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Scepter

CultureTchokwe
Datelate 1800s
MediumWood
DimensionsOverall: 17 1/8 × 2 5/8 × 2 3/8 inches (43.5 × 6.67 × 6.03 cm)
Credit LineGift of Ralph T. Coe Center for the Arts, 2025
Object number2025.56.4
On View
Not on view
DescriptionThis scepter, with a figurative final depicting Chihongo characters, is part of the repertoire of royal Chokwe art. It not only reflects the owner's high social status, but scepters like this one are also spiritually potent. Multiple mask-like faces and three interlocking miniatures of this image are associated with and symbolic of diviners who possess the power to "see" in all directions and have access to mediatory spirits. The main image is of Chibunda Ilunga, a mythical hunter-warrior, whom all Tchokwe rulers trace their decent. The crown imitates an elaborate hairstyle called "chipenya mutwe".

Exhibition History

Selections from the Ralph T. Coe Collection of African Art, Allen Memorial Art Museum, Oberlin College, Oberlin, OH, October 3-December 15, 2002.

The Ralph T. Coe Legacy: Instruments of Passion, El Museo Cultural de Santa Fe, Santa Fe, NM, August 9-August 13, 2013.

Connoisseurship and Good Pie: Ted Coe and Collecting Native Art, Wheelwright Museum of the American Indian, Santa Fe, NM, July 25-April 17, 2015-2016.

Provenance

Possibly a private collector, Kansas City, MO [1];


With a "catch-all shop," Lone Jack, MO, by 1959 [2];


Purchased at this shop by Ralph T. Coe (1929-2010), Santa Fe, NM, 1959-2010;


His bequest to the Ralph T. Coe Center for the Arts, Santa Fe, NM, 2010-2025;


The Coe Center's gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 2025.


NOTES:

[1] According to object documentation in the Nelson-Atkins curatorial files, provided by the Ralph T. Coe Center for the Arts at the time of the object's gift, Coe purchased this object "…in late 1959 at Lone Jack, Missouri in a catch-all shop. It had belonged to one of Boss Prendergast's [sic] bookies who fled Kansas City during the purge and clean-up of the Prendergast [sic] regium [sic]." This reference is to Tom Pendergast, a political boss in Kansas City who exerted widespread influence on the city's government between 1926 and 1939. Following Pendergast's 1939 conviction for tax evasion, a movement to remove his machine's influence from city government took five years.


[2] Ibid.


Published References

Oberlin College, Selections from the Ralph T. Coe Collection of African Art (Oberlin, OH: Oberlin College, Allen Memorial Art Museum, 2002), 42-43, 47, (repro.).

Bruce Bernstein, Connoisseurship and Good Pie: Ted Coe and Collecting Native Art (Santa Fe, NM: Ralph T. Coe Center for the Arts, 2015), 61, (not illustrated).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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