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Portrait, possibly Ptolemy I

CultureEgyptian
Dateca. 305-250 B.C.E.
MediumGypsum
DimensionsOverall: 9 1/2 × 8 1/2 × 7 inches (24.13 × 21.59 × 17.78 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number34-141
On View
On view
Gallery Location
  • 103
Collections
DescriptionThe sculpture portrays the front two-thirds of the head from the neck to the frontlet. The interior has been carved out, and the top of the head is flat. The ruler has fleshy lips and a slight double chin. His almond-shaped eyes with thin lids tilt slightly downwards; his thin, low-relief eyebrows are raised. The bridge of his nose forms an upside-down triangle. His large ears are fleshy.Gallery Label
In 332 B.C.E. Alexander the great conquered Egypt. His general Ptolemy became its ruler and established a dynasty lasting until the famous Cleopatra VII. Some scholars have argued that this is his portrait.
  
The high quality of work, however, cannot be disputed. The remarkable integration of forms, as for example the way the corners of the lips fold into the cheeks, makes it a tour de force.
Provenance

With Jacob Hirsch, New York, by 1934;

Purchased from Hirsch by The Nelson-Atkins Museum of Art, Kansas City, MO, 1934.

Published References

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 115.

 

Jack Josephson, “A Fragmentary Egyptian Head from Heliopolis,” Metropolitan Museum of Art Journal 30 (1995): 11, fig. 9. 

 

Jack Josephson, Egyptian Royal Sculpture of the Late Period 400-246 B.C. Deutsches Archäologisches Institut, Abteilung Kairo, Sonderschrift 30 (Mainz am Rhein: Philipp von Zabern, 1997), 42-44, plate 13a.

 

Paul Stanwick, “Egyptian Royal Sculptures of the Ptolemaic Period” (PhD diss., Institute of Fine Arts, New York University, 1999), 252, 374.

 

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 10, fig.22.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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