Composing Poetry on a Spring Outing
Overall: 11 7/8 × 258 inches (30.16 × 655.32 cm)
Freer Gallery of Art, Washington, DC. 1963.
Eight Dynasties of Chinese Painting, Nelson-Gallery-Atkins Museum, Kansas City, November 7, 1980 – January 4, 1981; The Cleveland Museum of Art, February 7 – April 5, 1981; The Asia Society, December 3, 1981 – February 28, 1982; Tokyo National Museum, October 4 – November 17, 1982, no. 51.
Senses and Sensibilities in Chinese Painting, The Nelson-Atkins Museum of Art, December 14, 2008- February 15, 2009.
Masterpieces of Early Chinese Painting and Calligraphy in American Collections, Shanghai Museum, October 16, 2012- January 17, 2013, no.19.
Journey through Mountains and Rivers: Chinese Landscapes Ancient and Modern, The Nelson-Atkins Museum of Art, Kansas City, MO, February 8- April 28, 2013.
Unknown private collector, New Jersey, by 1963;
Purchased at the unknown collector’s sale, Chinese Art, Parke-Bernet Galleries, New York, April 19, 1963, lot 416, by The Nelson-Atkins Museum of Art, Kansas City, MO, 1963.
Hsieh, T’ang Wu-tao (1957), pl. 86-90.
Parke-Bernet Sale Catalog, no. 2188 (April 18-19, 1963), 87, no. 416.
Archives of the Chinese Art Society of America, vol. XCIII (New York: 1964), 79.
C.P. Fitzgerald and Norman Kotker, ed., The Horizon History of China (New York: 1969), 40-41.
Terukazu Akiyama, et. Al., ed. Chugoku bijutsu [Chinese art in Western collections] Kaiga [paintings]: v. I, ed. Kei Suzuki and Terukazu Akiyama. (Tokyo: 1972(or is it 1973?)), pl. 47- 49.
Kei Suzuki, Ri To, Ba En, Ge Kei [ Works of Li T’ang, ma Sung, Yuan, and Ming dynasties, including those of the Che Schol] Suiboku bijutsu taikei [ Complete collection of monochrome painting], vol. II( 1974), 156, pl. 10-11.
Ross E. Taggart, George L. McKenna, and Marc F. Wilson, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. II, Art of the Orient. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 55.
Marc F. Wilson, “ The Chinese Painter and his Vision”, Apollo, special issue for the Asian art collection in the Nelson-Atkins Museum of Art, Vol. XCVII, no. 133 (March 1973):231-235, fig. 7.
Maggie Keswick, The Chinese Garden (New York: 1978), 42-43, no. 41.
Janet Gaylord Moore, The Eastern Gate (Cleveland: 1979), 29.
Wai-Kam Ho, et al., Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and The Cleveland Museum of Art. (The Cleveland Museum of Art in cooperation with Indiana University Press, c1980), 66-69, no. 51.
Chūgoku no kaiga : Beikoku nidai bijutsukan shozō : tokubetsuten. (中国の絵画 : 米国二大美術館所蔵: 特别展= Chinese painting from two American museums : special exhibition.) Foreword by M.F> Wilson & S.E. Lee. Tokyo, National Museum, 1982. Catalog no. 43, pl. 43 (col. p 39, 96-97. Exhibition Oct. 5- Nov. 17, 1982.
Marc F. Wilson, “Identification of the subject of an Important scroll by Ma Yuan,” Museum, ed. Tokyo National Museum, No. 380. (Nov., 1982), 4-11, illus. 6.
Ellen R. Goheen, The Collections of the Nelson-Atkins Museum of Art (New York: Harry N. Abrams, 1988).187-188.
Journal of the Classical Chinese Furniture society, vol. 1, no. 1 (Winter, 1990): 36, fig. 17.
Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 318.
“Handscroll Landscape Paintings…”, Oriental Art Magazine, vol. 39, no. 3 ( Autumn, 1993):20-27, fig. 4.
Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 344, fig. 189.
Shanghai bo wu guan, Masterpieces of Early Chinese Painting and Calligraphy in American Collections, Shanghai Museum, (Beijing shi: Beijing da xue chu ban she, 2012), 340-355, no. 19.1. Details 19.2-19.10.
