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Section of the Lotus Sutra (Hokkekyō) known as the "Tōdaiji gire" (Todaiji fragment)
recto overall
recto overall

Section of the Lotus Sutra (Hokkekyō) known as the "Tōdaiji gire" (Todaiji fragment)

Original Language Title法華経断簡(東大寺切)
Series TitleCollection of old sutra fragments (Ko shakyo dankan shū)
Attributed to Emperor Shōmu (Japanese, reigned 724 - 749)
DateNara period (645-794 C.E.)
MediumHandscroll fragment mounted as an album leaf; ink and silver on paper
DimensionsMount: 13 × 23 1/8 inches (33.02 × 58.75 cm)
Credit LineGift of John M. Crawford Jr.
Object numberF75-18/1
On View
Not on view
Collections
Gallery Label

Handwritten copies of sutras, or sacred Buddhist scriptures, were essential to promoting the faith. All temples required copies for use in ritual recitation. The text is read from top to bottom, right to left. Since the 1400s, collectors prized the beauty of scribes’ calligraphy. Many sutras were cut up like this fragment and pasted into albums as treasured objects, sometimes to preserve the undamaged parts.

In Japan, sutras are generally written in regular script Chinese characters. This is the most legible of all Chinese calligraphic scripts, equivalent to clear printed lettering in the Roman alphabet.

Provenance

With John M. Crawford Jr., New York, by July 10, 1975;

His gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1975.

With John M. Crawford, Jr. (1913-1988), New York, NY, by July 1975;

His gift to The Nelson-Atkins Museum of Art, July 1975

Published References
Patricia Graham, “Japanese Art at the Nelson-Atkins Museum of Art,” Orientations 16, no. 8 (1985):23, fig. 14.
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