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Jain Shrine

CultureIndian
Date16th century
MediumWood, glass, polychrome paint, and gold leaf
DimensionsOverall: 80 3/4 × 71 1/2 × 51 inches (205.11 × 181.61 × 129.54 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number32-136
On View
Not on view
DescriptionThe shrine consists of the doors, lintel and jams and pillared porch that formed the entrance to a Jain shrine.Exhibition History

Revealing a Hidden Treasure:  a Jain Shrine from India, The Nelson-Atkins Museum of Art, Kansas City, Missouri, June 20, 2014 - June 25, 2017, no cat.

Provenance

With Hagop Kevorkian, Paris and New York, by February 1932 [1];

Purchased from Hagop Kevorkian, through Langdon Warner, by The Nelson-Atkins Museum of Art, Kansas City, MO, 1932.

NOTES:

[1] Hagop Kevorkian sent a photograph of the shrine to Nelson-Atkins Advisor on Asian Art, Langdon Warner, from Kevorkian's Paris branch in February 1932. The shrine was shipped to New York shortly thereafter. Letter from Hagop Kevorkian to Langdon Warner, June 24, 1932, Harvard University Pusey Library, Langdon Warner Personal Archive, HUG 4872.1010, box 12, folder 13. Copy in Nelson-Atkins curatorial files.


Published References

The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Handbook of the William Rockhill Nelson Gallery of Art (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1933), 83, 85, (repro.).

Jean Haley, "Exhibit Despite Art Mixup," The Kansas City Times, April 4, 1974, 3A, (repro).

Nelson-Atkins Museum of Art and Kimberly Masteller, Masterworks from India and Southeast Asia: the Nelson-Atkins Museum of Art (Kanas City, Missouri: The Nelson-Atkins Museum of Art in association with University of Washington Press, 2016), 2, 14-16, fig. 9, fig. 10, 76-79, (repro.).

Kimberly Masteller, "Museums in Motion Today," Museums in Motion: An Introduction to the History and Functions of Museums, edited by Edward P. Alexander, Mary Alexander, and Juilee Decker, 3rd ed. (Lanham, Boulder, New York, and London: Rowman & Littlefield, 2017), 279.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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