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First Lady

Artist Romuald Hazoumè (Beninese, born 1962)
Date2016
MediumFound objects
DimensionsOverall: 14 7/8 × 7 3/8 × 9 1/8 inches (37.78 × 18.73 × 23.18 cm)
Credit LinePurchase: acquired through the generosity of the William W. Baker Art Acquisition Fund
Object number2017.52.3
Signedinside mask: “First Lady”
On View
On view
Gallery Location
  • L9
Collections
DescriptionThe object is a mask constructed from a blue colored plastic container with six differently shaped high heels from women’s shoes representing hair. The heels are attached to the mask with copper wire. The handle from the original container represents the nose and the pouring spout represents the mouth of the mask. Remnants of aluminum foil are attached to the pouring spout or mouth. There are no manufacturer’s markings on the plastic container. There is an area of white colored plastic below the pouring spout of mouth. The hanging mechanism consists of a length of copper wire.Gallery Label

"I send back to the West that which belongs to them, that is to say, the refuse of consumer society that invades us every day." - Romuald Hazoumè


At first glance, these masks made from found objects may appear whimsical. The plastic jerrycans featured here, however, have a different meaning in the artist’s home country. In Benin, these jugs are used on the black market to transport gasoline. The lack of accessible gasoline is one example of the lingering economic disparity between African countries and former colonial powers. By using these objects in his art, Hazoumè tackles issues of postcolonial power structures in addition to consumption and consumerism.

Provenance

With October Gallery Trust, London, 2017;

Purchased from the October Gallery Trust by The Nelson-Atkins Museum of Art, Kansas City, MO, 2017.

Copyright© Romuald Hazoumè and Artists Rights Society (ARS), New York / ADAGP, Paris
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