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Punch Pot

CultureEnglish
Dateca. 1760
MediumStoneware with salt glaze and enamel
DimensionsOverall: 6 1/2 × 6 3/4 × 11 1/4 inches (16.51 × 17.15 × 28.58 cm)
Credit LineGift of Mr. and Mrs. Frank P. Burnap
Object number41-23/726 A,B
On View
On view
Gallery Location
  • 112
Exhibition History

Selection from the Burnap Collection of English Ceramics, M. H de Young Memorial Museum, San Francisco, CA, February 2 – March 2, 1964, no cat.

Bread and Wine, Hallmark Gallery, New York, March 8–May 12, 1967, no cat.


Gallery Label
Meant to imitate white Chinese porcelain, salt-glazed wares also borrowed Chinese polychrome enamel decoration. This punch pot is enameled with Bacchus on a wine barrel and the Sauceboat features engaging domestic scenes.

Both stoneware and salt glaze were introduced to England from Germany in the 17th century. Salt-glazed stoneware is created by adding common salt, a composition of sodium and chlorine, into the chamber of a hot kiln; the sodium acts as a melting agent and reacts with the clay's silica causing an orange-peel texture. First practiced in London, the medium spread to Staffordshire around 1720.  Here, it reached its highest level of technological development and its most varied range of types and forms.
Provenance

Micah Salt (1847-1915), Buxton, England;

His posthumous sale at Messers. Charles Butters & Sons, Stoke-on-Trent, England, October 52-27, 1927, lot 53;

John Henry Taylor, Esq. (1849-1930), Birstall, England;

His posthumous sale Sotheby and Co., London, November 13, 1930, lot. 456;

Mr. Frank P. (1861-1957) and Mrs. Harriet C. (1866-1947) Burnap, Kansas City, MO, by 1941;

Their gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1941.



Published References

Ross E. Taggart, The Frank P. and Harriet C. Burnap Collection of English Pottery in the William Rockhill Nelson Gallery, rev. ed. (1953; Kansas City, MO: Nelson Gallery-Atkins Museum, 1967), 83 (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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