Study of a Female Nude (Possibly Susanna)
Framed: 26 × 20 × 1 1/4 inches (66.04 × 50.8 × 3.18 cm)
European Drawings 1450–1900, Santa Barbara Museum of Art, Santa Barbara, CA, February 25–March 28, 1964, no. 59.
Drawings
Collection of Milton McGreevy, The Nelson-Atkins Museum of
Art, Kansas City, MO, March 7–April
4, 1965, no. 32.
Master Drawings from the Nelson-Atkins Museum of
Art, Kansas City, Missouri, Washington University Gallery
of Art, Saint Louis, MO, September 22–December 3, 1989, unnumbered.
Master Drawings from Polish Collections, The Nelson-Atkins Museum of Art, Kansas City, MO, April 17–June 6, 1993. NAMA addition.
Dürer to
Matisse: Master Drawings from the Nelson-Atkins Museum of Art, The Philbrook Museum of Art,
Tulsa, OK, June 23–August 18, 1996; The Cummer
Museum and Gardens, Jacksonville, FL, September 20–November 29, 1996; The Hood Museum of Art, Dartmouth College, Hanover,
NH, December 21, 1996–March 2, 1997, no. 28, as Seated Female Nude.
Dürer to Matisse: Master Drawings from the Permanent
Collection, The Nelson-Atkins Museum of Art,
Kansas City, MO, July 12–September 6, 1998, no cat.
The Human Body,
The Nelson-Atkins Museum of Art, Kansas City, MO, November 30, 2010–June 5,
2011, no cat.
Fierce
Women: Artemisia Gentileschi and the Women Worthies, The Nelson-Atkins Museum of Art, Kansas City, MO,
February 25–July 23, 2023, no cat.
Purchased from R. M. Light and Co., Inc., Boston, by The Nelson-Atkins Museum of Art, Kansas City, MO, 1964.
European Drawings 1450-1900, exh. cat. (Santa Barbara, CA: Santa Barbara Museum of Art, 1964), unpaginated, (repro.).
“Drawings Collection of Milton McGreevy,” Bulletin (The Nelson Gallery and Atkins Museum) 6, no. 4 (March 7-April 4, 1965), 23-24, (repro.).
Roger Ward and Mark S. Weil, Master Drawings from the Nelson-Atkins Museum of Art, Kansas City, Missouri, exh. cat. (St. Louis, MO: Washington University Gallery of Art, 1989), 27, (repro.).
Roger Ward, Dürer to Matisse: Master Drawings from the Nelson-Atkins Museum of Art, exh. cat. (Kansas City, MO: Nelson-Atkins Museum of Art, 1996), 105-06, (repro.), as Seated Female Nude.
John Brandenburg, “Drawing as
Work of Art Given Due Respect in Philbrook Exhibit,” Oklahoman (June 28,
1996): https://www.oklahoman.com/story/news/1996/06/28/drawing-as-work-of-art-given-due-respect-in-philbrook-exhibit/62350959007/,
as by Jacob Adriaensz-Backer.
