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Castle Scene

Artist Carlo Gino Venanzi (Italian, 1875 - 1964)
Daten.d.
MediumEtching
DimensionsOverall: 17 1/2 × 11 1/8 inches (44.45 × 28.26 cm)
Credit LineBequest of Frances M. Logan
Object number53-51/279
On View
Not on view
Collections
Exhibition History

[none known at this time]

Provenance

Frances M. Logan (1855–1946), Kansas City, MO, by 1946 [1];

Logan’s estate, 1946–June 15, 1953;

Bequeathed by Frances M. Logan to The Nelson-Atkins Museum of Art, Kansas City, MO, 1953.

NOTES:

[1] Frances Logan was a friend and student of Effie Seachrest (1869–1952), a small-scale Kansas City-based dealer who bought art on consignment and taught art connoisseurship classes. Logan may have acquired the print from Seachrest. For more on Seachrest and Logan, see MacKenzie Mallon, “A Seed of Desire: Effie Seachrest and Women Collectors in Kansas City,” The Art Market and the Museum:  Institutional Collecting, Display, and Patronage since the Mid-Nineteenth Century, ed. Frances Fowle and MaryKate Cleary (London: Bloomsbury, 2025), 184–98.

Alternatively, Logan may have met Venanzi in person. Although he lived in Italy for most of his life, he married a Kansas City artist named Bertha Rockwell (1874–1970). In 1922, he painted images and decorations on the High Altar in the Apse of Grace and Holy Trinity Cathedral in Kansas City and was back in the city again to repair the paintings following a disastrous fire in 1929. For Venanzi’s biography, see Randal J. Loy, Historian to the Dean of Grace and Holy Trinity Cathedral, on “Artist Biography and Facts: Carlo Gino Venanzi,” AskART, accessed December 10, 2025, https://www.askart.com/artist/Carlo_Gino_Venanzi/10055673/Carlo_Gino_Venanzi.aspx.

Published References

[none known at this time]

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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