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Castor or Pollux

CultureRoman
Datemid-2nd century C.E.
MediumPentelic marble
DimensionsOverall: 30 inches (76.2 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number33-1533
On View
On view
Gallery Location
  • 104
Collections
Exhibition History

Long term loan, Spencer Museum of Art, University of Kansas, Lawrence, KS, September 20, 1983-January 14, 1986, no cat.

Gallery Label
The youth is either Castor or Pollux. These two brothers were the offspring of a mortal woman. They had different fathers: Castor was the son of a mortal prince while Pollux was the son of the king of the gods, Jupiter. Thus Castor was mortal and Pollux, immortal. After the death of Castor, Jupiter offered the immortal Pollux a choice. He could remain immortal or he could divide immortality with his slain brother. They could live on alternate days in heaven and the Underworld. Out of love for his brother, Pollux chose to divide his immortality. The youths were associated with the constellation Gemini, and thus they are portrayed with a star on their caps.

The statue may be an approximate copy of the famous fifth-century B.C. sculpture that stood at the entrance of the Acropolis in Athens.
Provenance

With Theodore Zoumpoulakis, Athens, by October 1933;

 

Purchased from Zoumpoulakis, through Harold Woodbury Parsons, by The Nelson-Atkins Museum of Art, Kansas City, MO, 1933.
Published References

Cornelius Vermeule, Greek and Roman Sculpture in America. Masterpieces in Public Collections in the United States and Canada (Berkeley: University of California Press, 1981), 208, fig. 173.

 

Cornelius Vermeule, “The Cult Images of Imperial Rome,” Archaeologica 71 (Rome: Giorgio Bretschneider, 1987): 49, plate V, fig. 9A.

 

Jean-Pierre Callu, “Review of Cornelius Vermeule, The Cult Images of Imperial Rome,” Latomus 49, no. 4 (October 1, 1990), 909.

 

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 122.

 

Claudio Parisi Presicce, “I Dioscuri Capitolini e icongrafia dei gemelli divini in età romana,” in   

Castores. L’immagine dei Dioscuri a Roma, ed. Leila Nista (Rome: Edizioni di Luca, 1994), 176-77, fig. 37.

 

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 18, fig. 47.

 

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


Heracles
2nd-1st century B.C.E.
34-79
overall
325 B.C.E.
33-94
Herm of a Satyr
50-100 C.E.
F70-41
overall
mid-4th century B.C.E.
31-65
Cycladic Idol
mid-3rd millennium B.C.E.
35-41
Male Torso
ca. 75-125 C.E.
41-48
recto overall
1st - 2nd century C.E.
34-135
Roman Youth
ca. 120-130 C.E.
34-138
Relief with Helios
ca. 400 B.C.E.
45-32/7
Sarcophagus
150-180 C.E.
33-38
side A overall
190-200 C.E.
34-91/1