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Mirror with TLV patterns and Four Direction Animals
Mirror with TLV patterns and Four Direction Animals

Mirror with TLV patterns and Four Direction Animals

CultureChinese
DateXin dynasty (8-23 C.E)
MediumBronze
DimensionsOverall: 7 1/4 inches (18.42 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number32-46/1
On View
On view
Gallery Location
  • 224
Collections
DescriptionBronze mirror with several bands of decoration. In the center is a square enclosing characters alternating with twelve nipples, set inside of a larger circle ornamented with TLV designs and animals and birds in a raised outline. Outside of this is a band of chracters, followed by a band of vertical lines, then a band of triangles, and finally a band of scroll patterns. In the center is a raised loop.Exhibition History

Denver Art Museum, March 1937.

Ancient Chinese Bronzes, Pomona College, Claremont, CA, 1947.

Masterpieces of Chinese Art, University of Oklahoma, Museum of Art, Norman, Oklahoma, January - March 1952; Virginia Museum of Fine Arts, Richmond, November 19, 1954 - January 2, 1955; Ohio State University, Columbus; Exhibition in conjunction with the Summer Institute on the Far East, June 20 - July 22, 1955.
Gallery Label

This type of mirror was popular about the same time as the rise of a dice game called liubo (six rods). The mirror resembles a liubo chessboard, as seen in the central square and beyond it are patterns that are similar to the letters T, L and V. Animals, including a snake twining around a turtle, birds, tigers, and dragons, are cast in raised relief within the compartments confined by the TLV patterns. These animals symbolized the four cardinal directions during the Han dynasty and also coincided with the directional associations of the liubo game.

The mirror is cast with two bands of inscriptions. The first inscription is the twelve characters for zodiac alongside the central square. The second inscription is on the ring encircling the TLV pattern reads:

The Wang family made this mirror. Barbarians of the four directions have all submitted. May the Xin State and the people be at rest. May the barbarians be destroyed and the Empire be restored. May wind and rain be coming in the right time and the five types of grains be harvested in bounty. May the official position be honorably high and the emolument be rewarded. May our parents and descendants be forever protected.

Provenance

Pai Teh Jen;

Purchased from Pai Teh Jen by The Nelson-Atkins Museum of Art, Kansas City, MO, 1932.

Published References
Munsterberg, “Symbolism of the 4 Directions in Chinese Art,” The Art Quarterly, no. 14 (Spring 1951), 43(repro.).
Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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