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Vase

Designer Frederick Hurten Rhead (American, born England, 1880 - 1942)
Manufacturer S. A. Weller Pottery Company (American, 1872 - 1948)
Dateca. 1904
MediumEarthenware with glaze
DimensionsOverall: 16 × 8 inches (40.64 × 20.32 cm)
Credit LineGift of William A. Stout
Object numberF94-36
MarkingsInscribed on bottom: "Weller Faience" and "B 463 1/2"
On View
On view
Gallery Location
  • 218
DescriptionVase with flaring neck and tapering body. Band around body decorated with repeating pattern of trees alternating with rabbits wearing eyeglasses. Decorated in shades of green, yellow, and dark red.Exhibition History

Frederick Hurten Rhead: An English Potter in America, Erie Art Museum, Erie, PA, 1986, no. 42.  

Art with a Mission: Objects of the Arts and Crafts Movement, Spencer Museum of Art, Lawrence, Kansas, March 31-May 26, 1991, no. 86.

Gallery Label

A whimsical band of rabbits dressed in suits and glasses decorates this vase. Children’s book illustrations of the period likely influenced Frederick Hurten Rhead’s design. However, the vase’s rabbits may also be caricatures of the artist himself. Rhead wore wire-rimmed glasses and had a distinctive nose.

Rhead trained in England but enjoyed a long and influential career in the United States. He incorporated decorations commonly used in British commercial art potteries into his work. Here, he referenced British incised motifs by cutting blades of grass into the vase’s surface.

Provenance

With unknown dealer, St. Louis;

David Stewart, Kansas City, MO, ca. 1983-1984;

William A. Stout, Kansas City, MO, 1984-1994;

His gift to The Nelson-Atkins Museum of Art, 1994.

Published References

Sharon Dale, Frederick Hurton Rhead: An English Potter in America, exh. cat. (Erie, PA: Erie Art Museum, 1986), pp. 38-39(repro.), 70 (repro.).

Bernard Bumpus, “Fredrick Hurten Rhead: A Natural Offshoot of His Family,” Arts & Crafts Quarterly 3, no. 3 (1990): 9.

Patricia Fidler, Art with a Mission: Objects of the Arts and Crafts Movement, exh. cat. (Lawrence, KS: Spencer Museum of Art, 1991), pp. 74-75, 58 (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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