Female Nude (Study)
Framed: 30 7/8 × 20 3/8 inches (78.42 × 51.75 cm)
- 218
Exhibition of Sketches, Studies and Intimate Paintings by Thomas Eakins, Babcock Galleries, New York, October 31-November 25, 1939, no. 11 (as Female Nude).
Thomas Eakins Centennial Exhibition, 1844-1944, Philadelphia Museum of Art, April 8, 1944-October 26, 1945 (M. Knoedler & Co., New York, no. 37, and Carnegie Institute, Pittsburgh, no. 33, only (as Nude, Female (Study)).
This study's purpose remains a mystery. Incised lines in this study suggest plans to translate it into a larger composition, but no related oil paintings by Eakins are known. It does closely resemble a watercolor. Intriguingly, the study relates most of all to a composition by one of Eakins' students.
To Susan McDowell Eakins (wife of the artist), Philadelphia, 1916;
to estate of the artist, 1916;
(Babcock Galleries, New York, 1939);
to Julia and Humbert Tinsman, Shawnee Mission, Kans., after 1959;
to NAMA, 1998.
Lloyd Goodrich, Thomas Eakins: His Life and Work (New York: Whitney Museum of American Art, 1933), 177, no. 204.
Exhibition of Sketches, Studies and Intimate Paintings by Thomas Eakins, exh. cat. (New York: Babcock Galleries, 1939), unpaginated (as Female Nude).
Roland Joseph McKinney, Thomas Eakins (New York: Crown Publishers, 1942), 104 (as Nude).
A Loan Exhibition of the Works of Thomas Eakins, 1844–1944, Commemorating the Centennial of His Birth, exh. cat. (New York: M. Knoedler, 1944), [8], 13 (as Nude, Female [Study]).
Thomas Eakins Centennial Exhibition, 1844–1944, exh. cat. (Pittsburgh: Carnegie Institute, 1945), unpaginated.
Fairfield Porter, Thomas Eakins (New York: George Braziller, 1959), 62 (as Nude Back).
Theodor Siegl, The Thomas Eakins Collection (Philadelphia: Philadelphia Museum of Art, 1978), 102 (as Nude Woman).
Margaret C. Conrads, “American Art Treasures Loaned
to Nelson-Atkins,” Calendar (Nelson-Atkins
Museum of Art), December 1998, 2.
Margaret C. Conrads, ed. The Collections of the Nelson-Atkins Museum of Art: American Paintings to 1945 (Kansas City, Mo.: The Nelson-Atkins Museum of Art, 2007), 1: 240–244, 2: 105–107.