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Spring in the Jiangnan Region

Original Language Title江南春
Artist Wang Yuanqi 王原祁 (Chinese, 1642 - 1715)
Date1766
MediumAlbum leaf mounted as a Hanging scroll; ink and color on paper
DimensionsOverall: 12 1/4 × 9 3/4 inches (31.12 × 24.77 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number62-15
On View
Not on view
Collections
Exhibition History

Eight Dynasties of Chinese Painting, Nelson-Gallery-Atkins Museum, Kansas City, November 7, 1980 – January 4, 1981; The Cleveland Museum of Art, no 252B.

Flowers to Frost: Four Seasons in East Asian Art, The Nelson-Atkins Museum of Art, January, 5 – July 17, 2016.

Gallery Label
Wang Yuanqi uses light blue and green colors to render this cozy river scene in springtime. A few touches of pink recall the old legend of “The Peach Blossom Spring.” The story’s theme references a peaceful and well-ordered state. Not surprisingly, the Qianlong emperor (reigned 1736–95) was very interested in this painting. He inscribed the large calligraphy, translated as “delightful beauty,” to boast of his taste and the state of the empire under his reign.
Provenance

Imperial collection, the Qing dynasty (1816 – early 20th c.);

Arthur B. Rothwell (1906-1994), New York, Panama, Dallas, TX and Houston, TX, by 1949-1962 [1];

Purchased from Rothwell by The Nelson-Atkins Museum of Art, Kansas City, MO, 1962.

NOTES:

[1] Arthur B. Rothwell was born in Oldham, England in 1906 and worked as an import manager for Yangtze Trading Company during his early career. He spent several years in New York as president of Oriental Fine Arts, Inc., until 1949, when he closed the gallery and moved to Panama. By 1959, he lived in Dallas, Texas, where he was involved in the oil industry with the Cheyenne Oil Corporation. Rothwell mentioned this painting to Nelson-Atkins Director Laurence Sickman in a letter dated May 11, 1961, Nelson-Atkins curatorial files, in which he indicated it had been in his collection since at least 1949.


Published References

Hu Jing, et al. comp, Shiqu baoji sanbian [Catalogue of painting and calligraphy in the imperial collection, part II], 1816. Facsimile reprint. (Taipei: 1969), 974.

Ross E. Taggart, George L. McKenna, and Marc F. Wilson, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. II, Art of the Orient. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 72. (repro.).

Wai-Kam Ho, et al., Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and The Cleveland Museum of Art. (The Cleveland Museum of Art in cooperation with Indiana University Press, c1980), 340-341, no. 252B. (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


Springtime at the Peach-Blossom Spring
Wang Yuanqi 王原祁
Qing dynasty (1644-1911)
62-16
recto overall
Wang Yuanqi 王原祁
1713
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The Three Friends of Winter
Wang Yuanqi 王原祁
1702
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overall
Wang Sanxi 王三錫
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Section of Lotus Sutra
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33-8/3 A