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Grain Yard

CultureChinese
Date2nd century C.E.
MediumEarthenware with lead-fluxed glaze
DimensionsOverall: 2 1/2 × 8 3/4 × 6 inches (6.35 × 22.23 × 15.24 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number34-207
On View
On view
Gallery Location
  • 231
Collections
DescriptionA man grinding grain, a seated dog, and a large millstone are all surrounded by a wall on three sides.Exhibition History

Exhibition of Han Art, Art Institute of Chicago, Chicago, IL, 1941.

Chinese Ceramics: Art and Technology, High Museum of Art, Atlanta, GA, November 19, 1984 – February 24, 1985.

Gallery Label
This model shows three stages in the processing of grain: on the right a figure works a treadle huller to husk grain; on the left is a rotary winnowing machine with handle and an attentive dog, perhaps on the lookout for rats. In the foreground is a millstone for grinding flour.

Provenance

With Dr. Otto Burchard, Peiping (modern-day Beijing), China, by April 23, 1933-1934 [1];

Purchased from Burchard, through Laurence Sickman, by The Nelson-Atkins Museum of Art, Kansas City, MO, 1934.

NOTES:

[1] Laurence Sickman, Nelson-Atkins Advisor on Asian Art, first wrote to Langdon Warner about a group of tomb objects, including this piece, on April 23, 1933: “It is what I believe to be a complete set of Han tomb pottery of such high quality and such beauty that it is really quite unbelievable. …there are in all twenty-one pieces all from the same tomb, near Shan Chou, north-west Honan.” Harvard Pusey Library, Langdon Warner Archive, Box 12, Folder 19, copy in Nelson-Atkins curatorial files.

Published References

C. P. Fitzgerald, The Horizon history of China (New York: American Heritage Pub. Co., 1969): 146.

Gwendda Milston, A Short History of China (Stanmore, Australia: Cassell Australia, 1978): 122, fig. 6 and 8 (repro.).

Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 2, Art of the Orient, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973): 75 (repro.) as Farm Yard with Husker, Winnowing Machine, and Grinder.

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993): 286 (repro.).

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008): 307, fig. 78 (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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