Boy
Reconnecting: Recent Work by Jennifer Bartlett, Mel Bochner, Nancy Graves, Patrick Ireland and Lucio Pozzi, The Detroit Institute of Arts, June 10-September 13, 1987, hors cat.
A Bountiful Decade: Selected Acquisitions 1977–1987, The Nelson-Atkins Museum of Art, Kansas City, MO, October 14–December 6 1987, 83.
Seven American Painters – The Balance of Abstraction and Realism, Staatsgalerie moderner Kunst, Haus der Kunst, Munich, March 14-May 5, 1991.
With Paula Cooper Gallery, New York, by 1985;
Purchased from Paula Cooper Gallery by the Friends of Art, Kansas City, MO, 1985;
Their gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1985.
Nelson-Atkins Museum of Art, “New at the Nelson”, Museum Calendar of Events (Kansas City: April 1984), cover (repro.).
Alice Thorson, “Bartlett Exhibition has Academic Feel”, Kansas City Star (August, 28, 1984), G3.
Phyllis Freeman, New Art (New York: Abrams, 1984), 23 (repro.).
Nancy Roth, Visual Art (April 1985), 50.
Marge Goldwater et al., Jennifer Bartlett, exh. cat. (New York: Abbeville Press, 1985), 6 (repro.).
Richard Marshall, 50 New York Artists: A Critical Selection of Painters and Sculptors Working New York (San Francisco: Chronicle Books, 1986), 20, 21 (repro.).
Roger Ward, A Bountiful Decade: Selected Acquisitions 1977–1987, exh. cat. (Kansas City: The University Trustees of The William Rockhill Nelson Trust, 1987), 190, 191 (repro.).
Jan Greenberg, Sandra Johnson, The Painter’s Eye: Learning to Look at Contemporary American Art (New York : Delacorte Press, 1991), 60, 61 (repro.), 90.
Sieben Amerikanische Maler, exh. cat. (Staatsgalerie Moderner Kunst, Munich, 1991), 31 (repro.).
Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection (Kansas City: The Nelson-Atkins Museum of Art, 2008), 229, (repro.).
Jennifer Bartlett: In the Garden
(1980-83), exh. cat. (Philadelphia, PA : Locks Gallery, 2014), cover
(repro.), 36, 37 (repro.).