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Book, Glass and Bottle on a Table

Artist Juan Gris (Spanish, 1887 - 1927)
Date1913
MediumWax crayon, ink, and collage
DimensionsOverall: 36 1/8 × 23 3/8 inches (91.76 × 59.37 cm)
Credit LineGift of the Friends of Art
Object numberF61-10
On View
Not on view
Collections
DescriptionTable-side, bottom, colored with orange chalk, as is top, partly covered by vertical white plane bearing tall bottle, right, pipe, round and cylindrical objects outlined and shaded in black, other books and objects out- lined in blue; bottle has at bottom part of label "Au/ IE VIE"; from under plane, left. letters FJOU and bit of brown newsprint; part of book page, left, center titled (p.16) "Terres de Glace et Terres de Feu".Exhibition History

Juan Gris-Jacques Lipchitz: A Friendship, M. Knoedler & Company, New York, January 11-February 6, 1960, no. 6.


An Exhibition Tracing the Evolution of Modern Painting from Cezanne to 1960, The Nelson Gallery and Atkins Museum, Kansas City, MO, January 19-February 26, 1961, no. 19.


Juan Gris (1887-1927), Sala Pablo Ruiz Picasso, Madrid, September 20-November 24, 1985, no. 126.

Gallery Label
Juan Gris was an early adopter of Cubism and used lines to break down objects into abstracted forms. In Book, Glass, and Bottle on a Table, fragments of objects are represented from several vantage points simultaneously. The small circle and two partial circles are alternate views of the mouths of a bottle and glass, respectively. This work is also a collage, with paper glued to its surface. The page represents the book that would have been included if this were a still-life painting.
Provenance

Purchased from the artist by Galerie Kahnweiler, Paris, by August 1914-December 12, 1914 [1];


Confiscated from Galerie Kahnweiler by the French government, December 12, 1914-May 7, 1923 [2];


Tableaux, aquarelles, gouaches, dessins & estampes par Georges Braque, André Derain, Maurice de Vlaminck, Juan Gris, Fernand Léger, Manolo, Pablo Picasso, Hôtel Drouot, Paris, May 7, 1923, lot 67 [3];


Probably Helena Rubinstein (d. 1965), New York, by 1959;


Probably acquired from Rubinstein by Sir John Richardson (b. 1924), on joint account with Knoedler and Co., New York, watercolor stock book 6, no. WCA2286, May 21, 1959-February 2, 1961 [4];


Purchased from Knoedler by the Friends of Art, Kansas City, MO, February 2, 1961;


Their gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1961.


NOTES:


[1] Galerie Kahnweiler had an exclusive contract with Juan Gris from February 1913 until the beginning of World War I in August 1914, when owner Daniel Henry Kahnweiler (1884-1979), a German citizen living France, was declared an enemy alien by the French government.


[2] Kahnweiler’s gallery stock was subject to confiscation as enemy property and was sold after the war by the French Ministry of Finance toward paying Germany’s war reparations.


[3] This piece was one of eight Gris works sold as one lot.


[4] See John Richardson, The Sorcerer’s Apprentice: Picasso, Provence, and Douglas Cooper (New York: Alfred A. Knopf, 1999), 258. Knoedler and Co. purchased a half share in a group of six Gris works from Richardson, which may all have been part of lot 67 in the May 7, 1923 sale. Other examples thought today to have been in this lot, and subsequently in the Rubinstein and Richardson collections, are: Still Life (Bouteille, Verre et Journal sur une Table) in the Museo Nacional Thyssen-Bornemisza, Madrid (Inv. no. 565, 1976.33); Verre et carafe sur une table, sold at Christie’s New York, Impressionist and Modern Evening Sale, November 5, 2014, lot 23; and Guitare et Journal sur la Table, in a French private collection (Les Cubistes, exh. cat. (Bordeaux: S. N. Imp. Delmas, 1973), 57).



Published References

Collection Henri Kahnweiler: Tableaux, Aquarelles, Gouaches, Dessins & Estampes, Hôtel Drouot, Paris, May 7, 1923, lot 67, 4.


Juan Gris-Jacques Lipchitz: A Friendship, exh cat. (New York: M. Knoedler & Company, 1960, unpaginated.

 

An Exhibition Tracing the Evolution of Modern Painting from Cezanne to 1960, exh. cat. (Kansas City: University Trustees, W. R. Nelson Trust, 1961), 22, (repro.).

 

Ross E. Taggart, George L. McKenna and Marc F. Wilson, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 197, (repro.).


Juan Gris (1887-1927), exh. cat. (Madrid: Ministerio de Cultura y Banco de Bilbao, 1985), 336-7, (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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