Skip to main content

Tobias Disemboweling the Fish

Attributed to Rembrandt van Rijn (Dutch, 1606 - 1669)
Dateca. 1646/1647
MediumBrown ink and wash on paper
DimensionsOverall: 7 3/8 × 9 9/16 inches (18.72 × 24.28 cm)
Framed: 17 × 21 × 1 1/4 inches (43.18 × 53.34 × 3.18 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number61-25/1
On View
Not on view
Collections
Exhibition History

Scenes from the Hebrew Scriptures, The Nelson-Atkins Museum of Art, Kansas City, MO, August 2-September 18, 1983, no. 57, as Tobias Taketh the Fish from the River Tigris.


The Age of Rembrandt, Mississippi Museum of Art, Jackson, MS, August 1-September 27, 1992, no cat.


Dürer to Matisse: Master Drawings from the Nelson-Atkins Museum of Art, The Philbrook Museum of Art, Tulsa, OK, June 23-August 18, 1996; The Cummer Museum and Gardens, Jacksonville, FL, September 20-November 29, 1996; The Hood Museum of Art, Dartmouth College, Hanover, NH, December 21, 1996-March 2, 1997, no. 26, as Tobias Disemboweling the Fish.


Dürer to Matisse: Master Drawings from the Permanent Collection, The Nelson-Atkins Museum of Art, Kansas City, MO, July 12-September 6, 1998, no cat., as Tobias Disemboweling the Fish.


Dürer to Tiepolo: Works on Paper, The Nelson-Atkins Museum of Art, Kansas City, MO, December 12, 2012-June 9, 2013, no cat.



Gallery Label
Rembrandt, as one of the greatest of all draftsmen, was able to convey a wide range of emotions by a few well chosen strokes of the pen. Here Tobias, watched sympathetically by an angel, extracts the fish gall that will cure his father's blindness according to the Apocryphal story (Tobit 11). Note the concentration in Tobias' profile, reinforced by the pressure applied with his left arm and by his left knee pushing against the rock. The background is no more than bare paper, but convincingly serves as a foil to the figures, suggesting an extensive background space.
Provenance

Unknown collector with mark of cursive D (not in Lugt) on the verso, bottom left corner;

Marsden J. Perry (1850-1935), Providence, RI [1];

Wilhelm Reinhold Otto Valentiner (1880-1958), Raleigh, NC;

Harry Bertoia (1915-1978), Bally, PA;

Purchased from Harry Bertoia by The Nelson-Atkins Museum of Art, Kansas City, MO, 1961.

NOTES:

[1] Lugt 1880

Published References

Otto Benesch, The Drawings of Rembrandt, vol. 3, The Middle Period, 1640-1650 (London: Phaidon, 1955), no. 582, p. 164, (repro.), as Tobias Disembowelling [sic] the Fish, with the Angel.


Ross E. Taggart, “Three Drawings by Rembrandt,” Bulletin (The Nelson Gallery and Atkins Museum) vol. 3, no. 3 (Spring 1961): 1-4, (repro.), as Tobias Disemboweling the Fish.


n.a., “Accessions of American and Canadian Museums: April-June, 1961,” The Art Quarterly 24, no. 3 (Autumn 1961): 304, (repro.), as Tobias Disemboweling the Fish.


Denys Sutton, “Editorial: The Colonel’s Gift,” Apollo 96, no. 130 (December 1972): 472, (repro.).


Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 182, (repro.), as Scene from the Life of Tobias and the Angel.


Ross E. Taggart and Roger Ward, Scenes from the Hebrew Scriptures, exh. cat. (Kansas City, MO: Nelson-Atkins Museum of Art, 1983), 16, 38, (repro.), as Tobias Taketh the Fish from the River Tigris.


Roger Ward, Dürer to Matisse: Master Drawings from the Nelson-Atkins Museum of Art, exh. cat. (Kansas City, MO: Nelson-Atkins Museum of Art, 1996), 11, 100-02, (repro.), as Tobias Disemboweling the Fish.



Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


Saul and the Witch of Endor
Rembrandt van Rijn
ca. 1650-1652
61-25/2
recto overall
Rembrandt van Rijn
1654
60-20
Young Man in a Black Beret
Rembrandt van Rijn
ca. 1662
31-75
Old Man, with Beard, Fur Cap, and Velvet Cloak
Rembrandt van Rijn
ca. 1632
32-69/49
Ephraim Bonus, Jewish Physician
Rembrandt van Rijn
1647
33-471
Jan Cornelis Sylvius, Preacher
Rembrandt van Rijn
1633
53-51/169
Ephraim Bonus, Jewish Physician
Rembrandt van Rijn
1647
2005.10.3
Saint Jerome Reading in an Italian Landscape
Rembrandt van Rijn
ca. 1653-1654
60-66