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The Chariot

Artist Alberto Giacometti (Swiss, 1901 - 1966)
Date1950
MediumPainted bronze
DimensionsOverall: 56 1/4 × 24 1/4 × 27 inches (142.88 × 61.6 × 68.58 cm)
Credit LineGift of the Hall Family Foundation, acquired from the Patsy and Raymond Nasher Collection
Object numberF99-33/7
SignedProper left: A. Giacometti 5/6
Edition/State/Proofed. 5/6
On View
On view
Gallery Location
  • L2
Collections
Exhibition History

Alberto Giacometti: Toward the Ultimate Figure, The Nelson-Atkins Museum of Art Kanas City, Missouri, March 18 2023 - June 18 2023, hors cat.

Gallery Label
The Chariot, with its elongated, emaciated form; anguished, lacerated surface; solitary presence; and precarious stance, is a stark and powerful statement about the human condition. The sculpture is associated with Etruscan and Egyptian chariot motifs as well as with Giacometti's memories of "a pharmacy wagon being wheeled around the room" in the Bichat Clinic where he had been a patient. Equally significant to The Chariot is the existential philosophy of his friend Jean-Paul Sartre. Existentialism emphasizes the isolation of the individual in an indifferent universe, where one's existence is defined by each choice one makes. The female figure in The Chariot is a poignant reminder of the fragility of life.

Copyright© Artists Rights Society (ARS), New York / ADAGP, Paris
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Untitled (Street Scene)
Alberto Giacometti
n.d.
2001.30.7
Annette, Horse, Stool
Alberto Giacometti
1951
57-20
Untitled
Alexander Calder
1936
F99-33/4
Marcel Duchamp Cast Alive
Marcel Duchamp
1967
F73-53
Bather
Jacques Lipchitz
1917
F70-12
Working Model for Two Piece Reclining Figure: Cut
Henry Spencer Moore
1978-1979
F99-33/26
Working Model for Thin Reclining Figure
Henry Spencer Moore
1978
F99-33/27
Seated Woman on Curved Block
Henry Spencer Moore
1957
F99-33/51
overall
Henry Spencer Moore
1979
F99-33/15
Two-Piece Reclining Figure No. 9
Henry Spencer Moore
1968
F99-33/19
Crucifixion
Jack Zajac
1957
58-1
Frenzy (Der Berserker)
Ernst Barlach
1910
F65-18