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Three pears and an apple, France

Artist Edward Steichen (American, born Luxembourg, 1879 - 1973)
Date1921; printed ca. 1960
MediumGelatin silver print
DimensionsImage: 14 3/16 × 11 3/16 inches (36.04 × 28.42 cm)
Sheet: 15 7/8 × 12 5/16 inches (40.32 × 31.27 cm)
Mount: 16 × 12 15/16 inches (40.64 × 32.86 cm)
Credit LineGift of Hallmark Cards, Inc.
Object number2005.27.2187
SignedSigned on image recto, lower right, in black marker: "STEICHEN"
Inscribednone
Markingsnone
On View
Not on view
Collections
DescriptionImage of an apple in center forefround surrounded by three pears in the background. The pears on with side of the apple are only parially in the frame.Exhibition History
20th-Century Photographs from the Hallmark Photographic Collection. Sioux City Art Center, Sioux City, IA, January 10 –February 22, 1981, no cat.

Rotation 8. The Nelson-Atkins Museum of Art, Kansas City, MO, May 12 – October 11, 2010, no cat.

Gallery Label
An experimental work created while Edward Steichen was living in France after World War I, this photograph was made under very dim light, with the camera's shutter open for 36 hours: a full day, a night and part of the following day. The soft, directionless light gives these simple forms a powerfully sculptural presence; they are rendered as iconic, even heroic, objects. Further, the lengthy exposure and fluctuating temperatures from day to night lend a kind of animation to these still forms. For example, close examination reveals that the foreground apple has a slightly blurred, or doubled, outline: a result of its slight contraction and expansion in the changing temperature of Steichen's greenhouse. 
Provenance
Purchased from the artist by Hallmark Cards, Inc., Kansas City, MO, 1969;
Given by Hallmark Cards, Inc. to The Nelson-Atkins Museum of Art, Kansas City, MO, 2005.
Published References

Edward Steichen, A Life in Photography (Garden City, NY: Doubleday & Company, Inc., 1963), 64 (repro).

Copyright© The Estate of Edward Steichen / Artists Rights Society (ARS), New York
Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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