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Wine Jar with Lid in Form of the Paradise of the Immortals

Wine Jar with Lid in Form of the Paradise of the Immortals

CultureChinese
DateEastern Han dynasty (25-220 C.E.)
MediumEarthenware with lead-fluxed glaze
DimensionsOverall: 8 7/8 × 7 1/2 inches (22.54 × 19.05 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number34-148/2 A,B
On View
On view
Gallery Location
  • 231
Collections
DescriptionCylindrical jar with cover in the form of mountains. Sides coverd with a relief of figures of men and horses. Two T'ao-T'ieh masks holding rings.Exhibition History

Sacred Mountains in Chinese Art, Krannert Art Museum, Champaign, IL, November 9–December 16, 1990; The Metropolitan Museum of Art, New York, January 25–March 31, 1991, cat. 33.

Gallery Label
Daoism (Taoism) was a philosophy of self-cultivation that gradually developed into a cult of immortality. Daoist immortals were believed to inhabit a mountain paradise, and this was often depicted on the lids of wine jars and incense burners. Real and imaginary figures depicted on the body and lid of the vessel enhance the sense of the supernatural.
Provenance

With Dr. Otto Burchard, Peiping (modern-day Beijing), China, by April 23, 1933-1934 [1];

Purchased from Burchard, through Laurence Sickman, by The Nelson-Atkins Museum of Art, Kansas City, MO, 1934.

NOTES:

[1] Laurence Sickman, Nelson-Atkins Advisor on Asian Art, first wrote to Langdon Warner about a group of tomb objects, including this piece, on April 23, 1933: “It is what I believe to be a complete set of Han tomb pottery of such high quality and such beauty that it is really quite unbelievable. …there are in all twenty-one pieces all from the same tomb, near Shan Chou, north-west Honan.” Harvard Pusey Library, Langdon Warner Archive, Box 12, Folder 19, copy in Nelson-Atkins curatorial files.

Published References

Kiyohiko Munakata, Sacred Mountains in Chinese Art (Champaign, Ill. : Krannert Art Museum, University of Illinois at Urbana-Champaign ; Urbana : University of Illinois Press, c1991), 88, cat. 33 (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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