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Amida Nyorai (Amitabha Buddha)

CultureJapanese
DateMuromachi period (1392-1573)
MediumLacquered and gilded wood
DimensionsOverall: 110 × 84 × 58 inches (279.4 × 213.36 × 147.32 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number31-141/1
On View
On view
Gallery Location
  • S21
Collections
Gallery Label
Amida, the Buddha of Infinite Light, is the personification of eternal life and vast compassion. Amida is one of the most popular representations of the Buddha in Japan, and all who call out his name are welcomed into his Western Paradise, or Pure Land. The style of this sculpture revives the soft, gentle charm of images from the late Heian period (about 1,000 CE). The large head and the vaguely defined drapery help indicate that it was created at a later date.
Provenance

S. Moritz, until 1931;

Purchased from S. Moritz by The Nelson-Atkins Museum of Art, Kansas City, MO, 1931.

Published References

Art News, Vol 32 (December 9, 1933): 57 (repro.).

Robert Graves, “Introduction,” New Larousse Encyclopedia of Mythology, (London: Hamlyn, 1972): 411 (repro.).

Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 2, Art of the Orient, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973): 100 (repro.).

Zenzō Shimizu, “Japanese Sculptures in America and Canada, I,” Bukkyō geijutsu/ Ars Buddhica, no. 126 (September, 1979): 85, fig. 69 (repro.).

D. Carmody and J. Carmody, Ways to the Center: An Introduction to World Religions, 3rd ed. (Belmont, CA: Wadsworth, 1989): 205, fig. 25 (repro.).


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