Scenic Views of Rivers and Mountains in the Style of Huang Gongwang
Chinese Paintings, Los Angeles County Museum of Art, October-December 1948.
Eight Dynasties of Chinese Painting, Nelson-Gallery-Atkins Museum, Kansas City, November 7, 1980 – January 4, 1981; The Cleveland Museum of Art, February 11 – March 29, 1981, no. 247.
Flowers to Frost: Four Seasons in East Asian Art, The Nelson-Atkins Museum of Art, January, 5 – July 17, 2016.
Luo Zhenyu (1866-1940) [1];
Yamamoto Teijirō (1870-1937), by 1937 [2];
With Michelangelo Piacentini (d. 2005), Tokyo, by February 1946 [3];
Purchased from Piacentini by The Nelson-Atkins Museum of Art, Kansas City, MO, 1946 [4].
NOTES:
[1] Luo Zhenyu was a scholar of languages and inscriptions, as well as an avid collector. See Accession documentation, Nelson-Atkins curatorial files.
[2] Yamamoto Teijirō was a Japanese politician, businessman and collector, whose remaining collection later made up the core of the Chokaido Museum in Japan. See Accession documentation, Nelson-Atkins curatorial files.
[3] Piacentini was an Italian art historian based in Tokyo after the Second World War. He studied Italian Renaissance art, while collecting and dealing in Asian objects.
[4] Acquisition documents in the Nelson-Atkins files record that Curator of Asian Art Laurence Sickman purchased this object when he was stationed in Tokyo while serving with the U.S. Army’s Civil, Information & Education section in Asia (commonly known as the Monuments Men and Women) after World War II. See "Objects Acquired for the Museum by Laurence Sickman," Nelson-Atkins Archives, RG80-15 William Rockhill Nelson Trust Records, series 9, box 11, folder Laurence Sickman.
Toraijiro Naito, Shincho shogafu [Painting and calligraphy of the Qing dynasty], (Osaka, 1916), painters, pl. 10. (repro.).
Yamamoto Teijiro, Chokaido shoga mokuroku [Chinese calligraphy and painting in the collection of the auther]. (Tokyo: 1932), ch.6, 98-99.
Wai-Kam Ho, et al., Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and The Cleveland Museum of Art (The Cleveland Museum of Art in cooperation with Indiana University Press, c1980), 334, no. 247. (repro.).
