Skip to main content
Advanced Search
Picasso's place at the table, just after luncheon
Picasso's place at the table, just after luncheon

Picasso's place at the table, just after luncheon

Artist David Douglas Duncan (American, 1916 - 2018)
Date1956-1959; printed 2013
MediumInkjet print
DimensionsImage: 13 7/8 × 20 7/8 inches (35.24 × 53.02 cm)
Sheet: 20 1/16 × 24 inches (50.96 × 60.96 cm)
Credit LineGift of David Douglas Duncan
Object number2014.11.21
Signednone
Inscribednone
Markingsnone
On View
Not on view
Collections
DescriptionOverhead image of table setting including basket of fruit and tea service.
Copyright© Harry Ransom Center, The University of Texas at Austin
Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


Pablo Picasso adds the dedication to the souvenir luncheon plate he has just painted for Lump, David Douglas Duncan's daschund
Pablo Picasso adds the dedication to the souvenir luncheon plate he has just painted for Lump, David Douglas Duncan's daschund
David Douglas Duncan
1957; printed 2013
2014.11.53
While Jacqueline looks on, David Douglas Duncan's dachshund Lump, inspects the luncheon plate Pablo Picasso has just painted for him
While Jacqueline looks on, David Douglas Duncan's dachshund Lump, inspects the luncheon plate Pablo Picasso has just painted for him
David Douglas Duncan
1958; printed 2013
2014.11.52
Picasso's home at Villa La Californie was a world apart, an enchanted place where the artist's oldest and newest friends seemed drawn by the same magic that had lured so many others to his bleak studio soon after he arrived in Paris from Barcelona. Daniel-Henry Kahnweiler and Picasso wear masks while New York gallery owner Eleanor Saidenberg looks on
Picasso's home at Villa La Californie was a world apart, an enchanted place where the artist's oldest and newest friends seemed drawn by the same magic that had lured so many others to his bleak studio soon after he arrived in Paris from Barcelona. Daniel-Henry Kahnweiler and Picasso wear masks while New York gallery owner Eleanor Saidenberg looks on
David Douglas Duncan
1957; printed 2013
2014.11.99
Avignon: Palais des Papes--the first posthumous exhibit, six weeks after Picasso's death
Avignon: Palais des Papes--the first posthumous exhibit, six weeks after Picasso's death
David Douglas Duncan
1973; printed 2013
2014.11.143
La Californie's front steps used as a workshop for the welder fitting a scepter into the mailed fist of Picasso's warrior king. Picasso, Jan the boxer, Lump, chauffeur Janot, Claude, Kathy, Paloma and Jacqueline took ringside seats to watch the welder at work.
La Californie's front steps used as a workshop for the welder fitting a scepter into the mailed fist of Picasso's warrior king. Picasso, Jan the boxer, Lump, chauffeur Janot, Claude, Kathy, Paloma and Jacqueline took ringside seats to watch the welder at work.
David Douglas Duncan
1957; printed 2013
2014.11.129
Picasso's painting studio at La Californie, in 1957
Picasso's painting studio at La Californie, in 1957
David Douglas Duncan
1957; printed 2013
2014.11.84
La Californie's front steps used as a workshop for the welder fitting a scepter into the mailed fist of Picasso's warrior king
La Californie's front steps used as a workshop for the welder fitting a scepter into the mailed fist of Picasso's warrior king
David Douglas Duncan
1957; printed 2013
2014.11.120
Pablo Picasso's Wedding Day Announcement
Pablo Picasso's Wedding Day Announcement
David Douglas Duncan
1961; printed 2013
2014.11.142
Jacqueline stands before Picasso's masterpiece Guérnica on exhibit at the Museum of Modern Art in New York City, September 18th, 1980
Jacqueline stands before Picasso's masterpiece Guérnica on exhibit at the Museum of Modern Art in New York City, September 18th, 1980
David Douglas Duncan
1980; printed 2013
2014.11.149
Claude and Paloma take over La Californie, wearing Picasso's masks, looking at Cooper's Stetson, clowning, boxing with the 75-year-old Maestro. Studio became a gymnasium and theater.
Claude and Paloma take over La Californie, wearing Picasso's masks, looking at Cooper's Stetson, clowning, boxing with the 75-year-old Maestro. Studio became a gymnasium and theater.
David Douglas Duncan
1956-1959; printed 2013
2014.11.101
Pablo Picasso's ceramic hands
Pablo Picasso's ceramic hands
David Douglas Duncan
1956-1959; printed 2013
2014.11.152
The rear of La Californie. Bronze Pregnant Goat, 1950. Tied to her is the pet nannygoat. Picasso's bedroom is second-floor window, left; dining room is directly below it. Jacqueline's and Katherine Hutin's sitting room is on second floor above steps; living room is beyond the front steps.
The rear of La Californie. Bronze Pregnant Goat, 1950. Tied to her is the pet nannygoat. Picasso's bedroom is second-floor window, left; dining room is directly below it. Jacqueline's and Katherine Hutin's sitting room is on second floor above steps; living room is beyond the front steps.
David Douglas Duncan
1956-1959; printed 2013
2014.11.16