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overall framed - from initial site visit
Standing Female Bather
overall framed - from initial site visit
overall framed - from initial site visit

Standing Female Bather

Album TitleAlbum of Original Prints from the Vollard Gallery
Artist Pierre-Auguste Renoir (French, 1841 - 1919)
Printer Auguste Clot (French, 1858-1936)
Publisher Ambroise Vollard (French, 1870 - 1930)
Date1896
MediumLithograph in black, red/pink, ocher, and blue inks on machine-made, cream, laid paper
DimensionsSight: 18 1/2 × 11 3/4 inches (46.99 × 29.85 cm)
Sheet: 19 7/16 × 12 5/8 inches (49.31 × 31.99 cm)
Credit LineGift of the Mark Sereduck Estate
Object number2024.45
On View
Not on view
Collections
DescriptionThis colored lithograph depicts a nude female stood on a small, earthen mound. Shown from side profile, the blonde woman’s arms cross her body – holding a wispy fabric over her breasts and pubic region. The central figure is surrounded by large areas of exposed thin laid paper, save for the artist’s signature in the lower right corner.Provenance

With Park West Gallery, Southfield, MI, by 2020;

Purchased from Park West Gallery by Laura Sereduck, Leawood, KS, 2020-2024 [1];

Her gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 2024.


NOTES:

[1] The object was purchased and subsequently gifted to the museum in honor of Laura's late husband LTC Mark Sereduck (1951-2020) who is listed in the credit line.

Published References

Loys Delteil, "Le peintre-graveur illustré: (XIXe et XXe siècles): tome dix-septième" (Paris: Chez l’Auteur, 2 rue des Beaux-Arts, 1906).

Claude Roger-Marx, "Les lithographies de Renoir" (Monte-Carlo: Andre Sauret, 1951), 3.


Jean Leymarie and Michel Melot, "The Graphic Works of the Impressionists: Manet, Pissarro, Renoir, Cezanne, Sisley" (London: Thames and Hudson Ltd, 1972), 27.


Joseph G. Stella, "The Graphic Work of Renoir: A Catalogue Raisonné" (1975), 28.



Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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