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Commode (Chest of Drawers)

ManufacturerWorkshop of Charles Cressent (French, 1685 - 1768)
Date1745-1749
MediumOak, pine, tulip, amaranth, satinwood, kingwood, marble, and copper alloy with mercury gilding
DimensionsOverall: 35 3/4 × 63 3/16 × 24 3/4 inches (90.81 × 160.5 × 62.87 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number65-19
On View
On view
Gallery Location
  • 118
DescriptionElaborately ornamented ormolu mounts of scrolls, flowers, leaves and associated curves forming pied-de-biche on the four legs and applied to the serpentine front, the scalloped front apron, and sides; "C" couronne mark of the gilder, Cheville Fils, on each piece; chest, surmounted with a red marble slab, has two front drawer, two side cupboards, and crossbanded veneer.Gallery Label
The marquetry process used on this commode, a chest of drawers, combines rare and exotic woods in contrasting colors to create intricate patterns.  Light and dark woods join together in a geometric diamond design that serves as a background for the elaborate applied ormolu (gilded bronze) mounts.  Charles Cressent trained with his father, a sculptor, and his grandfather, an ébéniste, or a cabinetmaker who specialized in veneered furniture.  Cressent often designed and cast the mounts in his own shop despite strict guild regulations that prohibited metal craftsmen from working in the shop of an ébéniste.  These ormolu mounts bear the C couroneé (crowned C) stamp that was employed as the tax mark in France from 1745-1749, thus allowing a fairly exact dating for the chest.
Provenance

Baron Nathaniel Mayer von Rothschild (1836-1905), Theresianumgasse, Vienna, by 1905;

By descent to his nephew, Baron Alphonse Mayer von Rothschild (1878-1942) and his wife, Clarice Adelaide von Rothschild (née Sebag-Montefiore, 1894-1967), Theresianumgasse, Vienna, 1905-1938;

Confiscated from the Rothschilds by German National Socialist (Nazi) forces, 1938-May 1945 [1];

Recovered by Allied forces, May 1945-August 12, 1947 [2];

Returned by Allied forces to Austria, August 12, 1947-October 16, 1947 [3];

Restituted by Austria to Clarice Adelaide von Rothschild, New York, October 16, 1947-April 2, 1948 [4];

Purchased from Rothschild by Rosenberg and Stiebel, New York, stock no. 4358, April 2, 1948-May 10, 1962;

With Rosenberg & Stiebel, on joint account with Arthur S. Vernay, Inc., May 10, 1962-April 27, 1965 [5];

Purchased from Rosenberg and Stiebel by The Nelson-Atkins Museum of Art, Kansas City, MO, 1965.

NOTES:

[1] The collections of Baron Alphonse and Clarice von Rothschild were confiscated by the Nazis soon after the German annexation of Austria in March 1938. This commode was taken to the Nazi depot for confiscated art objects at the Kunsthistorisches Museum, Neue Burg, Vienna, in 1939, where it was inventoried as number AR 376, “Zweiladige Kommode, vergoldete Bronzemontierung, Maramorplatte, französisch, 1750” (see Katalog beschlagnahmter Sammlungen, inbesondere der Rothschild-Sammlungen in Wien , Verlags-Nr. 4938, Staatsdruckerei Wien, 1939, Privatarchiv, reproduced in Sophie Lille, Was einmal war: Handbuch der enteigneten Kunstsammlungen Wiens (Vienna: Czernin Verlag, 2003), 1016). It was intended for Hitler’s planned Führermuseum in Linz and included in an inventory of Linz objects (National Archives and Records Administration, RG 260, Records of the Reparations and Restitutions Branch of the U.S. Allied Commission for Austria Section, General Administrative records, Linzer Kunstmuseum List, Catalog ID 1561451). The commode was transferred to the Nazi repository at the Kremsmünster Abbey, where it was assigned number KKu 837. It was later moved to the Nazi repository in a salt mine at Alt Aussee, Austria, where it was assigned inventory number lv 1206. Copies of Allied and German documents describing the commode’s wartime movements are in the NAMA curatorial files.

[2] Following the discovery of the art objects in the Alt Aussee salt mine in May 1945, the officers of the U.S. Army’s Monuments, Fine Arts and Archives Section (the “Monuments Men”) worked to catalog every looted object and return it to its rightful owner.

[3] This commode was included in an inventory of Alt Aussee objects to be transferred to the control of the Bundesdenkmalamt, Vienna, July 14, 1947 (National Archives and Records Administration, RG 260, Records of the Reparations and Restitutions Branch of the U.S. Allied Commission for Austria Section, Records Relating to Claims, Austrian Receipts, Catalog ID 1561450).

[4] Bundesdenkmalamt Archives, Vienna, Restitution Materials, Sammlung Alphons Rothschild, Karton 53/1. Copies of restitution documents provided by Anneliese Schallmeiner, Commission for Provenance Research at the Bundesdenkmalamt; see NAMA curatorial files. Frick Art Reference Library, MS 065 Rosenberg & Stiebel Archive, Photographs-Card Files.

[5] Rosenberg & Stiebel sold a half share in this object to Vernay on May 10, 1962. See Frick Art Reference Library, MS 065 Rosenberg & Stiebel Archive, Sales and Inventory Records, Purchases & Sales, 1959-1970, copy in Nelson-Atkins curatorial files.

Published References
Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 228, (repro).
Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


Writing Desk
Bernard van Risenburgh II
ca. 1750
F72-26
Chest of Drawers (commode)
Jean-Mathieu Chevallier l'aîné
mid-18th century
2021.33.1,2
overall oblique
ca. 1685
2021.21
Chest of Drawers with Doors
Adam Weisweiler
ca. 1780
F70-43 A,B
Cartel Clock
Charles Cressent
1745-1750
62-1.1,2
recto overall
John Townsend
1794
33-523
Card Table
John Townsend
1794
33-524
recto overall
Johannes Klinkerfuss
ca. 1810
F67-22
recto overall
ca. 1790-1810
34-87
recto overall with doors closed
ca. 1710
33-23.1,2
overall
19th century
41-47/1
Card Table
1800-1815
32-157/6