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Section of the Sutra of Wise Men and Fools (Kengukyō) known as the "Ōjōmu gire" (Great Shōmu fragment)
recto overall
recto overall

Section of the Sutra of Wise Men and Fools (Kengukyō) known as the "Ōjōmu gire" (Great Shōmu fragment)

Original Language Title賢愚経断簡(大聖武切)
Series TitleCollection of old sutra fragments (Ko shakyo dankan shū)
Attributed to Emperor Shōmu (Japanese, reigned 724 - 749)
DateNara period (645-794 C.E.)
MediumHandscroll fragment mounted as an album leaf; ink and silver on paper
DimensionsOverall: 13 x 23 1/8 inches (33 x 58.7 cm)
Credit LineGift of John M. Crawford Jr.
Object numberF75-18/2
On View
Not on view
Collections
Gallery Label

Handwritten copies of sutras, or sacred Buddhist scriptures, were essential to promoting the faith. All temples required copies for use in ritual recitation. The text is read from top to bottom, right to left. Since the 1400s, collectors prized the beauty of scribes’ calligraphy. Many sutras were cut up like this fragment and pasted into albums as treasured objects, sometimes to preserve the undamaged parts.

In Japan, sutras are generally written in regular script Chinese characters. This is the most legible of all Chinese calligraphic scripts, equivalent to clear printed lettering in the Roman alphabet.

Provenance

With John M. Crawford, Jr. (1913-1988), New York, by July 1975;

His gift to The Nelson-Atkins Museum of Art, July 1975

Published References
Patricia Graham, “Japanese Art at the Nelson-Atkins Museum of Art,” Orientations 16, no. 8 (1985):23, fig. 14.
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