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Bird's-eye view, Andersonville Prison, Georgia
Bird's-eye view, Andersonville Prison, Georgia

Bird's-eye view, Andersonville Prison, Georgia

Artist Andrew Jackson Riddle (American, active 1860s)
Date1864
MediumAlbumen print
DimensionsImage and sheet: 3 3/16 × 4 13/16 inches (8.1 × 12.22 cm)
Credit LineGift of Hallmark Cards, Inc.
Object number2005.27.202
SignedOn mount recto, bottom, in black type: "Entered according to Act of Congress, in 1865, by A.J. RIDDLE, in office of Dist. Court of U.S. for South'n Dist. of N.Y."; On mount recto, bottom, in black type: "Photographed by A.J. Riddle, August 17th, 1864"
InscribedOn mount recto, bottom, in black type: "ANDERSONVILLE PRISON, GEORGIA. / Bird's Eye View--Gathering Roots to Boil Coffee. / Thirty three Thousand Prisoners in Bastile."
MarkingsOn mount recto, upper left corner, in black pen: "No. 45"; On mount recto, bottom, in black pen: "#45"; On mount verso, upper left, in black pen: "3006 / p"; On mount verso, upper left, in pencil: "P1102"; On mount verso, bottom, in pencil: "443-1-96".
On View
Not on view
Collections
DescriptionImage taken from above looking down onto a landscape filled with tents and a wooden fence-like structure running diagonally.Exhibition History

Developing Greatness: the Origins of American Photography, 1839-1885. Nelson-Atkins Museum of Art, Kansas City, MO, 9 June – 30 December 2007, no. 344.

Surveillance. The Nelson Atkins Museum of Art, Kansas City, MO. September 16, 2016 – January 29, 2017, no cat.

Gallery Label
Andrew Jackson Riddle
American, active 1860s
Andersonville Prison, Georgia. Bird's Eye View; Gathering Roots to Boil Coffee; 33,000 Prisoners in Bastille, August 17, 1864
Albumen print

Andrew Jackson Riddle was one of the few Southern photographers to hold an official position with the Confederate military. In 1864, he made a shocking series of views at Andersonville Prison, where Union prisoners were kept in absolute squalor. These views have an oddly surreptitious quality, and there is little evidence that the prisoners were aware of being recorded.  Few of these photographs were sold during the war, but by the 1880s these had become highly desired by collectors. 

Gift of Hallmark Cards, Inc., 2005.27.202
Provenance
Hallmark Cards, Inc., Kansas City, MO, 1996;
Given by Hallmark Cards, Inc. to The Nelson-Atkins Museum of Art, Kansas City, MO, 2005.
Published References

Keith F. Davis. The Origins of American Photography: from Daguerreotype to Dry-Plate, 1839-1885. With contributions by Jane L. Aspinwall. (Kansas City, MO: Hall Family Foundation: in association with the Nelson-Atkins Museum of Art, 2007), 193 (repro), 336.

Bob Zeller, The Blue and Gray in Black and White: A History of Civil War Photography (Westport, Conn.: Praeger, 2005): 150-51.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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