Portrait Study of a Child

“Splendid Art Show by the ‘Society,’” New York Herald, 25 April 1891, 6; “Exhibitions of the Society of American Artists and School of Drawing and Painting at Museum of Fine Arts,” Boston Sunday Globe, 7 June 1891, 19; review of the Thirteenth Exhibition of the
Society of American Artists, 1891, Perry clipping files, Hirschl & Adler Galleries, New York; Catalogue of the Thirteenth Exhibition of the Society of American Artists, exh. cat. (New York: Art Interchange Press, 1891), 35; Massachusetts Charitable Mechanic Association Eighteenth Triennial Exhibition Catalogue, exh. cat. (Boston: Fine Art Department, Massachusetts Charitable Mechanic Association 1892), 7 (as Child with Violin); “The Fine Arts. Massachusetts Art for the World’s Fair—Figures and Portraits,” Boston Evening Transcript, 19 January 1893, 5; “Art in Boston.—The Massachusetts Exhibit for the World’s Fair,” Studio 8 (25 February 1893), 110 (as Portrait of a Child with a Violin); “Pictures Accepted in Boston,” Art Amateur 28 (March 1893), 116 (as Portrait of a Child); Report of the Eighteenth Triennial Exhibition of the Massachusetts Charitable Mechanic Association (Boston: Press of Rockwell and Churchill, 1893), 171 (as Child with Violin); Catalogue of the Massachusetts Fine Art Exhibit (Boston: Massachusetts Charitable Mechanic Association, 1893), unpaginated (as Portrait of a Child with a Violin); World’s Columbian Exposition Official Catalogue Fine Arts, exh. cat. (Chicago: W. B. Conkey Company, 1893), 24 (as Portrait of Alice); World’s Columbian Exposition Official Publications: Revised Catalogue Department of
Fine Arts with Index of Exhibitors (Chicago: W. B. Conkey Company, 1893), 73 (as Portrait of Alice); Elizabeth Broun, “American Painting and Sculpture in the Fine Arts Building of the World’s Columbian Exposition, Chicago, 1893,” Ph.D. diss., University of Kansas, 1976, 272 (as Portrait of Alice); Nicole Plett, “Soft- spoken Collector Champions Women’s Art,” New Mexican (Santa Fe), 22 April 1983, Pasatiempo sec., 22 (as Child [Alice] with Violin); Suzanne Deats, “Whistler’s Sister,” Santa Fe Reporter, 20 April 1983, 19 (as Child [Alice] with Violin); Alma S. King, Lilla Cabot Perry: Days to Remember, exh. cat. (Santa Fe: Santa Fe East Gallery, 1983), unpaginated, cover (as Child [Alice] with Violin); Lisa Michelle Ward, “Lilla Cabot Perry and the Emergence of the Professional Woman Artist in America, 1885–1905,” M.A. thesis, University of Texas, Austin, 1985, 50–51, 79, 112 (as Child [Alice] with Violin); Jo Ann Lewis, “Lilla Perry: Impressions of a Portraitist: Women’s Museum’s Flawed Retrospective,” Washington Post, 14 November 1990, B12; John Gill, “A Painter’s Family Album,” Victoria, November 1990, 122; Meredith Martindate et al., Lilla Cabot Perry: An American Impressionist, exh. cat. (Washington, D.C.: National Museum of Women in the Arts, 1990), 30, 36, 38, 103n45, 144–45 (as Portrait Study of a Child [Alice Perry]); Revisiting the White City: American Art at the 1893 World’s Fair (Washington, D.C.: National Museum of American Art, National Portrait
Gallery, 1993), 303 (as Portrait of Alice [Portrait Study of a Child {Alice Perry}]); Marcia Lynn Soderman-Olson, “Reconstructing Lilla Cabot Perry (1889–1933): A Study in Class and Gender,” Ph.D. diss., University of Minnesota, 2000, 1:133–34, 170n2 (as Portrait Study of a Child [Alice Perry with Violin]).