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recto overall
Study of a Seated Man (possibly for "Ugolino"),
recto overall
recto overall

Study of a Seated Man (possibly for "Ugolino"),

Former TitleStudy of a Seated Man (possibly for "The Sailor")
Artist Auguste Rodin (French, 1840 - 1917)
Dateca. 1874/1875
MediumWax
DimensionsOverall: 14 1/2 × 9 3/8 × 7 1/2 inches (36.83 × 23.81 × 19.05 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number58-61
On View
Not on view
Collections
Exhibition History
Rilke und Rodin, Bayerische Akademie der Schönen Künste, Munich, and Bremer Kunsthalle, Bremen, Germany, June–August 1955, no. 5.


Twenty-firth Anniversary Exhibition, The Nelson-Atkins Museum of Art, Kansas City, MO, 1958, unnumbered, as Study for the Thinker.


Perfecting Form: The Male Nude in the 1800s, The Nelson-Atkins Museum of Art, Kansas City, MO, December 16, 2023–December 1, 2024, no cat.

Provenance

With Wolfgang Gurlitt (18881965), Munich and Bad Aussee, Austria, as Sitting Man, or Study for “The Thinker,” by 1945-at least June 1955 [1];  


J. Cramer, March 1958; [2]


Purchased from Cramer by Fine Arts Associates, New York, stock no. S218, March 1958-November 1958;


Purchased from Fine Arts Associates by The Nelson-Atkins Museum of Art, Kansas City, MO, 1958.


NOTES:


[1] In the 1945 Waldmann catalogue, the owner is listed as W. G., Bad Aussee. He lent the sculpture to the 1955 exhibition.


[2] Otto and Ilsa Gerson Papers, Archives of American Art, Washington, DC, box 3, folder 39, stock cards: Rodin I-T, 1957-1964, copy in NAMA curatorial files.

Published References

Emil Waldmann, Auguste Rodin (Vienna: A. Schroll, 1945), 76, 125.

Rilke and Rodin, exh. cat. (Munich: Bavarian Academy of Fine Arts, Germany, 1955), 19, 22.

Albert Edward Elsen, Rodin’s Gates of Hell (Minneapolis: University of Minnesota Press, 1960), 96, 129.

Albert Alhadeff, "Michelangelo and the Early Rodin," Art Bulletin 45, no. 4 (December 1963): 366, (repro).

John L. Tancock, The Sculpture of Auguste Rodin: The Collection of the Rodin Museum, Philadelphia (Philadelphia: Rodin Museum of Art, 1976), 66, 67, 112, 113, 116, 118.

Albert E. Elsen, Rodin’s Thinker and the Dilemmas of Modern Public Sculpture (New Haven: Yale University Press, 1985), 36, 37, (repro.).

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 206.

Flavio Fergonzi et al., Rodin and Michelangelo: A Study in Artistic Inspiration, exh. cat. (Philadelphia Mueum of Art, 1997), 208, 211, (repro.). 

Bernard Barryte, Albert E. Elsen, and Rosalyn Frankel Jamison, Rodin’s Art: The Rodin Collection of the Iris and B. Gerald Cantor Center for Visual Arts at Stanford University (New York: Oxford University Press, 2003), 180.

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 118.

Chloé Ariot and Marc Bormand, eds., Michel-Ange / Rodin, exh. cat. (Paris : musée du Louvre/Gallimard, forthcoming 2026).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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