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Fishing in the Chill of Autumn (Ch'iu-shuang yu-p'u)

CultureChinese

Date1279

MediumHanging scroll; ink and light color on silk

DimensionsOverall: 46 × 22 1/8 inches (116.84 × 56.2 cm)

Credit LinePurchase: William Rockhill Nelson Trust

Object number46-55

On View

Not on view

Collections

East Asian Art

Terms

Exhibition History

Ming and Qing, Wildenstein Galleries, New York, 1949. No.7.

Chinese Landscapes, The Cleveland Museum of Art, 1954. No. 52.

Chinese Art, Smith College Museum of Art, Northampton, 1962. No. 6.

Chinese Art Under the Mongols, Yale University Art Gallery, 1968-1969. Traveled to Albright-Knox Gallery, Buffalo, NY; Cleveland Museum of Art, October 1-November 24, 1968; Asia House Gallery, New York.no. 221.

Yuan Dynasty Painting, The Taft Museum, Cincinnati, OH. September 21-October 31, 1976.

Painters of the Great Ming: The Imperial Court and Zhe School, Dallas Museum of Art, The Metropolitan Museum of Art, March 10-May 9, 1993; Dallas Museum of Art, June 3-August 1, 1993.

Provenance

Yamamoto Teijiro;

Michelangelo Piacentini;

Purchased from Michelangelo Piacentini through Laurence Sickman for the The Nelson-Atkins Museum of Art, Kansas City, MO, 1946.

Published References

Shih-t’ien hsien-sheng shih-wen chi (preface dated 1644, T’ung-wen reprint, Shanghai, 1915), ch.6., 11b.

Geien shinsho, vol. XII (Tokyo, 1915-1918).

Omura Seigai, Bunjin gasen, vol.II, (Tōkyō : Enseisha, 1921-1922), pl. 9.

Teijiro Yamamoto, Chokaido shoga mokuroku, vol. II (Tōkyō : Bunkyūdō Shoten 1932),99.

Siren, “The Solitary Angler on the Wintry River” ( London: The Medici Society, 1938), 77.

Donomae Tanemastu, “Ri Ei-kyu shu-suo gyo-ho zu,” Garon vol. XIII (September, 1942), 21-26.

Jean-Pierre Dubosc, Great Chinese Painters of the Ming and Ch’ing dynasties, Wildenstein Galleries (New York, 1949), 15, no. 7.

Sherman Lee, Chinese Landscapes, The Cleveland Museum of Art (1954), No. 52.

Osvald Siren, Chinese Painting: Leading Masters and Principles (New York : Ronald Press, 1956-1958), vol. IV, 154; vol. VI, pl. 174.

Richard Edwards, Field of Stones (Washington: Smithsonian Institution, 1962), no. XX, pls. 23A, 25A.

Michael Sullivan, Arts of China (1973), 195, fig. 172.

Michael Sullivan, Symbols of Eternity: the art of landscape painting in China (Stanford, California: Stanford University Press, 1979), 120, fig. 71.

Wai-Kam Ho, et al., Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and The Cleveland Museum of Art. (The Cleveland Museum of Art in cooperation with Indiana University Press, c1980), 102-103, no. 103.

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