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room overall
Gabinetto (Withdrawing Room) from the Palazzo Parato or Palazzo Gastaldi, Gerbido (now part of Grugliasco) Piedmont, Italy
room overall
room overall

Gabinetto (Withdrawing Room) from the Palazzo Parato or Palazzo Gastaldi, Gerbido (now part of Grugliasco) Piedmont, Italy

Artist Workshop of Pietro Massa (Italian, active ca. 1730 - 1750)
Dateca. 1740-1750
MediumPoplar with paint, gilding, and varnish
DimensionsOverall: 142 × 101 × 160 inches (360.68 × 256.54 × 406.4 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number54-57
On View
Not on view
Description34 red ground panels with gold, silver, black, and green chinoiserie designs. 23 black ground narrow panels with floral and butterfly decoration framed by wooden stiles, boiseries painted green with gilded wood appliqués. One red ground panel was not installed in 1955.Gallery Label
This small withdrawing room, called a gabinetto in Italian, was originally part of a palazzo outside the city of Turin, in the northern Italian province of Piedmont. Rooms with painted panels imitating Chinese lacquer, called japanned work, enjoyed a fashion amongst the royal family of Savoy during the mid-18th century. Although such panels exist in several palaces around Turin, only two rooms are found outside Italy, with this being the sole example in the United States.  

This room was originally part of a palace owned during the mid-18th century by San Martino d'Agliè di Garessio, a member of the Savoy royal entourage.  The room had four points of entry: one from the central corridor of the house, most likely the primary entrance; French doors that led to a terrace (across from the viewer's vantage point); and two smaller doors covered with red lacquer panels to the right, which led to internal staircases or service areas.

The recent discovery of preparatory drawings in Turin reveal that the designs for many of the Chinese-inspired decorations on these panels come from a book published in Paris in 1735 by Jean-Antoine Fraisse. The procession on the central panel to the left and the camels and horsemen on the central panel to the right are both simplified from Fraisse's illustrations.
Provenance

Palazzo Parato or Palazzo Gastaldi, Gerbido (now part of Grugliasco), Piedmont, Italy, possibly ca. 1750 [1];

With J. Seligmann, by 1939;

Purchased from J. Seligmann by the dealer Adolph Loewi, Los Angeles, stock nos. 11272, I1199, AL9184, by July 7, 1939-1954 [2];

Purchased from Adolph Loewi by The Nelson-Atkins Museum of Art, Kansas City, MO, 1954.

NOTES:

[1] In a letter to Laurence Sickman, Director, dated July 28, 1954, William J. Robertson, Adolph Loewi, Inc., wrote: “The room belonged to Marchese Vacchetto, finance minister of the king of Sardinia, and came from his villa in Gerbido on the outskirts of Turin. The room was ordered by the king together with the very similar ones in the Royal Palace in Turin and this example was given by the king to his finance minister about 1750.” Frick Art Reference Library, New York, MS.129 Loewi-Roberston Archive, Correspondence-Kansas City-The Nelson-Atkins Museum of Art, copies in Nelson-Atkins curatorial files. Research is currently ongoing in an effort to document this provenance.

[2] Frick Art Reference Library, New York, MS.129 Loewi-Robertson Archive, Box 32, Stockbook 1939-1952 , copy in Nelson-Atkins curatorial files. It is unclear to whom the stock book entry ‘J. Seligmann’ refers. No reference to this room, or Adolph Loewi, has been found in the archive of Jacques Seligmann & Co., held at the Archives of American Art, Washington, DC. Loewi did a large amount of business with a gallery owned by another branch of the Seligmann family, Arnold Seligmann, Rey & Co., Inc., which was directed by Jean Seligmann, but that firm’s records have not been traced. Additionally, the Loewi stock book lists the date of the firm’s acquisition of the room as November 22, 1939, but this is more likely the date they received the room after it was shipped from Europe. A letter to Loewi from an unidentified correspondent at Arnold Seligmann, Rey & Co. dated July 7, 1939, reads: “If you want to have the red lacquer room in California, I do not see why you want to have it shipped to France first as it would be much cheaper to have it shipped directly to America.” Frick Art Reference Library, New York, MS.129 Loewi-Robertson archive, Correspondence – Seligmann, Rey & Co., Arnold. With thanks to the staff at the Frick Art Reference Library for their assistance with these archival materials.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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