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Portrait of the Artist's Sister (Mildred)
Portrait of the Artist's Sister (Mildred)

Portrait of the Artist's Sister (Mildred)

Artist Thomas Hart Benton (American, 1889 - 1975)
Date1913
MediumOil on canvas
DimensionsUnframed: 48 1/2 × 27 1/2 inches (123.19 × 69.85 cm)
Framed: 58 1/4 × 37 1/4 inches (147.96 × 94.62 cm)
Credit LineGift of Lelon Constable in memory of Ann Constable
Object number2009.4
Signedl.r.: "Benton '13"
On View
On view
Gallery Location
  • 217
Collections
DescriptionThis vertical painting features a portrait of a young woman with reddish-brown hair. her form filles much of the composition. Seated against a brown backdrop, she looks plainly out at the viewer. The sitter wears fashionable clothing--including a rich, black coat--jewelry and, in her right hand, she holds a floppy hat accented by a red flower.Exhibition History

Exhibition of works rejected from the 1913 National Academy of Design Exhibition.


Long-term loan to New Britain Museum of American Art, Connecticut.

 

Thomas Hart Benton: An American Original, Nelson-Atkins Museum of Art, Kansas City, Mo., April 16–June 18, 1989; Detroit Institute of Arts, August 4October 15, 1989; Whitney Museum of American Art, New York, November 17, 1989February 11, 1990; Los Angeles County Museum of Art, April 29July 22, 1990., no. 5.

 

Bingham to Benton: The Midwest as Muse, Nelson-Atkins Museum of Art, Kansas City, Mo., February 5–July 31, 2005.

Gallery Label
Twenty-four-year-old Thomas Hart Benton painted this portrait of his sister Mildred while he was studying art in New York and she was attending Barnard College. Monumental but casual in appearance, the portrait showcases a fluid yet controlled technique similar to that used by leading New York artists of the day, such as George Bellows and John Sloan. Ably finessing her dark outfit in shades of black, Benton presented Mildred, complete with a floppy, flowered hat, as a fashion-conscious, youthful urbanite in pre-World War I America. Used as an illustration in Collier's magazine, this portrait earned the budding Missouri native his first widespread publicity.

Provenance
Thomas Hart Benton;

Mildred (Benton) Small (the artist's sister);

Judy Small (Mildred Small's granddaughter);

Lelon and Ann Constable, 1999.

Published References
Matthew Baigell, Thomas Hart Benton (New York: Harry N. Abrams, 1974), 9, 26, 29 (repro.).


Henry Adams, Thomas Hart Benton: An American Original, exh. cat. (New York: Knopf, 1989), 68 (repro.).

 

Thomas Hart Benton: An American Original (Kansas City, Mo.: Nelson-Atkins Museum of Art, 1989).

 

Gene Meyer, “Legacies are Transformative Force for Kansas City Arts,” KC Studio 7, no. 5 (September/October 2015) 94-95 (repro.).

Copyright© Thomas Hart Benton and Rita P. Benton Testamentary Trusts / Licensed by VAGA at Artists Rights Society (ARS), New York
Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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