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Bowl

Original Language Title琺瑯彩碗
CultureChinese
DateKangxi period (1662-1723)
MediumPorcelain with overglaze enamels
DimensionsOverall: 2 3/4 × 5 15/16 inches (6.99 × 15.08 cm)
Credit LineGift of Arthur Rothwell
Object number68-45
On View
Not on view
Collections
Exhibition History

Emperors, Scholars and Temples: Tastemakers of China’s Ming and Qing Dynasties, The Nelson-Atkins Museum of Art, August 12, 2016 – July 9, 2017.

Gallery Label
This bowl is one of the earliest examples of the last great innovation in Chinese porcelain-the famille rose palette. Unlike earlier enameled decoration which was largely translucent, famille rose included opaque white and pink enamels, the latter derived from colloidal gold (micro particles of gold in suspension).  Since colloidal  gold had been used in the West since Roman times to color glass, it is possible that its appearance on Chinese porcelain represents a borrowing from Europe.
Provenance

Acquired in Shanghai by Zhang Naiji (1899-1948) for Oriental Fine Arts, Inc., New York, 1947-1949 [1];

Arthur B. Rothwell (1906-1994), New York, Panama, Dallas, TX and Houston, TX, 1949-1968 [2];

His gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1968.

NOTES:

[1] A typed history of the bowl, presumably written by Arthur B. Rothwell (see note 2) and now found in the Nelson-Atkins files, describes its provenance as given here. Zhang Naiji (also known as Nai Chi Chang and N. C. Chang) was a collector and dealer who owned Tonying & Company, an antiquities shop in Paris. He emigrated to New York in 1939, where he continued to collect. Zhang worked for C. T. Loo & Company in New York, and later Oriental Fine Arts, which was owned by Rothwell.

[2] Arthur B. Rothwell was born in Oldham, England in 1906 and worked as an import manager for Yangtze Trading Company during his early career. He spent several years in New York as president of Oriental Fine Arts, Inc., until 1949, when he closed the gallery and moved to Panama. By 1959, he lived in Dallas, Texas, where he was involved in the oil industry with the Cheyenne Oil Corporation.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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