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Torso of a Buddha, probably Shakyamuni Buddha
Torso of a Buddha, probably Shakyamuni Buddha

Torso of a Buddha, probably Shakyamuni Buddha

CultureChinese
Date575-600 C.E.
MediumYellowish conglomerate stone
DimensionsOverall: 30 × 12 3/4 × 7 1/4 inches (76.2 × 32.39 × 18.42 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number33-91
On View
On view
Gallery Location
  • 204
Collections
DescriptionStanding frontal figure with missing head, right hand, and feet. Drapery is carved in relief with one end of the robe held in the left hand.Exhibition History

Arts of the Tang Dynasty, Los Angeles County Museum of Art.  January 8-February 17, 1957, no. 31.

Oriental art exhibition, Washington University, St. Louis. January 23-March 4, 1966.

The Ideal Image: The Gupta Sculptural Tradition and Its Influence, Asia House Gallery, New York. October 5-December 3, 1978; Kimbell Art Museum, January 11-February 25, 1979; The Art Institute of Chicago, March 24-May 6, 1979, no. 93.

Provenance

Probably from the Xian area, Shaanxi Province;

North China Art Trading Co.

Purchased from North China Art Trading Co. by The Nelson-Atkins Museum of Art, Kansas City, MO, 1933.

Published References

Laurence Sickman and Alexander Soper, The Art and Architecture of China.  The Pelican History of Art.  (Harmodsmorth, 1956, 1960, 1968), pl. 45; paperback ed., (1971), 124, fig. 82 (repro.).

The Art of the T’ang Dynasty, (Los Angles County Museum, 1957), Cat. 31 (repro.).

Wai-kam Ho, “Three Seated Stone Buddhas”  The Cleveland Museum of Art bulletin (April, 1966), 86a, fig. 7 (repro.).

Wai-kam Ho,  “Notes on Chinese Sculpture from Northern Ch’i to Sui: Part I”  Archives of Asian Art  New York: Asia Society, vol. XXII, (1968-69): 12, fig. 81 (repro.).

Ross E. Taggart, George L. McKenna, and Marc F. Wilson, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. II, Art of the Orient. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 36 (repro.).

Pratapaditya Pal, The Ideal Image: the Gupta Sculptural Tradition and Influence (New York: Asia Society, 1978), 137, no. 93(repro.).

William Watson, L’Art de l’Ancienne Chine (Paris: Editions d’Art Lucien Mazenod, 1979), 420, no. 419 (repro.).

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 306 (repro.).

Matsubara Saburō 松原三郎, Chūgoku Bukkyō chōkoku shiron 中国仏教彫刻史論 (Tōkyō : Yoshikawa Kōbunkan, Heisei 7 1995), Plate Vol. II, 369b (repro.).

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 318, fig. 106 (repro.).
Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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