Triumph of Bacchus.

 

David Howarth, “Grave and Doric Poussin: ‘Sacraments and Bacchanals’ Exhibition,” Country Life 170, no. 4393 (October 29, 1981): 1460, as Triumph of Bacchus.

 

Neil MacGregor, “Poussin in Edinburgh,” Art and Artists, no. 182 (November 1981): 10, 13, (repro.), as Triumph of Bacchus.

 

Richard Wollheim, “The Most Poetical of Painters,” The Times Literary Supplement, no. 4103 (November 20, 1981): 1365.

 

Charlotte Haenlein, “Poussin in Edinburg,” Du, no. 490 (December 1981): 100–1.

 

André Chastel, “Bacchanales juridiques: Après l’Exposition à Édimbourg,” Le Monde, no. 11,479 (December 25, 1981): 1, as Triomphe de Bacchus.

 

Mary O’Neill, Les Peintures de l’École Française des XVII^e et XVIII^e siècles: Catalogue critique, vol. 1 (Orléans: Musée des Beaux-Arts, 1981), 117–18, as Le triomphe de Bacchus.

 

Claire Pace, Félibien’s Life of Poussin (London:  A. Zwemmer, 1981), 85, 105n14, 116, 155n27.2.

 

Poussin Sacraments and Bacchanals: Paintings and Drawings on Sacred and Profane Themes by Nicholas Poussin, 1594-1665, exh. cat. (Edinburgh: Trustees of the National Galleries of Scotland, 1981), 12, 37–38, 44, 48, 52–54, 56, (repro.), as The Triumph of Bacchus.

 

Jon Whiteley, “Poussin in Edinburgh,” Art International 25, nos. 3-4 (March–April 1982): 58-59, as Triumph of Bacchus.

 

Hugh Brigstocke, “Poussin in Edinburgh,” Burlington Magazine 124, no. 949 (April 1982): 239–40, as Triumph of Bacchus.

 

Pierre Rosenberg, “Edinburgh: Poussin Considered,” Burlington Magazine 124, no. 951 (June 1982): 379, as Triumph of Bacchus.

 

Anthony Blunt, “French Seventeenth-Century Painting: The Literature of the Last Ten Years,” Burlington Magazine 124, no. 956 (November 1982): 706–7, as Triumph of Bacchus.

 

“Chère orgie,” Connaissance des arts, no. 369 (November 1982): 46, as Triomphe de Bacchus.  

 

Anthony Blunt, “Poussin: Sacraments and Bacchanals. Paintings and Drawings on Sacred and Profane Themes by Nicolas Poussin 1594-1665 (16 Oct-13 Dec 1981),” French Studies 36 (1982): 327-28, as Triumph of Bacchus.

 

Hugh Brigstocke, William Buchanan and the 19th Century Art Trade: 100 Letters to His Agents in London and Italy (London: Paul Mellon Centre for Studies in British Art, 1982), 153–54, 496, as Triumph of Bacchus.

Robert Fohr, Tours, musée des Beaux-Arts; Richelieu, musée municipal; Azay-Le-Ferron, château: Tableaux français et italiens du XVII^e siècle (Paris: Éditions de la Réunion des musées nationaux, 1982), 63, as Triomphe de Bacchus.

 

Pierre Rosenberg, France in the Golden Age: Seventeenth-Century French Paintings in American Collections, exh. cat. (New York: Metropolitan Museum of Art, 1982), 31-32, 308–9, 369, 378, (repro.), as Triumph of Bacchus.

 

Hugh Brigstocke, “Poussin’s ‘Triumph of Pan’ and ‘Rape of the Sabines’: A Comparison of Two Masterpieces in the Classical Style,” Art International 26, no. 4 (September-October 1983), 12–14, as The Triumph of Bacchus.

 

Michael Wilson, “Poussin’s ‘Triumph of Pan’,” National Art-Collections Fund Review (1983): 86, as The Triumph of Bacchus.

Donald Hoffmann, “A fresh look at the Nelson: Painting, rearranging give new perspective to exhibits,” Kansas City Star 104, no. 78 (December 18, 1983): 3-I, as Triumph of Bacchus.

Tom L. Freudenheim, ed., American Museum Guides: Fine Arts; A Critical Handbook to the Finest Collections in the United States (New York: Collier, 1983), 112, as Triumph of Bacchus.

Sarah Ferrell, “What’s Doing in Kansas City,” New York Times 133, no. 46,022 (April 22, 1984): xx15, as Triumph of Bacchus.

 

Albert Henrichs, “Loss of Self, Suffering, Violence: The Modern View of Dionysus from Nietzsche to Girard,” Harvard Studies in Classical Philology 88 (1984): 215n19, as Triumph of Dionysus.

 

Elizabeth Cropper, Ideal of Painting: Pietro Testa’s Düsseldorf Notebook (Princeton, NJ: Princeton University Press, 1984), 46, 47n210, 55, as Triumph of Bacchus.

 

Chancellerie des Universités de Paris et Académie française, Richelieu et le Monde de l’Esprit, exh. cat. (Paris: Imprimerie nationale, 1985), 39, 47, 108, 115, 126.

 

Paul Fréart de Chantelou, Diary of the Cavaliere Bernini’s Visit to France, ed. Anthony Blunt, trans. Margery Corbett (Princeton, NJ: Princeton University Press, 1985), 78, 78n122, as Triumph of Bacchus.

 

Jack Lindsay, Turner: The Man and His Art (New York: Franklin Watts, 1985), 38.

 

The National Gallery Report: January 1982–December 1984 (London: National Gallery, 1985), 18, as The Triumph of Bacchus.

 

Paola Santucci, Poussin: Tradizione Ermetica e Classicismo Gesuita (Salerno: Cooperativa, 1985), 27–30, 32, 132, (repro.), as Trionfo di Bacco.

 

Michael Wilson, French Paintings before 1800 (London: National Gallery, 1985), 28, as The Triumph of Bacchus.

 

Christopher Wright, The French Painters of the Seventeenth Century (Boston: Little, Brown and Company, 1985), 66, 76, 243, 249, as Triumph of Bacchus.

 

Christopher Wright, Masterpieces of Reality: French 17th Century Painting, exh. cat. (Leicester: Leicestershire Museums, Art Galleries and Records Service, 1985), 2, 28–29, 140, as The Triumph of Bacchus.

 

Christopher Wright, Poussin Paintings: A Catalogue Raisonné (London: Harlequin Books, 1985), no. 81, pp. 44, 53, 96–98, 111, 113, 116–21, 124–25, 139, 144, 158, 169, 175, 199, 271, 287, 291, 296, 299, 305, 311,(repro.), as The Triumph of Bacchus.

 

Jacob Kainen, “Remembering John Graham,” Arts Magazine 61, no. 3 (November 1986): 29–31, 31n7, (repro.), as The Triumph of Bacchus.

 

Ronald Lightbown, Mantegna: With a Complete Catalogue of the Paintings, Drawings and Prints (Oxford: Phaidon, 1986), 442.

 

Donald Hoffmann, “Throwing Suspicion on the Masters: Nelson’s Curator Reassesses Status, Authenticity of Art,” The Kansas City Star 107, no. 263 (July 26, 1987): 6D, as Triumph of Bacchus.

 

Alain Mérot, Eustache Le Sueur (1616–1655) (Paris: Arthena, 1987), 90, 102n288, as Triomphe de Bacchus.

 

Richard Wollheim, Painting as an Art (London: Thames and Hudson, 1987), 367n23, as The Triumph of Bacchus.

 

Hugh Brigstocke, “Depicting the Divine in Nature,” The Times Literary Supplement, no. 4465 (October 28-November 3, 1988): 1204, as Triumph of Bacchus.

 

Elizabeth Cropper, “Fort Worth: Early Poussin,” Burlington Magazine 130, no. 1029 (December 1988): 962, as Triumph of Bacchus.

 

Carlo del Bravo, “Letture di Poussin e Claude,” Artibus et Historiae 9, no. 18 (1988): 160, 167n92, as Trionfo di Bacco.

Elizabeth Cropper, Pietro Testa, 1612–1650: Prints and Drawings, exh. cat. (Philadelphia: Philadelphia Museum of Art, 1988), 155–56, as The Triumph of Bacchus.

 Ellen R. Goheen, The Collections of the Nelson-Atkins Museum of Art (New York: Harry N. Abrams, 1988), 12, 54, 58, 60, (repro.), as Triumph of Bacchus.

 

Marie Montembault and John Schloder, L’album Canini du Louvre et la collection d’antiques de Richelieu (Paris: Éditions de la Réunion des musées nationaux, 1988), 29, 40, 51, 51n158, 73.

 

De Nicolò dell’Abate à Nicolas Poussin: aux sources du Classicisme, 1550–1650, exh. cat. (Meaux, France: Musée Bossuet, 1988), 192.

 

Nicolas Poussin, Claude Lorrain: Zu den Bildern im Städel, exh. cat. (Frankfurt am Main: Städtische Galerie im Städelschen Kunstinstitut, 1988), 13, as Der Triumph der Bacchus.

 

Konrad Oberhuber, Poussin: The Early Years in Rome: The Origins of French Classicism, exh. cat. (New York: Hudson Hills, 1988), 14, 59, 150, 248–49, (repro.), as The Triumph of Bacchus.

 

Iain Pears, The Discovery of Painting: The Growth of the Interest in the Arts in England, 1680–1768 (New Haven, CT: Yale University Press, 1988), 89–90, 103, 106, 247n139, (repro.), as Triumph of Bacchus.

 

Pierre Rosenberg and Jacques Thuillier, Laurent de La Hyre, 1606–1656: L’homme et l’œuvre, exh. cat. (Geneva: Éditions d’Art Albert Skira, 1988), 24.

 

John E. Schloder, “La Peinture au Château de Richelieu,” (Ph.D. diss., Université de Paris-Sorbonne, 1988), 1:62, 64-66, 173n65, 173n67, 173n68, 173n69; 2:313–16, 318, 363, 366-68, 488; 3:665, 724–25, 773, 779, as Triomphe de Bacchus.

 

Jacques Thuillier, Nicolas Poussin ([Paris]: Arthème Fayard, 1988), 150, 156.

 

[Y(uri) Zolotov], [Poussin] (Moscow: [Iskusstvo], 1988), 120-21, 253, as Tpиумф Baкxa.

 

Hugh Brigstocke, “Cambridge, Mass, Fogg Art Museum: Pietro Testa,” Burlington Magazine 131, no. 1031 (February 1989): 176, 178, as Triumph of Bacchus.

 

“Atha Lecture,” Newsletter (The Nelson-Atkins Museum of Art), no. 11 (November 1989): (repro.), as Triumph of Bacchus.

 

Malcolm Bull, “A Dance to the Music of Space,” Art History 12, no. 4 (December 1989): 517.

 

Hilliard T. Goldfarb, From Fontainebleau to the Louvre: French Drawing from the Seventeenth Century, exh. cat. (Cleveland: Cleveland Museum of Art, 1989), 42.

 

Roger Ward and Mark S. Weil, Master Drawings from the Nelson-Atkins Museum of Art, Kansas City, Missouri, exh. cat. (Saint Louis: Washington University, 1989), 7, as The Triumph of Bacchus.

 

Ann Sutherland Harris, “Konrad Oberhuber, ‘Poussin. The Early Years in Rome: The Origins of French Classicism’,” Art Bulletin 72, no. 1 (March 1990): 145.

 

David Carrier, “Blindness and the Representation of Desire in Poussin’s Paintings,” Res 19/20 (1990–91): 38n49, 38n51, as Triumph of Bacchus.

 

Robert D. Meadows-Rogers, “Procession and Return: Bacchus, Poussin, and the Conquest of Ancient Territory,” Athanor 9 (1990): 25-28, 28n2, 28n3, 28n4, 28n5, 29n14, 29n15, 29n16, 29n17, 29n18, 30n23, 30n26, 30n30, 30n31, 31, (repro.), as Triumph of Bacchus.

 

Oskar Bätschmann, Nicolas Poussin: Dialectics of Painting, trans. Marko Daniel (London: Reaktion Books, 1990), 10, 135n14, 142n4, 148.

 

François Bluche, ed., Dictionnaire du Grand Siècle ([Paris]: Arthème Fayard, 1990), 1241.

 

Hugh Brigstocke, A Loan Exhibition of Drawings by Nicolas Poussin from British Collections, exh. cat. (London: Sotheby’s, 1990), unpaginated, as Triumph of Bacchus.

 

L. Brylenko, ed., Nicolas Poussin: Paintings and Drawings in Soviet Museums, trans. Thomas Crane and Margarita Latsinova (Leningrad: Aurora, 1990), 16, 126, 212, (repro.), as The Triumph of Bacchus.

 

Richard Verdi, Cézanne and Poussin: The Classical Vision of Landscape, exh. cat. (Edinburgh: Trustees of the National Galleries of Scotland, 1990), 14.

 

Hugh Brigstocke, “The Passionate Intensity of a Classicist,” The Spectator 266, no. 8502 (June 22, 1991): 40.

 

Colin B. Bailey, The Loves of the Gods: Mythological Painting from Watteau to David, exh. cat. (New York: Rizzoli, 1992), 146.   

 

Joseph Bergin and Laurence Brockliss, eds., Richelieu and His Age (Oxford: Clarendon, 1992), 222.

 

Manfred Koch-Hillebrecht, Museen in den USA: Gemälde (Munich: Hirmer Verlag, 1992), 243, as Triumph des Bacchus.

 

Humphrey Wine and Olaf Koester, Fransk Guldalder: Poussin and Claude and French Painting of the Seventeenth Century, exh. cat. (Copenhagen: Statens Museum for Kunst, 1992), 166–68, 170–71, 235, (repro.), as Bacchus’ triumf / Triumph of Bacchus.

 

Christopher Wright, The World’s Master Paintings: From the Early Renaissance to the Present Day (London: Routledge, 1992), 1:248; 2:122, 558, as The Triumph of Bacchus.

Alice Thorson, “The Nelson celebrates its 60^th; Museum built its reputation, collection virtually ‘from scratch’,” Kansas City Star (July 18, 1993).

Alice Thorson, “Computers help lead tours at the Nelson,” Kanas City Star (November 8, 1993).

David Carrier, Poussin’s Paintings: A Study in Art-Historical Methodology (University Park, PA: Pennsylvania State University Press, 1993), 86n5, 121n47, 151, 179, 208, 232–33, 235, 264, as Triumph of Bacchus.

 

Michael Churchman and Scott Erbes, High Ideals and Aspirations: The Nelson-Atkins Museum of Art, 1933–1993 (Kansas City, MO: Nelson-Atkins Museum of Art, 1993), 26, (repro.), as The Triumph of Bacchus.

 

The Montreal Museum of Fine Arts, Century of Splendour: Seventeenth-century French Painting in French Public Collections, exh. cat. (Paris: Réunion des musées nationaux, 1993), 180, 302.

 

Musée du Louvre, Dessins français du XVII^e siècle dans les collections publiques françaises, exh. cat. (Paris: Éditions de la Réunion des musées nationaux, 1993), 92, 94.

 

Konrad Oberhuber, ed., Beschreibender Katalog der Handzeichnungen in der graphischen Sammlung Albertina, vol. 8, Die Zeichnungen der Französischen Schule von Clouet bis Le Brun (Vienna: Albertina, 1993), 356, 744.

 

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collections, 1st ed. (New York: Hudson Hills Press, 1993), 35, 129, 164, (repro.), as The Triumph of Bacchus.

 

Kristie C. Wolferman, The Nelson Atkins Museum of Art: Culture Comes to Kansas City (Columbia, MO: University of Missouri Press, 1993), 134, as The Triumph of Bacchus.

 

Jacques Thuillier, “Poussin et le laboratoire,” Techne, no. 1 (1994): 18–19, as Triomphe de Bacchus.

 

Gilles Chomer, Autour de Poussin, exh. cat. (Paris: Éditions de la Réunion des Musées Nationaux, 1994), 32, 94.

 

Musée des Beaux-Arts de Tours, Chefs-d’œuvre du Musée des Beaux-Arts de Tours, exh. cat. (Tokyo: Commission des musées japonais, 1994), 34, 211, as Triomphe de Bacchus.

 

Todd Philip Olson, Nicolas Poussin, His French Clientele and the Social Construction of Style (Ann Arbor, MI: UMI, 1994), 1:22–24, 68n4, 69n13, 69n17; 2:356, 524, (repro.), as Triumph of Bacchus.

 

Pierre Rosenberg and Véronique Damian, Nicolas Poussin (Paris: Éditions d’art Somogy, 1994), 58, 136.

 

Pierre Rosenberg and Louis-Antoine Prat, Nicolas Poussin, 1594–1665, exh. cat. (Paris: Réunion des musées nationaux, 1994), 133, 225–26, 228–30, (repro.), as Le triomphe de Bacchus.

 

Pierre Rosenberg and Louis-Antoine Prat, Nicolas Poussin, 1594–1665: Catalogue raisonné des dessins (Milan: Leonardo, 1994), 1:xvii, 110, 148, 150, 152, 156, 160, 162, 164, 178, 352, 360, (repro.); 2:920, 1066, as Triomphe de Bacchus.

 

Pierre Rosenberg and Louis-Antoine Prat, Nicolas Poussin: La collection du musée Bonnat à Bayonne, exh. cat. (Paris: Réunion des musées nationaux, 1994), 18, 28–29, 34, as Le triomphe de Bacchus.

 

Pierre Rosenberg and Louis-Antoine Prat, Nicolas Poussin: La collection du musée Condé à Chantilly, exh. cat. (Paris: Réunion des musées nationaux, 1994), 31.

 

Antoine Schnapper, Curieux du Grand Siècle: Collections et Collectionneurs dans la France du XVII^e Siècle (1994; repr., Paris: Flammarion, 2005), 2:142–43, 143n142, 230–31, 235, 488, (repro.), as Le Triomphe de Bacchus.

 

Jacques Thuillier, Nicolas Poussin (Paris: Flammarion, 1994), 44, 119, 155, 164, 167, 173, 176, 179, 186-87, 202, 211n34, 212n97, 213n39, 216n112, 254, 279, (repro.), as Triomphe de Bacchus. 

 

Malcolm Bull, “Poussin’s Bacchanals for Cardinal Richelieu,” Burlington Magazine 137, no. 1102 (January 1995): 5-6, 9-10, 10n28, 11, (repro.), as The Triumph of Bacchus.

 

Michael Kitson, “The Poussin Exhibitions in France,” Burlington Magazine 137, no. 1102 (January 1995): 32.

 

Hugh Brigstocke, “A Profession of Things Mute: Poussin’s Homage to Poetry and Music,” The Times Literary Supplement, no. 4792 (February 3, 1995): 17.

 

Humphrey Wine, “‘Poussin Problems’ at the National Gallery,” Apollo 141, no. 397 (March 1995): 26, 28n14, as Triumph of Bacchus.

 

Henry Keazor, “Nicolas Poussin,” Kunstchronik 48, no. 5 (August 1995): 339–40, 356, as Triumph des Bacchus.

 

Pierre Rosenberg and Louis-Antoine Prat, “Poussin. Works on Paper. Drawings from the Collection of Her Majesty Queen Elizabeth II,” Burlington Magazine 137, no. 1111 (October 1995): 691.

 

Hugh Brigstocke, “The Mystery of Poussin’s Drawings: New Clues, New Solutions, and the Inevitable Red Herring,” Apollo 142, no. 405 (November 1995): 61.

 

Martin Clayton, Poussin: Works on Paper: Drawings from the Collection of Her Majesty Queen Elizabeth II, exh. cat. (London: Merrell Holberton, 1995), 102–4, 109, (repro.), as The Triumph of Bacchus.

 

Alain Mérot, French Painting in the Seventeenth Century, trans. Caroline Beamish (New Haven, CT: Yale University Press, 1995), 119.

 

Pierre Rosenberg and Véronique Damian, Nicolas Poussin: Masterpieces, 1594–1665, trans. Sophie Henley-Price (London: Cassell, 1995), 58, 136.

                                                                                                                               

Richard Verdi, Nicolas Poussin, 1594–1665, exh. cat. (London: Zwemmer, 1995), 202, as Triumph of Bacchus.

 

Olivier Bonfait et al., eds., Poussin et Rome: Actes du colloque de l’Académie de France à Rome, 16–18 novembre 1994 (Paris: Réunion des musées nationaux, 1996), 258.

 

André Chastel, French Art, trans. Deke Dusinberre (Paris: Flammarion, 1996), 3:146.

 

Elizabeth Cropper and Charles Dempsey, Nicolas Poussin: Friendship and the Love of Painting (Princeton, NJ: Princeton University Press, 1996), 345n30, as Triumph of Bacchus.

 

Maurizio Fagiolo dell’Arco, Jean Lemaire: pittore “antiquario” (Rome: Ugo Bozzi, 1996), 22, 35, 129, 150, 251.

 

Susan Grace Galassi, Picasso’s Variations on the Masters: Confrontations with the Past (New York: Harry N. Abrams, 1996), 92, 212n17, as Triumph of Bacchus.    

 

Italies: Peintures des musées de la région Centre, exh. cat. (Orléans: Association des musées de la région Centre, 1996), 183.

 

Jean Lepage and Anne Bousquet, Vins, vignes, vignerons dans la peinture française, exh. cat. (Narbonne: Musée d’Art et d’Histoire, 1996), 38, as Triomphe de Bacchus.

 

André Mérot, ed., Nicolas Poussin (1594-1665): Actes du colloque organisé au musée du Louvre par le Service culturel du 19 au 21 octobre 1994 (Paris: Musée du Louvre, 1996), 1:29, 206, 209–10, 352, 419, 426n31; 2:697–98, 706n2, 706n4, as Le Triomphe de Bacchus. 

 

Jane Turner, ed., The Dictionary of Art (New York: Grove’s Dictionaries, 1996), 11:535; 25:389–90, 394, as Triumph of Bacchus.

 

Roger Ward, Dürer to Matisse: Master Drawings from The Nelson-Atkins Museum of Art, exh. cat. (Kansas City, MO: Nelson-Atkins Museum of Art, 1996), 11, 95–96, (repro.), as The Triumph of Bacchus.  

 

Malcolm Bull, “Poussin and the Antique,” Gazette des Beaux-Arts 129, no. 1538 (March 1997): 119, 126, as Triumph of Bacchus.

 

Susan A. Weir, “Poussin’s Marine Painting in Philadelphia Reconsidered,” Source: Notes in the History of Art 17, no. 1 (Fall 1997): 34–35, 36n14, 37n20.

Marc Fumaroli, Le Poète et le Roi: Jean de La Fontaine en son Siècle (Paris: Éditions de Fallois, 1997), 257.

 

Cordélia Hattori, “Problèmes Autour de Trois Dessins de Poussin (1594-1665): ‘Bacchanale, Sacrements et Grande Galerie du Louvre,’” Revue du Louvre 48, no. 2 (April 1998): 47, 55n4.

 

“Summer Shows Highlight Drawings, Furniture,” Newsletter (The Nelson-Atkins Museum of Art) (Summer 1998): 2, as The Triumph of Bacchus.

 

Malcolm Bull, “Poussin and Nonnos,” Burlington Magazine 140, no. 1148 (November 1998): 725n8, 735n71, as Triumph of Bacchus.

 

Henry Keazor, Poussins Parerga: Quellen, Entwicklung und Bedeutung der Kleinkompositionen in den Gemälden Nicolas Poussins (Regensburg, Germany: Verlag Schnell and Steiner, 1998), 63n20, 72, 72n57, 82, 82n99, 82n100, 83, 83n100, 83n102, 84, 84n111, 85, 85n112, 85n115, 85n117, 86, 86n117, 86n118, 86n119, 87, 87n121, 88, 88n126, 156, 257, 259, 362, (repro.), as Der Triumph des Bacchus. 

 

Delphine Robin, Étude iconographique des Bacchanales Richelieu de Nicolas Poussin (Ph.D. diss., Université Paris IV Sorbonne, 1998), 2, 2n3, 3–5, 5n11, 6, 6n13, 6n15, 7, 25, 27–28, 32n83, 33–34, 34n94, 35, 37, 37n113, 38–42, 51–54, 59, 62, 66–67, 67n295, 71–78, 84, 90–91, 104–05, as Triomphe de Bacchus.

 

Delphine Robin, Étude iconographique des Bacchanales Richelieu de Nicolas Poussin (annexes) (Ph.D. diss., Université Paris IV Sorbonne, 1998), 2–4, 6–8, 12–13, 48, (repro.).

 

“Recent Acquisitions, A Selection: 1998-1999,” Metropolitan Museum of Art Bulletin 57, no. 2 (Fall 1999): 32, as Triumph of Bacchus.

 

“Nicolas Poussin’s ‘Holy Family on the Steps,’ 14 November 1999-23 January 2000,” exh. cat., special issue, Cleveland Studies in the History of Art 4 (1999): 72, 76, 92n4, as Triumph of Bacchus.

 

Martine Vasselin, “Des Fastes de Bacchus aux Beuveries Flamandes: l’Iconographie du Vin de la Fin du XV^e Siècle à la Fin du XVII^e Siècle,” Nouvelle Revue du Seizième Siècle 17, no. 2 (1999): 228–29, as Triomphe de Bacchus.

 

Isabelle Pantin, Les Fréart de Chantelou: Une famille d’amateurs au XVII^e siècle entre Le Mans, Paris et Rome (Le Mans, France: Création et Recherche, 1999), 142, 144, as Triomphe de Bacchus.

 

Olivier Bonfait and Jean-Claude Boyer, Intorno a Poussin: Ideale classico e epopea barocca tra Parigi e Roma, exh. cat. (Rome: De Luca, 2000), 70, 144.

 

Evelina Borea and Carlo Gasparri, L’Idea del Bello: Viaggio per Roma nel Seicento con Giovan Pietro Bellori, exh. cat. (Rome: De Luca, 2000), 2:420.

 

Anthony Levi, Cardinal Richelieu and the Making of France (New York: Carroll and Graf, 2000), 143.

 

Philippe Malgouyres, Peintures françaises du XVII^e siècle: La collection du musée des Beaux-Arts de Rouen (Paris: Somogy Éditions d’art, 2000), 161, as Triomphe de Bacchus.

 

Jonathan W. Unglaub, Poussin, Tasso, and the Poetics of Painting with an Excursus, Ancient Painting and Baroque Elocution (PhD diss., Columbia University, 2000), 228n24, 258n80, as Triumph of Bacchus.

 

[Paul Fréart de] Chantelou, Journal de Voyage du Cavalier Bernin en France, ed. Milovan Stanić (Paris: Macula, 2001), 88, 312n10, as Triomphe de Bacchus.

 

Figures de la Passion, exh. cat. (Paris: Musée de la musique, 2001), 198, 206, 217n25, 224, as Triomphe de Bacchus.

 

Nicholas H. J. Hall and J. Richard Knight, MMI (London: Hall and Knight, 2001), 116.

 

Shirley Phillips, “Bellori’s ‘Ekphraseis’ of Poussin’s Paintings” (PhD diss., University of Essex, 2001), 27, 109n91, 337, as The Triumph of Bacchus. 

 

Humphrey Wine, The Seventeenth Century French Paintings (London: National Gallery, 2001), xiii, 350, 356, 358-361, 362n2, 364n82, 364n89, 365n90, 376, 378-80, 382n7, 383n55, (repro.), as The Triumph of Bacchus.

 

Richard T. Neer, “Poussin, Titian, and Tradition: ‘The Birth of Bacchus’ and the Genealogy of Images,” Word and Image 18, no. 3 (July–September 2002): 271, 280n32.

 

Diane Trudel, “À la gloire de Richelieu: Un art de propagande,” Vie des Arts 47, no. 188 (Autumn 2002): 82.

 

Hilliard T. Goldfarb, “Richelieu et l’art de son temps: Raison d’État et goût personnel,” L’Estampille/L’Objet d’Art, no. 373 (October 2002): 28, 34, (repro.), as Le Triomphe de Bacchus.

 

Deborah Weisgall, “A Hard Man Who Saw Art as Power and Vice Versa,” New York Times 152, no. 52,277 (October 20, 2002): a35, as The Triumph of Bacchus.

 

Olivier Bonfait, ed., L’idéal classique: Les échanges artistiques entre Rome et Paris au temps de Bellori (1640–1700) (Rome: Académie de France à Rome, 2002), 65n42.

 

Enyclopædia Universalis (Paris: Encyclopædia Universalis, 2002), 18:726, as Le Triomphe de Bacchus.

 

Hilliard T. Goldfarb, ed., Richelieu: Art and Power, exh. cat. (Montreal: Montreal Museum of Fine Arts, 2002), 2, 244–45, 292–95, 298, (repro.), as The Triumph of Bacchus.

 

Musée des Beaux-arts d’Orléans, Les Maîtres retrouvés: peintures françaises du XVII^e siècle du musée des Beaux-Arts d'Orléans, exh. cat. (Paris: Somogy éditions d’art, 2002), 104, 134, as Le Triomphe de Bacchus.

 

Todd P. Olson, Poussin and France: Painting, Humanism, and the Politics of Art (New Haven, CT: Yale University Press, 2002), 50–51, (repro.), as The Triumph of Bacchus.

 

Janie C. Lee and Melvin P. Lader, Arshile Gorky: A Retrospective of Drawings, exh. cat. (New York: Whitney Museum of American Art, 2003), 48, (repro.), as The Triumph of Bacchus.

 

Guillaume Peureux, ed., “Le Musée Imaginaire de Jean de La Fontaine,” Le Fablier: Revue des Amis de Jean de La Fontaine, no. 15 (2004): 23.

 

Stephen Campbell, The Cabinet of Eros: Renaissance Mythological Painting and the ‘Studiolo’ of Isabella d’Este (New Haven, CT: Yale University Press, 2004), 269, 374n47, as Triumph of Bacchus.

 

Erika Langmuir, The National Gallery: Companion Guide, rev. ed. (London: National Gallery, 2004), 232.

“Art,” Kansas City Star (November 16, 2005).

The Arts of France from François I^er to Napoléon I^er: A Centennial Celebration of Wildenstein’s Presence in New York, exh. cat. (New York: Wildenstein, 2005), 403.

 

Everett Fahy, ed., The Wrightsman Pictures (New York: Metropolitan Museum of Art, 2005), 136.

Noriko Mochizuki, “‘Le Triomphe de Bacchus’ et ‘Le Triomphe de Pan’ de Nicolas Poussin: leur signification dans le contexte de la décoration du cabinet du Roi au château de Richelieu,” Bijutsushi 55, no. 2 (March 2006): 299, 302–3, 308, (repro.), as Le Triomphe de Bacchus.

 

Gérard Auguier, “Le duc de Richelieu, Charles de La Fosse et Pierre Dulin: Proposition pour une nouvelle attribution,” Les Cahiers d’Histoire de l’Art, no. 4 (2006): 46.

 

Delphine Bastet, “Étude iconographique des ‘Bacchanales Richelieu’ de Nicolas Poussin,” Studiolo 4 (2006): 167–70, 172–80, 182, 183n1, 183n2, 183n26, (repro.), as Le Triomphe de Bacchus.

 

[Emmanuel] Bénézit, Dictionary of Artists, rev. ed. (Paris: Éditions Gründ, 2006), 11:303, as Triumph of Bacchus.

 

Musée des Beaux-Arts de Lyon, Jacques Stella (1596–1657), exh. cat. (Paris: Somogy éditions d’art, 2006), 135.

 

Poussin: Bacchanal: Enchantment and Pleasures, Evoking a Bygone Golden Age, exh. cat. (Budapest: Szépművészeti Múzeum, 2006), 18, 81, as Bacchus diadalmenete.

 

Jonathan Unglaub, Poussin and the Poetics of Painting: Pictorial Narrative and the Legacy of Tasso (Cambridge: Cambridge University Press, 2006), 156, 249n78.

 

Robert W. Berger, “Poussin’s Source(s) for his Marine Painting in Philadelphia: A ‘Triumph of Venus’ after Apuleius,” Zeitschrift für Kunstgeschichte 70, no. 3 (2007): 434, as Triumph of Bacchus.

 

Daniela del Pesco, Bernini in Francia: Paul de Chantelou e il ‘Journal de voyage du cavalier Bernin en France’ (Naples: Electa, 2007), 146, 254, 540, as Trionfo di Bacco.

 

Marc Fumaroli, Peinture et Pouvoirs: De Rome à Paris aux XVII^e et XVIII^e siècles (Dijon: Éditions Faton, 2007), 204, (repro.), as Le Triomphe de Bacchus.

 

Henry Keazor, Nicolas Poussin, 1594-1665 (Hong Kong: Taschen, 2007), 34–35, 52–54, 94, (repro.), as The Triumph of Bacchus.

 

Christopher Wright, Poussin: Paintings: A Catalogue Raisonné, rev. ed. (London: Chaucer Press, 2007), no. 81, pp. 44, 53, 96–98, 111, 113, 116–21, 124–25, 139, 144, 158, 169, 175, 199, 271, 287, 291, 296, 299, 305, 311, (repro.), as The Triumph of Bacchus.

 

Brendan Cole, “The Mask of Dionysus? Notes towards a Re-Examination of Poussin’s ‘Triumph of Pan’,” Eton Collections Review, no. 3 (December 2008): 66, 95, as Triumph of Bacchus.

 

Giovanni Agosti and Dominique Thiébaut, eds., Mantegna, 1431–1506, exh. cat. (Paris: Hazan, 2008), 450, 453n46, as Triomphe de Bacchus.

 

Stijn Alsteens and Hans Buijs, Paysages de France: dessinés par Lambert Doomer et les artistes hollandais et flamands des XVI^e et XVII^e siècles (Paris: Fondation Custodia, 2008), 360-61, 391.

 

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 34, 74, (repro.), as The Triumph of Bacchus.

 

Jean-Claude Boyer, Barbara Gaehtgens, and Bénédicte Gady, eds., Richelieu, patron des arts (Paris: Éditions de la Maison des sciences de l’homme, 2009), 33, 315, 326, 378.

 

Philip Conisbee, French Paintings of the Fifteenth through the Eighteenth Century (Washington, DC: National Gallery of Art, 2009), 132, 373, as The Triumph of Bacchus.

 

Pierre Curie, ed., Poussin: Restauração: ‘Hymeneus travestido assistindo a uma dança em honra a Príapo’ (São Paulo: Instituto totem cultural, 2009), 55, 58–60.

 

Marie-Pierre Terrien and Philippe Dien, Le Château de Richelieu: XVII^e-XVIII^e Siècles (Rennes: Presses Universitaires de Rennes, 2009), 95n86.

 

Humphrey Wine, “Washington’s French Paintings from the 15^th to the 18^th Centuries,” Art Newspaper, no. 215 (July–August 2010): 40.

 

Stefano Pierguidi, “Il ciclo dei costumi de’ Romani antichi del Buen Retiro di Madrid,” Storia dell’arte, nos. 125-26 (2010): 83.

 

Marc Bayard, ed., Rome-Paris, 1640: Transferts culturels et renaissance d'un centre artistique (Rome: Académie de France à Rome, 2010), 332–35, 337–39, 342–43, 375, 394n7, (repro.), as Triumph of Bacchus.

 

Jan De Maere and Nicolas Sainte Fare Garnot, eds., Du baroque au classicisme: Rubens, Poussin et les peintres du XVII^e siècle, exh. cat. (Brussels: Fonds Mercator, 2010), 154.  

 

Peter Fuhring et al., ed., L’Estampe au Grand Siècle: Études offertes à Maxime Préaud (Paris: École nationale de chartes, 2010), 346, 346n16.

 

Alexandre Crochet, “Les riches heures de Richelieu collectionneur,” Beaux Arts, no. 321 (March 2011): 136.

 

Nicolas Smirnoff, “The Artistic Eye of the Red Eminence: Richelieu’s Collection Reunited,” Art Newspaper, no. 222 (March 2011): 82.

 

William C. Agee et al., American Vanguards: Graham, Davis, Gorky, de Kooning, and Their Circle, 1927–1942, exh. cat. (New Haven, CT: Yale University Press, 2011), 136, 141, 191, (repro.), as The Triumph of Bacchus.

 

Marc Bayard and Elena Fumagalli, eds., Poussin et la construction de l’antique (Rome: Académie de France à Rome, 2011), 49, 368, 379, 549, 574, as Le Triomphe de Bacchus.

 

Nicholas Cullinan, Twombly and Poussin: Arcadian Painters, exh. cat. (London: Dulwich Picture Gallery, 2011), 12, 59, 61, 69, 84n34, 134, (repro.), as Triumph of Bacchus.

 

Alain Mérot, Poussin, 3^rd ed. (Paris: Éditions Hazan, 2011), 75,
87–88, 92, 95, 118, 133, 168, 188, 275–76, 307, 319,(repro.), as Le Triomphe de Bacchus.

 

Musée des Beaux-Arts d’Orléans, Richelieu à Richelieu: Architecture et Décors d'un Château Disparu, exh. cat. (Milan: Silvana, 2011), 120, 128–35, 314–15, 320–22, 326, 328, 442, 460, (repro.), as Triomphe de Bacchus.

 

Elizabeth A. Pergam, The Manchester Art Treasures Exhibition of 1857: Entrepreneurs, Connoisseurs and the Public (Surrey, England: Ashgate, 2011), 142, 317, as Triumph of Bacchus. 

 

Brendan Cole, “The Mask of Dionysus: A Reinterpretation of Poussin’s ‘Triumph of Pan,’” Artibus et Historiae 33, no. 65 (2012): 233, 236–37, 242, 250, 255, 265, 267, 274n115, (repro.), as Triumph of Bacchus.

 

David Blayney Brown, “Studies in the Louvre sketchbook 1802,” sketchbook, October 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, December 2012, http://www.tate.org.uk/art/research-publications/jmw-turner/studies-in-the-louvre-sketchbook-r1129682, accessed March 4, 2013.

 

Robert Erdmann, C. Richard Johnson, Mary Schafer, John Twilley, Nicole Myers, and Travis Sawyer, “Reuniting Poussin’s Bacchanals Painted for Cardinal Richelieu through Quantitative Canvas Weave Analysis,” AIC Paintings Specialty Group: Postprints 26; Papers Presented at the 41st Annual Meeting, Indianapolis (Washington, DC: American Institute for Conservation of Historic and Artistic Works, 2013): 155–72.

John Twilley et al., “Poussin’s Materials and Techniques for ‘The Triumph of Bacchus’ at the Nelson-Atkins Museum of Art,” Kermes 27, nos. 94–95 (April–September 2014): 71–83, 83n1, 83n3, 83n6, 83n8, 83n22,
83n30, 83n40, (repro.), as The Triumph of Bacchus.

 

Jacques Thuillier, La peinture françoise au XVII^e siècle (Dijon: Éditions Faton, 2014), 272, 276.

 

Jacques Thuillier, Une vie pour l’histoire de l’art (Dijon: Éditions Faton, 2014), 264.

 

Laurens van der Maaten and Robert Erdmann, “Automatic Thread-Level Canvas Analysis,” IEEE Signal Processing Magazine 32, no. 4 (July 2015): 39, 41-45, 45n9, as Triumph of Bacchus.

Pierre Rosenberg, Nicolas Poussin: Les Tableaux du Louvre, Catalogue Raisonné (Paris: Louvre éditions, 2015), 13, 20, 32, 60, 361, as Le Triomphe de Bacchus.

Jacques Thuillier, Nicolas Poussin (Dijon: Éditions Faton, 2015), 1:72–73, 161, 207, 268n48, 292, 292n13, 331, 333, 347–48, (repro.); 2:387, 405–06, 406n34, 416, 420, 420n97, 440, 440n39, 466, 466n112, 535–36, 538, 626, 642, 674, 682, as Triomphe de Bacchus.

 

Helen Glanville, “Aspect and Prospect: Poussin’s Triumph of Silenus,” Artibus et Historiae, no. 74 (December 2016): 241–54.

“Nicolas Poussin's 'The Triumph of Pan' will be travelling the UK in 2019,” Artdaily.org (December 19, 2018): http://artdaily.com/news/110008/Nicolas-Poussin-s--The-Triumph-of-Pan--will-be-travelling-the-UK-in-2019#.XBpl1-SWyid, as The Triumph of Bacchus.

Theodore Reff, ed., The Letters of Edgar Degas (New York: Wildenstein Plattner Institute, 2020), 1:127n26.

Troy Thomas, Poussin’s Women: Sex and Gender in the Artist’s Works (Amsterdam: Amsterdam University Press, 2020), 84, 128–31, 135–39, 142, 144–45, 147–50, (repro.), as Triumph of Bacchus.

“The National Gallery’s ‘The Triumph of Silenus’ reattributed to Poussin,” ArtDaily.org (May 1, 2021), https://artdaily.cc/news/135260/The-National-Gallery-s--The-Triumph-of-Silenus--reattributed-to-Poussin#.YJAtgqFOmUk, as The Triumph of Bacchus.

Francesca Whitlum-Cooper, “Poussin’s ‘Triumph of Silenus’ rediscovered,” Burlington Magazine (May 2021): 408–15, (repro.), as The Triumph of Bacchus.

Emily Beeny and Francesca Whitlum-Cooper, Poussin and the Dance, exh. cat. (Los Angeles: J. Paul Getty Museum of Art, 2021).

Andrew Pulver, “London’s National Gallery makes a song and dance about Nicolas Poussin,” Art Newspaper (October 5, 2021): https://www.theartnewspaper.com/2021/10/05/making-a-song-and-dance-of-poussin, as The Triumph of Bacchus.

“First ever exhibition to focus on Poussin's pictures of dancers and revellers opens at the National Gallery,” ArtDaily.org (October 11, 2021): https://artdaily.cc/news/140119/First-ever-exhibition-to-focus-on-Poussin-s-pictures-of-dancers-and-revellers-opens-at-the-National-Gallery#.YWRe131OmUk, as The Triumph of Bacchus.

Olivia McEwan, “A Well-Intentioned Poussin Show Almost Gets It Right,” Hyperallergic (October 19, 2021): https://hyperallergic.com/685760/poussin-and-the-dance-national-gallery-london/, as Triumph of Bacchus.

Ian Kennedy and Aimee Marcereau DeGalan, “Nicolas Poussin, The Triumph of Bacchus, 1635⁠–1636,” catalogue entry, and Mary Schafer and John Twilley, “Nicolas Poussin, The Triumph of Bacchus, 1635⁠–1636,” technical entry, in French Paintings and Pastels, 1600–1945: The Collections of The Nelson-Atkins Museum of Art, Aimee Marcereau DeGalan, ed., (Kansas City: The Nelson-Atkins Museum of Art, 2021), https://doi.org/10.37764/78973.5.210.4033.

Julian Zugazagoitia and Laura Spencer. Director's Highlights: The Nelson-Atkins Museum of Art Celebrating 90 Years, ed. Kaitlyn Bunch (The Nelson-Atkins Museum of Art, 2024), 22, (repro.).