The Moon is Brighter at Home, No. 2
Former TitleInk Painting
Artist
Eddy Kwan-lap Chan
(Chinese, born 1947)
Date1993
MediumChinese ink, watercolor, handmade rice paper
DimensionsOverall: 10 × 27 3/8 inches (25.4 × 69.53 cm)
Framed: 20 7/8 × 38 7/8 × 1 1/2 inches (53.02 × 98.74 × 3.81 cm)
Framed: 20 7/8 × 38 7/8 × 1 1/2 inches (53.02 × 98.74 × 3.81 cm)
Credit LineGift in memory of James M. Kemper
Object number2019.12
SignedJunli
InscribedArtist's name, title, medium, size, and date are written on the backof the painting.
MarkingsArtist's seal (Junli)
On View
Not on viewCollections
DescriptionThe landscape painting is formatted in the shape of a folding fan. A full moon, on top slightly to the left of the curve, illuminates the distant peaks, and casts the shadow in the mountains as suggested by dark ink and color washes. Fine textural brushwork show in the details. The greenish blue tones continue the tradition of blue-and-green landscape, whereas the modern abstraction is seen in geometric forms and splashes of ink and colors. The fan-shaped painting is laid on a white paper, and mounted on a gray silk mat. A wood frame encases the painting under Plexiglas.Gallery LabelEddy Kwan-lap Chan, who is based in Hong Kong, established himself as one of the pioneers of abstract ink painting. The title of this work, The Moon is Brighter at Home, is a line from a poem by the famous Tang dynasty poet Du Fu (712–770 C.E.). Here, a full moon illuminates distant peaks. Dark ink and color washes suggest the moon’s shadow on the mountains. Notice the fine textural brushwork in the depictions of mountains. The greenish blue tones continue the tradition of Chinese blue-and-green landscape, whereas the artist’s interest in modern abstraction is revealed by his use of geometric forms and splashes of ink and colors.
Copyright© Eddy Kwan-lap Chan
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