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Vase

Manufacturer Chantilly Porcelain Manufactory (French, ca. 1725 - 1789)
Dateca. 1740
MediumSoft-paste porcelain with tin glaze and enamel
DimensionsOverall: 9 7/8 × 7 7/8 inches (25.08 × 19.99 cm)
Credit LinePurchase: the Lillian M. Diveley Fund
Object numberF99-11
MarkingsMaker's mark: red hunting horn on bottom
On View
On view
Gallery Location
  • 122
DescriptionInverted pear shape vase with short circular vertical neck and bulbous shoulder tapering down toward outward-flaring foot. The body is decorated with two groups of large lobes; lobes around the shoulder terminate at the center of lobes below. The vase is decorated in overglaze polychrome enamels with Asian scenes of two figures standing around a truncated triangular table with a seated figure on a low stool below; a single Asian figure with left arm raised; and a group of five Asian figures seated on stools around table with food and drink. A butterfly and other insects are interspersed.Exhibition History

Luxury and Passion: Inventing French Porcelain, The Nelson-Atkins Museum of Art, Kansas City, Missouri, August 13 2022–August 12 2024, no cat.

Gallery Label
Although larger manufactories such as Vincennes, Sèvres and Meissen dominated European porcelain production, 18th-century regional manufactories were also successful. The lush flowers of the Höchst Sugar Bowl and the Mennecy Jug reflect the exceptional painted decorations for which these two smaller manufactories were known, while the delicate, applied leaves of the Saint-Cloud Potpourri Jar exhibit this manufacturer's characteristic relief style inspired by Chinese blanc de chine (white) porcelain. The Chantilly Vase drew from brightly polychromed Japanese ceramics for its decorative motifs.  As European porcelain production developed, forms were diversified.  In an era of frivolity and luxury wares, flowers could be watered with this rare Vincennes Watering Can or arranged in the Sèvres Vase à Compartiments. Although the Vincennes Tankard's intended function was utilitarian, its exotic, gilded decoration of birds and palm trees against the mottled lapis bleu ground indicates it chiefly served as a status symbol. 
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Panel
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1900
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