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Lidded Jar

CultureChinese
Datelate 11th-early 12th century
MediumPorcelain with iron-rich glaze
DimensionsOverall: 5 1/4 × 4 inches (13.34 × 10.16 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number35-99 A,B
On View
On view
Gallery Location
  • 229
Collections
DescriptionGlobular body with wide cylindrical neck and low dome-shaped cover with knob. shallow foot. white porcellaneous ware with brilliant black glaze. Thin wash of glaze on interior and inside of cover.Exhibition History

Los Angeles County Museum of Art, January - May 1952.

Hare's Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown-and-Black-Glazed Ceramics, 400-1400, Harvard University Art Museums; Arthur M. Sackler Museum; Harvard University; December 23, 1995 - March 10, 1996; China House Gallery, April 20 - July 13, 1996; Elvehjem Museum of Art, November 9, 1996 - January 19, 1997.

Provenance

Purchased through Laurence Sickman by The Nelson-Atkins Museum of Art, Kansas City, MO, 1935.

Published References

Henry Trubner, Chinese Ceramics (Los Angeles County Museum, March 14-April 27, 1952), 76, no. 152 (repro.).

Ross E. Taggart, George L. McKenna, and Marc F. Wilson, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. II, Art of the Orient. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 86 (repro.).

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 297 (repro.).

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 339, pl. 171 (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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