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The Bathers

Artist John Steuart Curry (American, 1897 - 1946)
Dateca. 1928
MediumOil on canvas
DimensionsUnframed: 30 1/8 × 40 1/8 inches (76.52 × 101.92 cm)
Framed: 37 5/8 × 47 3/4 × 2 1/2 inches (95.58 × 121.29 × 6.35 cm)
Credit LinePurchase: acquired with a donation in memory of George K. Baum II by his family, G. Kenneth Baum, Jonathan Edward Baum, and Jessica Baum Pasmore, and through the bequest of Celestin H. Meugniot
Object numberF98-3
SignedSigned lower right: John Steuart Curry
On View
On view
Gallery Location
  • 220
Collections
DescriptionThe painting shows naked men and boys at a round water trough on a farm. One man is seated on a fence in the left foreground watching two young men in the trough, one of whom throws a bucket of water on the other. On the far side of the trough, one boy climbs out and another stands on the rim with his arms raised in preparation for diving in. The scene is bathed in a warm yellow light.Exhibition History

John Steuart Curry, Ferargil Galleries, New York, November 29-December 12, 1930, no cat.

A Loan Exhibition of Drawings and Paintings by John Steuart Curry, Lakeside Press Galleries, Chicago, March 1-April 28, 1939, no. 19.

The Art of John Steuart Curry, Milwaukee Art Institute, September 5-October 15, 1946, no. 4.

John Steuart Curry Memorial Exhibition, Joslyn Art Museum, Omaha, NE, December 16, 1952-February 8, 1953, no cat.

One-Man Exhibition of Work by John Steuart Curry, Wichita Art Museum, KS, March 22-April 23, 1953, no. 2.

John Steuart Curry: A Retrospective Exhibition of His Work, organized by the University of Kansas Museum of Art, Lawrence, Kansas State Capitol, Topeka, October 3-November 3, 1970, no. 5.

John Steuart Curry: Inventing the Middle West, Elvehjem Museum of Art, Madison, WI, March 7-January 3, 1999 (traveled), no. 11.

Bingham to Benton: The Midwest as Muse, The Nelson-Atkins Museum of Art, Kansas City, MO, February 5-July 31, 2005, no cat.

Gallery Label
Based on memories of growing up in Kansas, John Steuart Curry's The Bathers depicts nude farmers and boys cavorting in and around a cattle tank after another day of hard work. As the meeting place for men of different ages, the tank serves as a symbol for life itself, into which the two boys have only begun to dive and about which the farmer, at left, reflects. While youth and maturity occupy the margins of experience, the men romping at right are immersed in it fully, suggesting that they are enjoying unconsciously the prime of their lives. Curry elevated his mundane subject matter by adopting the balanced composition and carefully modeled figures from Renaissance art
Provenance

John Steuart Curry;

To Kathleen Gould Curry (the artist's wife), 1946;

To Ellen Curry Schuster (their daughter);

To Dr. Daniel B. Schuster (husband of Ellen Curry Schuster), Rush, N.Y., 1982;

To estate of Daniel Schuster, 1996;

To John Steuart Curry Foundation, 1997;

To The Nelson-Atkins Museum of Art, Kansas City, MO, 1998.

Published References

"Kansas Has Found Her Homer," New York Times, December 7, 1930, sec. 9, 11.

Catalogue of a Loan Exhibition of Drawings and Paintings by John Steuart Curry, with an Evaluation of the Artist and His Work by Thomas Craven, exh. cat. (Chicago: Lakeside Press Galleries, 1939), 13.

"Important Works of John Steuart Curry," Demcourier 11 (April 1941), 16.

Laurence E. Schmeckebier, John Steuart Curry's Pageant of America (New York: American Artists Group, 1943), 48, 58-59, 258, 272.

The Art of John Steuart Curry, exh. cat. (Milwaukee: Milwaukee Art Institute, 1946), 3.

John Steuart Curry: A Retrospective Exhibition of His Work Held at the Kansas State Capitol, exh. cat. (Lawrence: University of Kansas Museum of Art, 1970), 59, 76.

Donald D. Jones, "Kansas' Second Look at Curry Paintings," Kansas City Star Magazine, September 27, 1970, 9.

"Selected Paintings by John Steuart Curry," Kansas Quarterly 2 (Fall 1970), 59.

Patricia Junker et al., John Steuart Curry: Inventing the Middle West, exh. cat. (New York: Hudson Hills Press, in association with Elvehjem Museum of Art, 1998), 21, 90, 142-43.

Patricia Junker, "John Steuart Curry," American Art Review 10 (June 1998), 130.

David Bonetti, "A Social Realist Revived," San Francisco Examiner, June 12, 1998, D19.

Bram Dijkstra, American Expressionism: Art and Social Change, 1920-1950 (New York: Harry N. Abrams, in association with Columbus Museum of Art, 2003), 53-55.

Jonathan Weinberg, Male Desire: The Homoerotic in American Art (New York: Harry N. Abrams, 2004), 76-79, 202.

Randall R. Griffey, "Bingham to Benton: The Midwest as Muse," American Art Review 17 (April 2005), 100.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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