The So-called Temple of the Deus Rediculus
Framed: 20 × 26 × 1 inches (50.8 × 66.04 × 2.54 cm)
Dürer to Matisse: Master Drawings from The Nelson-Atkins Museum of Art, The Philbrook Museum of Art, Tulsa, June 23-August 18, 1996; The Cummer Museum of Art and Gardens, Jacksonville, FL, Setpbemr 20-November 29, 1996; The Hood Museum of Art, Hanover, NH, December21, 1996-March 2, 1997, no. 53, as The So-called Temple of the Deus Redicullus.
With Dr. Heinz Steinmeyer, Munich, by June 5, 1959 [1];
Purchased from Steinmeyer by Julius Böhler Kunsthandlung, Munich, stock no. M_59-097, June 5, 1959-September 14, 1959, as La Maison Carrée à Nimes;
Purchased from Kunsthandlung Julius Böhler by Milton McGreevy (1903-1981), Kansas City, MO, September 14, 1959;
His gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1959.
NOTES:
[1] Zentralinstitut für Kunstgeschichte, Munich/Photothek, Julius Böhler Archive, Munich Index, M_59-097.
Roger Ward, Dürer to Matisse: Master Drawings from The Nelson-Atkins Museum of Art, exh. cat. (Kansas City: Nelson-Atkins Museum of Art, 1996), 171-73.
MacKenzie Mallon,
“’A Man We Wished to Work With’: The Kunsthandlung Julius Böhler and The
Nelson-Atkins Museum of Art,” in Cosima Dollansky, et al, eds., Quelle und
Kontext: Objekte, Akteure, Prozesse der Kunsthandlung Julius Böhler (Munch:
Zentralinstituts für Kunstgeschichte, 2025): 237.
